News

No film is perfect. No, not even the dozens of examples you are about to cite. Every film, if one wants to delve into its structure, performances, scriptwriting, or themes, contains flaws or irresponsible messaging somewhere inside it. If a film feels flawless, it's because we're so taken by its story, its characters, its philosophy, or its general tone that we don't notice its flaws. Those who nitpick the smaller plot details in universally beloved movies aren't necessarily trolling, but instead revealing that, for whatever reason, a classic simply didn't grab them. The only film that is truly flawless remains "Gremlins 2: The New Batch." That is the only film in cinema history with no flaws whatsoever.

On the review aggregating website Rotten Tomatoes, even the most widely celebrated movies can still emerge with an imperfect approval rating, as there is always going to be at least one professional critic who it didn't jibe with.

Kathleen Hughes, one of the stars of the classic 1953 science fiction horror It Came From Outer Space and Alfred Hitchcock Presents, has died. The actress made headlines as the "shocked blonde" in the film, which created her iconic photo. While many might have seen the image floating around before actually watching the film, Hughes was more than just the stunning, horrified young lady and scream queen depicted in the famous shot. She played Jane, Russell Johnson's character George's girlfriend, a role that helped Hughes add more roles to her lengthy resume. According to Variety, her friend, John Jigen Griffin-Atil, reported her death, revealing that she died on Monday, May 19. Hughes was 96 years old.

Born Elizabeth Margaret von Gerkan in Los Angeles, California, Hughes was the niece of the playwright F. Hugh Herbert, known for "The Moon Is Blue." The actress decided she wanted to act after watching a film...

Kathleen Hughes, who was known for her role as the shocked blonde in the 1953 3D sci-fi classic “It Came From Outer Space,” died Monday. She was 96.

Her friend John Jigen Griffin-Atil reported her death.

The niece of playwright F. Hugh Herbert, she was born Elizabeth Margaret von Gerkan in Los Angeles. After signing with Fox in 1948, the studio changed her name and she and began acting in small roles including “Mother Is a Freshman” and “Mr. Belvedere Goes to College.”

After leaving Fox, she was cast by Paul Henreid in “For Men Only,” where she caught the eye of writer-producer Don McGuire, who helped her get a contract at Universal-International. Her next role, in director Jack Arnold’s “It Came From Outer Space,” would prove to be her most enduring, thanks to a publicity still that appeared on everything from birthday cards to advertising campaigns.

Kathleen Hughes in “It Came From Outer Space...

Kathleen Hughes, the statuesque 1950s starlet who unleashed a terrifying scream in connection with her role in the 3D sci-fi classic It Came From Outer Space, has died. She was 96.

Hughes died Monday, according to her close friend, John Jigen Griffin-Atil.

A onetime contract player at Fox and then Universal, Hughes made for a “dainty dish of poison,” as New York Times critic Bosley Crowther put it, in her turn as an actress having an affair with John Forsythe in the crime drama The Glass Web (1953), starring Edward G. Robinson.

A year earlier, she dyed her dark hair blonde to star as a coed in For Men Only (1952), directed by and starring Paul Henreid.

Hughes gave Rock Hudson perhaps his first onscreen kiss when she acted with him in a 1949 screen test, then appeared with him as Piper Laurie‘s handmaiden in the adventure film The Golden Blade (1953).

She also...

Old Hollywood is associated with glamour and romance, and many of the great classics of the era are still worth watching in the 21st century. Also referred to as the Golden Age of Hollywood, Old Hollywood was classified by the studio system, which signed big-name movie stars and directors to multi-movie contracts. There's some debate over when exactly it ended, but New Hollywood emerged at some point during the 1960s.

Since the apogee of Old Hollywood took place from the 1930s to 1950s, it's only natural that some of the era's greatest movies don't hold up so well today. Modern audiences have different tastes, but there are still plenty of classics which are just as enjoyable. Movies like Casablanca, Bringing Up Baby and North By Northwest have stood the test of time, and they are still being watched by people all over the world.

Casablanca (1942) Bogart And Bergman Are Irresistible...

