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“I want you to promise to keep this a secret, from everyone,” says Edward C. Burke, a mysterious professor played by mythic master of the macabre, Lon Chaney Sr. The line is a warning to a mourning daughter in the surviving screenplay for London After Midnight; it’s also part of the eeriest horror movies of the silent era. Unfortunately though, director Tod Browning’s 1927 classic has become one of the most inadvertently well-kept secrets of Hollywood, even as it remains one of the most influential works in horror movie history. If only we could see it.

While the film has been lost to time, the ghastly image of Chaney’s vampire in the film has lingered in the pop culture imagination, influencing everything from the earliest Hollywood Dracula film of 1931, which was originally supposed to star Chaney until his death in 1930, to seemingly this year’s recent Renfield reimagining at the same studio.

The silent horror film London After Midnight, which starred the legendary Lon Chaney (father of the also legendary Wolf Man star Lon Chaney Jr.) did very well when it was released in 1927, earning over a million dollars at the box office on a budget of 151,666.14. But that didn’t help the film when it came time for it to be preserved. Every known existing print of London After Midnight was destroyed, with the last copy going up in the flames in the 1965 MGM vault fire. For almost fifty years, genre fans have been wondering what it would be like to watch London After Midnight. And now film historian Daniel Titley has written an entire book dedicated to movie. Titled London After Midnight: The Lost Film, this book was released on December 28th and has quickly become a bestseller. You can pick up a copy at This Link.

London After Midnight:...

Mark of the Vampire

Blu-ray

Warner Archive Collection

1935 / 1.33: 1 / 60 Min.

Starring Lionel Barrymore, Bela Lugosi

Written by Guy Endore, Bernard Schubert

Directed by Tod Browning

Tod Browning died in 1962, living long enough to see his work enjoy a resurgence on late night’s Shock Theater, a syndicated TV package featuring Universal’s classic horror films. Browning’s Dracula was one of the crown jewels of that series but if you wanted to see more of the director’s work it probably wouldn’t be on television—his most infamous films were too lurid even for the midnight hour: potboilers populated by deformed and deranged circus performers, bloodthirsty magicians, and cross-dressing ventriloquists.

1932’s Freaks was the ne plus ultra of the Browning shockers, a sawdust soap opera pitting a beautiful prima donna against unorthodox carny performers—”unorthodox” because these folks were, on the surface, strange figures whose physical abberations made them outcasts everywhere except the circus.