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Zdzislaw Wardejn

News

Zdzislaw Wardejn

Hellhole (2022)
‘Night Silence’ Teaser Sees Monsters Prowl a Nursing Home in Horror Fantasy from ‘Hellhole’ Director
Hellhole (2022)
Up next from Hellhole and Nobody Sleeps in the Woods Tonight filmmaker Bartosz M. Kowalski is a new dark horror fantasy that sees a nursing home invaded by eerie monsters: Night Silence. The official Night Silence teaser gives glimpses of the creatures in a story and tone akin to Guillermo del Toro’s Pan’s Labyrinth.

Kowalski co-wrote the screenplay with Pawel Maslona and Mirella Zaradkiewicz.

In Night Silence, “Lucjan, a retired actor, is placed in a nursing home in the middle of the countryside by his son. Nothing definitive, just for a few months while the house is being renovated. Reluctant at first, he is won over by the hospitality of the staff and residents. Soon, however, a wave of murders terrorizes the place. Tormented by terrifying nightmares, Lucjan must face a grotesque threat if he wants to get out of there alive.”

Maciej Damiecki, Zdzislaw Wardejn, and Wlodzimierz Press star.
See full article at bloody-disgusting.com
  • 12/3/2024
  • by Meagan Navarro
  • bloody-disgusting.com
‘Delivery by Christmas’ (2022) – A Season Movie on Netflix – Review: Unfortunately ‘Trailerless’ It Is An Acceptable Comedy that Pokes Kind Fun at Everything Quotidian
Image
Delivery by Christmas (Jeszcze przed swietami) is a comedy movie starring Monika Frajczyk and directed by Aleksandra Kulakowska and Maciej Prykowski.

A comedy that fuses social realism with the Christmas spirit, in this story of a corporate mix-up.

Premise

Marysia’s career as a courier is on line as a spiteful coworker sabotages her deliveries. Thankfully, a helpful customer comes to the rescue.

Movie Review

Very paced and different to the customary Christmas numbers we are used to see. A genuinely Polish, European movie that distances itself from Hollywood, as you will see in the characterizations, which are more realistic and natural. But, that does not stand in the way for the “magic” that is so characteristic of Christmas rom-coms.

With some deadpan schticks pulled off by good performers it lightens the mood of the film. A comedy that pokes fun at everything quotidian.

This is not a formulaic Christmas movie,...
See full article at Martin Cid Magazine - Movies
  • 12/6/2022
  • by Veronica Loop
  • Martin Cid Magazine - Movies
Bartosz Bielenia in Corpus Christi (2019)
‘Corpus Christi’: Film Review
Bartosz Bielenia in Corpus Christi (2019)
What makes a priest a priest? Technically, the answer is devotion to God, completion of seminary training, and ordination by a bishop to deacon status — all this must happen before one can wear the collar. But Jan Komasa’s stunning, quietly subversive “Corpus Christi” sees the question in more existential terms, permitting a well-meaning juvenile delinquent to skip all that spiritual preparation and to con a small Polish community into accepting him as a kind of proxy while the parish’s regular priest sobers up. The result makes for .

With his tortured energy and intense, ice-on-fire eyes, this mysterious interloper is earnest, not unhandsome, and surprisingly effective in his unconventional methods, and the serious-minded movie’s sympathy is unambiguously in his corner, even if what he’s doing is immediate grounds for excommunication. Inspired by real events, the film dramatizes what turns out to be a fairly common occurrence in contemporary Poland: Evidently,...
See full article at Variety Film + TV
  • 1/14/2020
  • by Peter Debruge
  • Variety Film + TV
Venice Review: ‘Corpus Christi’ is a Bittersweet Tale about Second Chances
Faith is inherently about putting your complete trust in something or someone without knowing whether the object deserves such blind allegiance. We have faith in God because believing there’s purpose to atrocities is easier than accepting a nihilistic outlook on life just like the presence of miracles proves good fortune is earned so you won’t feel guilty upon realizing how you have it better than someone else. It’s therefore impossible not to let it warp your morality until everything possesses the need for black and white clarity. Kids in juvenile lock-up are scum without exception. A reformed drunk hits and kills six kids in an automobile collision and he must be to blame. The mayor profits from his government connections, but that’s merely payment for serving the town.

Labels of good and evil are thus meticulously and often unjustly placed upon actions and events without the...
See full article at The Film Stage
  • 8/30/2019
  • by Jared Mobarak
  • The Film Stage
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