Barbara Bryne, a British actress who worked in stage, television, and film during a decades-long career, died Tuesday at age 94. Her death was confirmed by the Guthrie Theater in Minneapolis, but no cause was given.
Bryne’s best-known stage roles were in the original Broadway productions of Stephen Sondheim’s Sunday in the Park With George and Into the Woods. She played mothers in both shows.
“Barbara was a cherished member of the Guthrie family,” theater reps said in a statement, “and we’re grateful she shared her artistry with us for so many seasons. Her legacy will live on at the Guthrie and in our hearts forever.”
Bryne was nominated for a Drama Desk Award in 1982 for her off-off-Broadway performance as Kath in a revival of the Joe Orton-written Entertaining Mr. Sloane.
Her theater resume includes a revival of Noël Coward’s Hay Fever, working with Mandy Patinkin...
Bryne’s best-known stage roles were in the original Broadway productions of Stephen Sondheim’s Sunday in the Park With George and Into the Woods. She played mothers in both shows.
“Barbara was a cherished member of the Guthrie family,” theater reps said in a statement, “and we’re grateful she shared her artistry with us for so many seasons. Her legacy will live on at the Guthrie and in our hearts forever.”
Bryne was nominated for a Drama Desk Award in 1982 for her off-off-Broadway performance as Kath in a revival of the Joe Orton-written Entertaining Mr. Sloane.
Her theater resume includes a revival of Noël Coward’s Hay Fever, working with Mandy Patinkin...
- 5/4/2023
- by Bruce Haring
- Deadline Film + TV
Barbara Bryne, the British actress who portrayed mothers in the original Broadway productions of Stephen Sondheim’s Sunday in the Park With George and Into the Woods, has died. She was 94.
Bryne’s death Tuesday was announced by the Guthrie Theater in Minneapolis. The first of her more than 60 plays there was Arsenic and Old Lace in 1970, and she performed in 20-plus productions from 1998-2013, including a memorable turn in 1999 as Lady Bracknell in The Importance of Being Earnest.
“Barbara was a cherished member of the Guthrie family,” theater reps said in a statement, “and we’re grateful she shared her artistry with us for so many seasons. Her legacy will live on at the Guthrie and in our hearts forever.”
The delightful Bryne was nominated for a Drama Desk Award in 1982 for her off-off-Broadway performance as Kath in a revival of the Joe Orton-written Entertaining Mr. Sloane. Three years later,...
Bryne’s death Tuesday was announced by the Guthrie Theater in Minneapolis. The first of her more than 60 plays there was Arsenic and Old Lace in 1970, and she performed in 20-plus productions from 1998-2013, including a memorable turn in 1999 as Lady Bracknell in The Importance of Being Earnest.
“Barbara was a cherished member of the Guthrie family,” theater reps said in a statement, “and we’re grateful she shared her artistry with us for so many seasons. Her legacy will live on at the Guthrie and in our hearts forever.”
The delightful Bryne was nominated for a Drama Desk Award in 1982 for her off-off-Broadway performance as Kath in a revival of the Joe Orton-written Entertaining Mr. Sloane. Three years later,...
- 5/3/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Exclusive: Michael Grandage gathered the cast of My Policeman for two weeks of rehearsals prior to the start of principal photography. The sessions included choreographing intimate moments involving actors Harry Styles (Don’t Worry Darling), Emma Corrin (Lady Chatterley’s Lover) and David Dawson (The Last Kingdom), and Linus Roache (Homeland ), Gina McKee (Notting Hill) and Rupert Everett (The Happy Prince) who were playing the older versions of the younger actors.
Grandage brought on choreographer Ben Wright, a frequent collaborator on Grandage’s theater productions, as intimacy coordinator. He told him he wanted the scenes to reflect something that he felt was “an absolute key theme of the film.” Which, he said, “is about the sensuality of touch, of whether it’s that first touch on the neck between Harry and David, whether it’s the ritual washing as Gina does with Rupert, whether it’s the touch of high levels of...
Grandage brought on choreographer Ben Wright, a frequent collaborator on Grandage’s theater productions, as intimacy coordinator. He told him he wanted the scenes to reflect something that he felt was “an absolute key theme of the film.” Which, he said, “is about the sensuality of touch, of whether it’s that first touch on the neck between Harry and David, whether it’s the ritual washing as Gina does with Rupert, whether it’s the touch of high levels of...
- 9/10/2022
- by Baz Bamigboye
- Deadline Film + TV
'Jurassic World' velociraptor kicks Iron Man ass at worldwide box office. 'Jurassic World' officially surpasses 'The Avengers' at worldwide box office Directed by Colin Trevorrow; starring Chris Pratt, Bryce Dallas Howard, and Vincent D'Onofrio; and co-executive-produced by Steven Spielberg, Jurassic World has officially become the third biggest worldwide box office hit in history. The Jurassic Park sequel – or reboot, as it's basically the same story with a slightly different twist – has surpassed Marvel's Joss Whedon-directed all-star superhero flick The Avengers, which broke box office records back in 2012. Of course, "officially" just ain't what it used to be – like, in the days before The Fall. So you wisely ask, "But which movie has actually sold the most tickets?" After all, that's the true measure of a film's popularity. Well, that's a tough one to answer without the studios providing accurate, precise numbers. And that's not about to happen. It always...
