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Dorothy Neumann and Barbara Wooddell in Wagon Train (1957)

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Barbara Wooddell

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'Beleaguered leader!' Mikhail Gorbachev in the world of thrillers (Ians Column: Bookends)
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It may well be an unconscious impulse but the writers are directly or indirectly influenced by their socio-political millieu, even when opposing it, and you don’t need to be a Marxist to acknowledge that.

As Edward Said showed in his examination of ‘Orientalism’, or recent works showcasing the overt or covert politics of such literary figures as William Wordsworth (Jonathan Bate’s "Radical Wordsworth: The Poet Who Changed the World") and Jane Austen, politics can intrude into the poetic realm or comedies of manners — or other forms of fiction, too. And this can span the entire gamut from literary classics to pulp fiction.

The Cold War is a fitting example. As two contrasting systems of social and political organisation vied for global influence, the conflict for influencing hearts and minds underpinned the diplomatic and military manoeuvres.

Duncan White’s "Cold Warriors: Writers Who Waged the Literary Cold War" (2019) offers...
See full article at GlamSham
  • 9/4/2022
  • by Glamsham Bureau
  • GlamSham
Interview: Angela Dixon
Action thriller Never Let Go is now available on demand so we sat down with actress Angela Dixon to discuss her role in the film.

How did you first get into acting?

It all began at a very young age. I had always wanted to be an actor growing up but I didn’t really think that it could be more than a dream. Then, at the age of 16, I played the part of Barbara Allen in ‘Dark of the Moon’ at college and it appeared that I had some talent. At that point it started to become a reality for me. I studied drama at college, University and finally I went to drama school. So all in all I studied drama and acting for 6 years. Although the real learning starts when you are actually on the job.

What first attracted you to the film Never Let Go?

Most actresses...
See full article at The Cultural Post
  • 9/16/2017
  • by Philip Rogers
  • The Cultural Post
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