I.m primarily a director and cinematographer, but I have always really enjoyed editing. In the .80s, I was cutting music videos on film on a six plate 16mm Steenbeck, including Midnight Oil.s Beds are Burning, and was an early-adopter of digital editing in the .90s, helping set up the Radical Transmission Syndicate, one of Sydney.s first community access Nle suites with a Media 100.
In December 2011, Larry Meltzer and I were commissioned by Studio, the Sbs subscription arts channel, to document the creation of writer/director Wesley Enoch.s I Am Eora for the 2012 Sydney Festival, an indigenous rock opera with a cast of 45 singers, actors and dancers from around Australia, including Miranda Tapsell, from The Sapphires, international diva Wilma Reading and the legendary Jack Charles.
We shot at Carriageworks in Redfern on a Canon 5D Mark II and a Panasonic AF102, using the 5D for interviews and...
In December 2011, Larry Meltzer and I were commissioned by Studio, the Sbs subscription arts channel, to document the creation of writer/director Wesley Enoch.s I Am Eora for the 2012 Sydney Festival, an indigenous rock opera with a cast of 45 singers, actors and dancers from around Australia, including Miranda Tapsell, from The Sapphires, international diva Wilma Reading and the legendary Jack Charles.
We shot at Carriageworks in Redfern on a Canon 5D Mark II and a Panasonic AF102, using the 5D for interviews and...
- 10/16/2012
- by Paul Elliott
- IF.com.au
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