Since the first awards ceremony in 1929, the Academy Awards — colloquially known as the Oscars — have chosen the "best picture" in cinema every single year, with varying results. Still, a lot of the time, the Oscars at least gets it sort of right; to use a recent example, "The Shape of Water" is a good movie, but it was also competing against "Get Out" and "Lady Bird," so even a well-liked film like Guillermo del Toro's unexpected love story can spark a larger discussion about the Oscars and how they choose their winners. But I digress. Some of the historical best picture winners are (almost) universally beloved, with 99% ratings on Rotten Tomatoes.

With acclaimed films like "Moonlight" and "Schindler's List" not far behind on Rotten Tomatoes' ranking of every best picture winner in Oscars history (both movies have a 98% rating), the following four films are, apparently, pretty close to perfect.

Roger Ebert was an authoritative voice on all things film and never shied away from letting moviegoers know his opinion. Not only was he one of the critics who helped pave the way for such critical aggregators as Rotten Tomatoes, but he was also the main source for critique on films for decades before critical aggregators existed.

As much as Ebert is known for his infamous thumbs-down for bad movies, he is just as well known for shouting out the best of the best. In 2012, Ebert shared his picks for the best films of all time.

Casablanca Is an Iconic Hero Story With a Romantic Layer 1942

Casablanca Critical Reception

Rotten Tomatoes Critic Score

99%

Rotten Tomatoes Audience Score

95%

IMDb Score

8.5/10

Casablanca follows Rick Blaine, the nightclub owner of the famed nightclub Rick's Caf Amricain. While working during the heart of the Second World War, he's reunited with an old flame and her husband.

Casablanca was one of nine movies to feature the duo of Peter Lorre and Sydney Greenstreet. Widely regarded as one of the greatest movies of all time, the legendary 1942 film never would have become the cinematic icon that it is today without Casablanca's star-studded cast. Featuring a handful of Hollywood's most talented actors at the time, Casablanca delivered Academy Award-winning performances from Humphrey Bogart and Claude Reins, as well as some of the most memorable roles in the careers of Ingrid Bergman and Paul Henreid.

For some, like Bergman and Bogart, Casablanca was their first and last collaboration. But for two of its supporting cast members, Casablanca was just the second in a string of movies to utilize both their talents. The film, when viewed on its own, doesn't hint at the recurring partnership between Sydney Greenstreet and Peter Lorre in Hollywood, as the actors never shared a scene. But...

In a recent video for the movie-focused social media platform Letterboxd, "Alien" and "Gladiator" director Ridley Scott was asked to select his four favorite movies. In a move that a YouTube commenter referred to as "pretty based," one of the films Scott chose was his own 1982 sci-fi classic, "Blade Runner." The director justified the choice by saying the movie "set the pace for many, many, many, many things," and if you've seen a science-fiction movie in the past 40 years, you know that's an accurate statement.

Kurt Russell has not yet worked with Ridley Scott, but he did star in "Soldier," something of a spiritual sequel to Scott's original "Blade Runner." Russell's impressive and extremely long career (he spent his early years working as a young actor for Walt Disney) has been influential in its own ways -- you can see echoes of characters like Snake Plissken, R.J. MacReady, Wyatt Earp,...

As one of the most celebrated movies in Hollywood history, there are endless Casablanca quotes that have stood the test of time and contributed to its great, long-lasting legacy. The 1942 romantic drama film starring classic Hollywood legends Humphrey Bogart and Ingrid Bergman was written by twin brothers Julius J. Epstein and Philip G. Epstein, along with Howard Koch. The impact of Casablancas script, which is full of quotable lines, cannot be denied over 80 years after its initial release.

There has been a long debate over the title of the greatest movie ever, and Casablancas dialogue makes it easy to see why its frequently brought up as a contender. Casablanca tells the story of American expatriate and club owner Rick (Bogart), who is confronted with his past when his ex-lover, Ilsa (Bergman), shows up in Casablanca with her husband, Victor Laszlo (Paul Henreid), fleeing the Nazis and looking for Rick's help.

Passage to Marseille reunited iconic Casablanca cast members in a World War II drama directed by Michael Curtiz. Humphrey Bogart's performance in Passage to Marseille alongside Greenstreet and Lorre continued his legendary presence from Casablanca. The film showcases the three's unique acting styles, making it a fresh take on the Casablanca era with memorable characters.

One amazing 1944 movie allowed most of the iconic cast of the romantic classic Casablanca to reunite while also letting Humphrey Bogart work with the film's director again. Casablanca is remembered as one of film's most beloved entries from the 1940s. The performance of its star-studded cast as well as its premise allows Casablanca to be the most quotable movie ever, as several mediums over the years have referenced and made variations of its well-known lines.

