Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Something you often hear cinephiles proclaim is that “Every year is a good year in film.” Well, that’s obviously true––if one pays attention and knows where to look––but then there are also years that are simply better. To me, 2023 has turned out to be one of those.
It’s a year where the top festivals like Cannes, Berlin, and Venice all overperformed with stellar lineups. Geographically speaking, American/UK cinema can be proud of its output while productions from the rest of the world, especially France, Japan, Latin America, didn’t disappoint either. It’s also a year where not only indie/arthouse films delivered, but (some) blockbusters dared to get smart too. Even the presumed Oscar contenders this season include legitimate masterpieces in the mix.
Something you often hear cinephiles proclaim is that “Every year is a good year in film.” Well, that’s obviously true––if one pays attention and knows where to look––but then there are also years that are simply better. To me, 2023 has turned out to be one of those.
It’s a year where the top festivals like Cannes, Berlin, and Venice all overperformed with stellar lineups. Geographically speaking, American/UK cinema can be proud of its output while productions from the rest of the world, especially France, Japan, Latin America, didn’t disappoint either. It’s also a year where not only indie/arthouse films delivered, but (some) blockbusters dared to get smart too. Even the presumed Oscar contenders this season include legitimate masterpieces in the mix.
- 12/29/2023
- by Zhuo-Ning Su
- The Film Stage
This is the trailer for Taipei Exchanges, screening at London Film Festival. The film is directed by Ya-chuan Hsiao and stars Lunmei Kwai, Zaizai Lin, Han Chang and Chen-Xi Lin. Doris’s Café is a homey space where people could relax and enjoy the smoothing afternoon sun and daydreaming. The aroma of coffee and home-baked desserts fills the air. The café is meant to be as elegant as its owner, Doris, but has been turned upside down by her sister, Josie. Ignoring Doris’s protest, Josie starts exchanging goods with costumers in the shop. Objects of various kinds begin to accumulate; discarded by their previous owners, they prove to be treasures in the eyes of others. The activity of swapping goods upstages Doris’s coffee-making and becomes the biggest attraction of the shop.
- 10/12/2010
- by Dan Higgins
- Pure Movies
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