Surprise! Legendary director Barbet Schroeder, in Locarno to introduce his latest doc “Ricardo and Painting,” was greeted with a Special Tribute Award before the screening.
“Is this for the film?” Shroeder, a modest man, asked on stage. “No,” said Locarno festival director Giona Nazzaro. “It’s for being Barbet Schroeder.”
Despite focusing on harsher subjects in his previous documentaries, “General Idi Amin Dada: A Self Portrait,” “Terror’s Advocate” or “The Venerable W.,” this time Schroeder decided to follow painter Ricardo Cavallo.
“I have already done my ‘Trilogy of Evil.’ I could continue: the world is full of bad people. But then there was this friend of mine, who I thought was such a good person,” he tells Variety.
Cavallo, convinced that “true life exists in creation,” could teach anyone how to change their way of seeing, claims Schroeder, sacrificing everything for his art.
“I am always interested in my characters,...
“Is this for the film?” Shroeder, a modest man, asked on stage. “No,” said Locarno festival director Giona Nazzaro. “It’s for being Barbet Schroeder.”
Despite focusing on harsher subjects in his previous documentaries, “General Idi Amin Dada: A Self Portrait,” “Terror’s Advocate” or “The Venerable W.,” this time Schroeder decided to follow painter Ricardo Cavallo.
“I have already done my ‘Trilogy of Evil.’ I could continue: the world is full of bad people. But then there was this friend of mine, who I thought was such a good person,” he tells Variety.
Cavallo, convinced that “true life exists in creation,” could teach anyone how to change their way of seeing, claims Schroeder, sacrificing everything for his art.
“I am always interested in my characters,...
- 8/5/2023
- by Marta Balaga
- Variety Film + TV
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