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Cinecittà and Film at Lincoln Center’s Sophia Loren: La Signora Di Napoli

Edoardo Ponti’s The Life Ahead; Mario Mattoli’s Poverty And Nobility opposite Totò and Enzo Turco; Alessandro Blasetti’s Too Bad She’s Bad with Marcello Mastroianni and Vittorio De Sica; Dino Risi’s The Sign Of Venus (Il Segno Di Venere) with Franca Valeri and Raf Vallone; Vittorio De Sica’s Two Women with Jean-Paul Belmondo and Eleanora Brown, plus De Sica’s 1963 and Marriage Italian Style (Matrimonio All’Italiana) with Mastroianni, and The Voyage (Il Viaggio) with Richard Burton; Stanley Donen’s Arabesque with Gregory Peck; Francesco Rosi’s More Than A Miracle (C’era Una Volta) with Omar Sharif; Charlie Chaplin’s A Countess From Hong Kong with Marlon Brando; Ettore Scola’s A Special Day (Una......

Beta Cinema has acquired international sales rights to My Place Is Here, directed by Daniela Porto and Cristiano Bortone.

Starring Cinema Paradiso’s Marco Leonardi and Ludovica Martino (Skam Italia), My Place Is Here is a drama with a strong friendship story at its core.

The film is set in the aftermath of WWII against the conservative backdrop of Southern Italy, just as Italian women have gained the right to vote. When single mother Marta accepts the proposal of an older farmer, she meets Lorenzo, the village’s openly gay wedding planner and forges an unlikely friendship with him. Lorenzo...

Italian actor Sandra Milo, known for memorable roles in Federico Fellini’s “8½” and “Juliet of the Spirits” as well as her work with Roberto Rossellini, died on Monday at her Rome home. She was 90.

News of Milo’s death was announced on social media by her daughters, Debora and Azzurra, and son Ciro, who said Milo died in her sleep on Monday morning.

Italian deputy culture minister Lucia Borgonzoni mourned the passing of Milo as the loss of a “protagonist of Italian cinema … a great, talented artist with an overwhelming charisma” and “the muse of great directors such as Federico Fellini who won the hearts of millions of Italians.”

Milo, whose work spanned several genres, made her big screen debut in 1955 alongside popular comic actor Alberto Sordi in Antonio Pietrangeli’s “Lo Scapolo” (“The Bachelor”). Other comedies followed such as “Totò in the Moon” (“Totò Nella Luna”), one of...

Anna Magnani in a publicity photo for The Passionate Thief.One thing cinephiles learn fast is just how easy it is, thanks to the limits and whims of distribution, for celebrated films to fade into the background outside their homeland. So one way to begin with Italian director Mario Monicelli is how overshadowed he is today on the world stage. You could say, only half-ironically, that he'd be more famous if only more people had heard of him, or if his global reputation kept up with the one he holds in Italy. Monicelli began filmmaking in the 1930s, was a prolific screenwriter in the 40s, took off as a director in the 50s, and continued making movies without much pause until his death in 2010. In his heyday as a hitmaker, he worked with stars like Anna Magnani, Marcello Mastroianni, Totò, Claudia Cardinale, and Monica Vitti. He once shared a Golden...

Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and...

Above: Pedro Costa's Horse Money

The Locarno Film Festival has announced their lineup for the 67th edition, taking place this August between the 6th and 16th. It speaks for itself, but, um, wow...

"Every film festival, be it small or large, claims to offer, if not an account of the state of things, then an updated map of the art form and the world it seeks to represent. This cartography should show both the major routes and the byways, along with essential places to visit and those that are more unusual. The Festival del film Locarno is no exception to the rule, and I think that looking through the program you will be able to distinguish the route map for this edition." — Carlo Chatrian, Artistic Director

Above: Matías Piñeiro's The Princess of France

Concorso Internazionale (Official Competition)

A Blast (Syllas Tzoumerkas, Greece/Germany/Netherlands)

Alive (Jungbum Park, South Korea)

Horse Money (Pedro Costa,...

Italian screenwriter, novelist and poet who formed a successful partnership with the film director Roberto Benigni

Although he was a respected novelist and poet, Vincenzo Cerami, who has died aged 72 after a long illness, was perhaps best known as a screenwriter, thanks to his long partnership with the director Roberto Benigni. The pair co-wrote six films and had their greatest success with La Vita è Bella (Life Is Beautiful, 1997), which starred Benigni as a Jewish internee in a concentration camp, desperately pretending to his young son that it is all a game. The film won three Oscars and had a further four nominations, including for best screenplay. "Knowing Vincenzo was a gift," said Benigni, "because he taught people's hearts to beat."

On their early films together, Cerami was not able to totally sublimate Benigni's excesses as an actor. Nevertheless, Il Piccolo Diavolo (The Little Devil, 1988), Johnny Stecchino (1991) and Il Mostro (The Monster,...

Ben Gazzara, who was featured on Broadway in the original Cat on a Hot Tin Roof and in movies by the likes of John Cassavetes, Otto Preminger, and Peter Bogdanovich, died earlier today at Manhattan's Bellevue Hospital Center as per the New York Times. Gazzara, who had been suffering from pancreatic cancer, was 81. Although Gazzara (the son of Italian immigrants, born Aug. 28, 1930, in New York City) is probably best remembered for his films directed by Cassavetes — Husbands (1970), The Killing of a Chinese Bookie (1976), and Opening Night (1978) — he was remarkably effective elsewhere. Arguably, much more effective elsewhere. Gazzara delivered a first-rate performance in Otto Preminger's cynical look at the American justice system, Anatomy of a Murder (1959), in which he played a military man on trial for killing a man — he claims — was attempting to rape his wife (Lee Remick, replacing Lana Turner). James Stewart is his somewhat shady defense attorney,...