- 7/26/2015
- by Zac Gille
- Alt Film Guide
These days, it’s all about the Disney princesses, but Perdita is merely a dog without high pedigree. As a result, she and her mate Pongo, are often overlooked. They’re certainly overshadowed by their antagonist, the Dalmatian loving Cruella De Vil, about the chew every scene in Once Upon a Time. Thank goodness, then, that Walt Disney reminds us about the utter charm contained within their 1961 release 101 Dalmatians. Out Tuesday in a handsome Diamond Combo Pack, their 17th film holds up remarkably well.
The film arrived at a precarious time for the studio as rising costs made their animated fare very expensive. Tastes were changing and they were now competing with television for the younger eyeballs so a different approach was called for. From a technological standpoint, the arrival of Xerography allowed them to streamline the filmmaking process, reducing costs. Ub Iwerks, one of the grand animators in Walt Disney’s employ,...
The film arrived at a precarious time for the studio as rising costs made their animated fare very expensive. Tastes were changing and they were now competing with television for the younger eyeballs so a different approach was called for. From a technological standpoint, the arrival of Xerography allowed them to streamline the filmmaking process, reducing costs. Ub Iwerks, one of the grand animators in Walt Disney’s employ,...
- 2/8/2015
- by Robert Greenberger
- Comicmix.com
Maria von Trapp dead at 99: ‘The Sound of Music’ character played by Heather Menzies was last surviving member of the singing von Trapp family (photo: The singing von Trapp family) Maria von Trapp, the last surviving member of the singing von Trapp family portrayed in The Sound of Music, died in her sleep at her Vermont home on Wednesday, February 19, 2014. Baron Georg von Trapp’s second-eldest daughter, Maria Franziska (born in Zell am See, Salzburg, Austria, in 1914) was 99. Heather Menzies played Baron von Trapp’s second-eldest daughter, renamed Louisa von Trapp, in 20th Century Fox’s 1965 blockbuster directed by Robert Wise, and starring Julie Andrews as singing nun-to-be Maria Kutschera (later Baroness Maria von Trapp) and Christopher Plummer as the Baron. (See Heather Menzies, Charmian Carr, Kym Karath, and Angela Cartwright at 2008 event.) Financially ruined during the Great Depression, Baron von Trapp and his family began performing as a...
- 2/23/2014
- by Andre Soares
- Alt Film Guide
Charlton Heston movies: ‘A Man for All Seasons’ remake, ‘The Greatest Story Ever Told’ (photo: Charlton Heston as Ben-Hur) (See previous post: “Charlton Heston: Moses Minus Staff Plus Chariot Equals Ben-Hur.”) I’ve yet to watch Irving Rapper’s melo Bad for Each Other (1954), co-starring the sultry Lizabeth Scott — always a good enough reason to check out any movie, regardless of plot or leading man. A major curiosity is the 1988 made-for-tv version of A Man for All Seasons, with Charlton Heston in the Oscar-winning Paul Scofield role (Sir Thomas More) and on Fred Zinnemann’s director’s chair. Vanessa Redgrave, who plays Thomas More’s wife in the TV movie (Wendy Hiller in the original) had a cameo as Anne Boleyn in the 1966 film. According to the IMDb, Robert Bolt, who wrote the Oscar-winning 1966 movie (and the original play), is credited for the 1988 version’s screenplay as well. Also of note,...
- 8/5/2013
- by Andre Soares
- Alt Film Guide
101 Dalmatians
Directed by Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman
Written by Bill Peet
Starring Betty Lou Gerson, Rod Taylor, Ben Wright
One of the great ironies of xerography is that, while it was created to help cut costs for the animation arm of the Walt Disney Company, it was first used in a way that was, surprisingly, creatively ambitious. Xerography was a process that Ub Iwerks adopted for the use of animation in the late-1950s; it’s not really hyperbole to say that xerography saved animation at Walt Disney as we know it. If you’ve been listening to the show for a while, and reading these columns, don’t worry. I haven’t received a sharp blow to the head, nor has an alien replaced me. I can’t stand most of the xerographic films from Disney from the 1960s and 1970s. (There are exceptions, of course, but in general,...
Directed by Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman
Written by Bill Peet
Starring Betty Lou Gerson, Rod Taylor, Ben Wright
One of the great ironies of xerography is that, while it was created to help cut costs for the animation arm of the Walt Disney Company, it was first used in a way that was, surprisingly, creatively ambitious. Xerography was a process that Ub Iwerks adopted for the use of animation in the late-1950s; it’s not really hyperbole to say that xerography saved animation at Walt Disney as we know it. If you’ve been listening to the show for a while, and reading these columns, don’t worry. I haven’t received a sharp blow to the head, nor has an alien replaced me. I can’t stand most of the xerographic films from Disney from the 1960s and 1970s. (There are exceptions, of course, but in general,...
- 10/6/2012
- by Josh Spiegel
- SoundOnSight
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