- Born
- Died
- Nicknames
- The Father of Spaghetti Westerns
- The Master of Adventure
- Height5′ 8″ (1.73 m)
- Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.- IMDb Mini Biography By: Michael Brooke
- Sergio Leone was an Italian film director, producer and screenwriter, credited as the inventor of "Spaghetti Western" genre.
Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His movies include the sword and sandal action films The Last Days of Pompeii (1959) and The Colossus of Rhodes (1961), the Dollars Trilogy of Westerns featuring Clint Eastwood (A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966)), the Western Once Upon a Time in the West (1968), the epic buddy Zapata Western Duck, You Sucker! (1971) and the epic crime drama Once Upon a Time in America (1984).
In the mid-1960s, historical epics fell out of favor with audiences, but Leone had shifted his attention to a subgenre which came to be known as the "Spaghetti Western", owing its origin to the American Western. His film A Fistful of Dollars (1964) was based upon Akira Kurosawa's Edo-era samurai adventure Yojimbo (1961). Leone's film elicited a legal challenge from the Japanese director, though Kurosawa's film was in turn probably based on the 1929 Dashiell Hammett novel, Red Harvest. The film is also notable for establishing Eastwood as a star. Until that time Eastwood had been an American television actor with few credited film roles.
In 1968 Leone directed Once Upon a Time in the West (1968) for Paramount Pictures. The film was shot mostly in Almería, Spain and Cinecittà in Rome. It was also briefly shot in Monument Valley, Utah. The film starred Charles Bronson, Henry Fonda, Jason Robards and Claudia Cardinale. The film emerged as a long, violent, dreamlike meditation upon the mythology of the American Old West, with many stylistic references to iconic western films.
In 1971 Leone directed Duck, You Sucker! (1971) (Giù la Testa) a Mexican Revolution action drama, starring James Coburn as an Irish revolutionary and Rod Steiger as a Mexican bandit who is conned into becoming a revolutionary.
Leone turned down the opportunity to direct The Godfather (1972), in favor of working on another gangster story he had conceived earlier. He devoted ten years to this project, based on the novel The Hoods by former mobster Harry Grey, which focused on a quartet of New York City Jewish gangsters of the 1920s and 1930s who had been friends since childhood. The four-hour finished film, Once Upon a Time in America (1984), featured Robert De Niro and James Woods. It was a meditation on another aspect of popular American mythology, the role of greed and violence and their uneasy coexistence with the meaning of ethnicity and friendship.- IMDb Mini Biography By: Pedro Borges
- SpouseCarla Leone(1960 - April 30, 1989) (his death, 3 children)
- Children
- Parents
- Frequently worked with Tonino Delli Colli and Ennio Morricone
- Major characters' entrances are accompanied by variations of the theme music. [theme]
- Invented the extreme close-up in western-style films. [close-up]
- Showing ugly and violent acts with unglamorous simplicity
- Long periods of silence followed by quick bursts of action
- Although they did not work together until 1964, as children Leone and composer Ennio Morricone were classmates.
- Composer Ennio Morricone has said that Leone asked him to compose a film's music before the start of principal photography - contrary to normal practice. He would then play the music to the actors during takes to enhance their performance.
- Aside from saying 'Goodbye', Sergio Leone never spoke a word of English and always relied on a translator when talking to American actors. According to an interview with Eli Wallach, he spoke to Sergio in broken up French and discovered he is fluent in the language. This is how he communicated to Sergio Leone when shooting The Good, the Bad and the Ugly (1966) ("The Good, the Bad and the Ugly").
- Was sued by Japanese director Akira Kurosawa for remaking his Yojimbo (1961) as "A Fistful of Dollars" (A Fistful of Dollars (1964)) shot-for-shot without crediting him, and copyright infringement. The production of A Fistful of Dollars (1964) apologized, compensated Kurosawa with $100,000, and 15% of box office revenues.
- His favorite actor from childhood was Henry Fonda, who was offered a role in every one of Leone's early Westerns. After Fonda finally worked with him on Once Upon a Time in the West (1968), he returned the compliment, later citing that film as his favorite role.
- [on Henry Fonda] I have never known an actor with such craft, with such professional seriousness; such a pleasant man, full of humor, so reserved and so keenly quick-witted.
- [on Lee Van Cleef] His glance makes holes in the screen.
- In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life - in jeeps - and upset all my dreams. I found them very energetic, but also very deceptive. They were no longer the Americans of the West. They were soldiers like any others...materialists, possessive, keen on pleasures and earthly goods.
- [on Clint Eastwood] As an actor, he has two expressions: with and without the hat.
- [on Orson Welles] He was a hard man. He'd lose his temper. He broke telephones. He also drank. But he could also be sensitive. [...] At any rate, I found him fascinating. I had infinite admiration for his directing.
- For a Few Dollars More (1967) - $350,000 + 60% of profits
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