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Like a far artier, latter-day, East Coast version of Thin Lizzy or early Zz Top, New York’s Endless Boogie has been dishing out basic hard rock with a minimum of flourishes but plenty of soloing. The difference—and this is where the band’s artiness comes in—is that Endless Boogie isn’t especially concerned with songs, though its fourth album has some good ones, such as the choppy stomp “Mighty Fine Pie” and the bluesy “Empty Eye.” The band believes in guitar interplay for its own sake, and anyway, it’s not exactly as if Paul Major’s ...

28Dla supporter and talent agent Sandra L. Rostirolla drops me a line on "Callous," an independent from director Joey Lanai. Premiering at the Riverside Rilm Festival, in California, the film tells the tale of a Native American dealing with family abuse this Friday April 24. Also, highlighting the musical score of another supporter to 28Dla Kurt Oldman the films musical soundtrack is rich in acoustical guitars and haunting instrumentals. Some of Oldman's work along with additional information on "Callous," can be found at the films website past the break.

A synopsis for "Callous," from the Riverside Film Festival...

Callous is an unpredictable and violent ride on the shoulders of Garrett Blackfoot. This once-abused fragile boy is now a single father haunted by the demons of his childhood. In denial of his Native American lineage, he is brought face to face with the reality that there is a spiritual plane and the...