The king of Italian comedy leapt to his death last month. At least he avoided seeing Berlusconi survive the no-confidence vote

I don't know what awed us more: the way he chose to end his life or the corpus of films he left behind. I was in Turin, attending the Torino film festival, when the news struck us like lightning. The wires read: November 29, at 10pm, Mario Monicelli, 95, threw himself out of the window of his hospital room in Rome. Monicelli, the king of Italian comedy, the last of the greats, director of more than 60 films, many of them classics of the silver screen. Comedy in the noblest meaning of the term: Monicelli used laughter to denounce moral hypocrisy, social injustice, and historical untruths.

It's hard not to think of Primo Levi or Gilles Deleuze, who chose to end their lives in the same dramatic, violent and flamboyant manner. Monicelli...

Italian film director and screenwriter who established a new school of social-realist comedy

The Italian film director Mario Monicelli has died aged 95, after jumping out of a hospital window in Rome. Monicelli directed more than 60 films, most of which he co-wrote. He was best known for I Soliti Ignoti (Big Deal On Madonna Street, 1958), which was nominated for an Oscar for best foreign-language film. It was remade by Louis Malle as Crackers (1984) and turned into a Broadway musical, Big Deal, by Bob Fosse in 1986. Monicelli's original is one of the most internationally admired Italian comedies of the past 60 years.

Born in Viareggio, Tuscany, Monicelli was the son of a journalist, Tomaso Monicelli, who founded one of the earliest Italian film magazines. Tomaso killed himself in 1946. Mario studied at the universities of Milan and Pisa and took an early interest in films. With the future publisher Alberto Mondadori, he collaborated...

Marcello Mastroianni, Renato Salvatori, Vittorio Gassman, Big Deal on Madonna Street (top); Vittorio Gassman, Alberto Sordi, The Great War (middle); Anna Magnani, Totò, The Passionate Thief (bottom) Mario Monicelli, the (co)writer-director of Italian cinema classics such as I soliti ignoti / Big Deal on Madonna Street (1958), La grande guerra / The Great War (1959), and I compagni / The Organizer (1963), leapt to his death from a fifth-story hospital window in Rome. Monicelli, who had been suffering from prostate cancer, was 95. Though not nearly as internationally known as, say, Federico Fellini, Pier Paolo Pasolini, or Franco Zeffirelli, Monicelli was perhaps the best portraitist of Italian sociopolitical mores during the second half of the 20th century. For instance, one of Monicelli's earliest efforts (co-directed with Steno aka Stefano Vanzina), Vita da cani / A Dog's Life (1950), chronicled the travails of a provincial theater troupe in post-World War II Italy. Aldo [...]...

Italian movie tycoon whose list of credits featured as many disasters as hits

The Italian-born film producer Dino De Laurentiis, who has died aged 91, will perhaps go down in movie history as the last "transatlantic" tycoon. Over a career spanning more than 60 years, producing films on both sides of the ocean, he had as many flops as hits. But De Laurentiis almost always succeeded in staying afloat.

In Rome, he produced Federico Fellini's Oscar-winning La Strada (1954) and the grandiose spectacular War and Peace (1956), but also made The Bible: In the Beginning (1966) and Waterloo (1970), which never recovered their costs. Relocating to the Us, he enjoyed success with Serpico (1973), Death Wish (1974), Three Days of the Condor (1975) and Conan the Barbarian (1982), but had financial disasters including Year of the Dragon (1985) and a failed food emporium, which he opened in New York. De Laurentiis was also a starmaker, both in Italy, where...

One of Italy's leading screenwriters, he worked on 140 films

One of Italy's most respected and prolific screenwriters, Furio Scarpelli, who has died aged 90, worked on the scripts of about 140 films, sometimes without a credit, and received three shared Oscar nominations, for I Compagni (The Organiser, 1963), Casanova '70 (1965) and Il Postino (1994). Scarpelli enjoyed a lengthy writing partnership, from 1949 until 1985, with Agenore Incrocci, also known as Age. The pair collaborated on the 1958 film I Soliti Ignoti (Big Deal on Madonna Street), about a team of makeshift thieves, which owed much of its success to the brilliant comic characterisations. The film, starring Vittorio Gassman and Marcello Mastroianni, helped to launch the genre of commedia all'italiana ("comedy Italian-style").

Scarpelli was born in Rome. His Neapolitan father, Filiberto, was a satirical writer who founded a humorous magazine, Il Travaso delle Idee. Furio began his own career as a cartoonist. It was after the second world war,...

Italian model and film actor, she left the cinema and joined the jet set

Rosanna Schiaffino, who has died aged 69, was one of those Italian beauty queens who began a promising acting career in the post-neorealist cinema of the 1950s. She gave up the cinema in the 1970s and married the handsome playboy and steel industry heir Giorgio Falck. Their marriage and, a decade later, their break-up and divorce, had overtones of melodrama more piquant than the content of any of the 45 films in which Schiaffino had starred.

She was born in Genoa, in north Italy, into a well-off family and, although her father wanted her to pursue studies as a surveyor, her mother encouraged her showbusiness ambitions, helping her to study privately at a drama school and then to take part in beauty contests, which she usually won. These led to modelling jobs, with photographs in important magazines, including Life.