Casablanca's iconic cast included Bogart, who was already a large star at the time, alongside now well-known actors including Ingrid Bergman,...

Casablanca is one of those films that is practically perfect. Set against the background of World War II, it finds nightclub owner Rick Blaine (Humphrey Bogart) dealing with the fact that his former lover Ilsa (Ingrid Bergman) needs his help to get her husband (Paul Henreid) on a plane to America. In between there's music, a gunfight, and plenty of romance... not to mention some of the most iconic quotes in film history. So the question remains: why did Casablanca never get a sequel? The answer might lie in the story being completed: Rick and Ilsa reconcile, the mission to get her and her husband to America is a success, and Rick even forms a friendship of sorts with police captain Louis Renault (Claude Rains). Despite this, Warner Bros. attempted to fast track a sequel, with disastrous results.

From the very early days of cinema, the love triangle has been a staple of romantic comedies and heartbreaking dramas alike. In its classic form, there’s either two guys and two girls both interested in the same girl or guy, who finds themself torn between the two possibilities. Fizzy screwball comedies usually ended with the love triangle resolving in favor of the lead; see, for example, how Katharine Hepburn’s free-spirited heroine in 1938 comedy “Holiday” steals Cary Grant from under the nose of her own sister (Doris Nolan). In dramas, the ending tends to be a tad more bittersweet, leading to iconically devastating moments like Humphrey Bogart saying goodbye to Ingrid Bergman before she hops on a plane to escape to safety with her husband Victor (Paul Henreid) during the climax of “Casablanca.”

However a love triangle ends, its clear why the formula is such a repeating trope in...

The Conspirators serves as a spiritual successor to Casablanca, sharing similar themes and setting in WWII-era Europe. Paul Henreid's role in The Conspirators fixed his complaint of not being a leading star in Casablanca. The Conspirators couldn't match Casablanca's success due to a relative lack of chemistry between its leads, writing mistakes, and the fact that Casablanca was just too good to be beat.

The iconic World War II film Casablanca never received a proper sequel, but another movie already filled that void, 80 years ago. Casablanca is often cited as one of the greatest films of all time, for good reason. Casablanca is filled with iconic quotes, and it features one of the best love stories ever put to film. Ingrid Bergman and Humphrey Bogart had a truly incredible on-screen chemistry together that made them one of the most iconic couples in the history of film. That relationship dynamic,...

Casablanca remains relevant today with a timeless and powerful story that resonates with modern audiences. The characters in the film are complex and multifaceted, displaying realistic struggles and sacrifices. A technically marvelous film, Casablanca captivates viewers with perfect pacing and a compelling narrative that feels modern.

Casablanca is undoubtedly considered one of the best movies of all time. Released in 1942, the film went on to win three Academy Awards, including Best Director, Best Screenplay, and Best Picture. The film stars Humphrey Bogart as Rick Blaine, an expatriate who runs a nightclub in Casablanca, Morocco. Set during World War II, Rick operates his business under the watchful eye of German forces, who now control the country since they took over France. When Ilsa (Ingrid Bergman), a former love Rick initially met in Paris, happens to walk into his club with her husband Victor Laszlo (Paul Henreid), he is ultimately forced to...

In 1942, the romantic drama film Casablanca was released. Surprisingly, it would later go down in history as being one of the greatest films ever made. While the American Film Institute ranks it as the second greatest, between Citizen Kane and The Godfather, when it comes specifically to war films, Casablanca tops the list. It's also often regarded as having the best screenplay ever written.

While some of its main themes were romantic ones, the location, time period, and general overarching theme of the film, also placed it squarely within the purview of being categorized as a war movie. Not one battle scene and not one conflict situation. Casablanca managed to perfectly capture a moment in time when the world was constantly on the edge, and everywhere you went could be a war zone. On that front, Casablanca is arguably undisputed as the greatest film of its type.

As we look...

Casablanca's legacy is significant, as it influenced the noir and political movie genres, paving the way for other renowned films. Algiers, The Conspirators, and It Happened One Night are movies similar to Casablanca that offer compelling characters and stories. Allied, set during the same time period as Casablanca, provides a love story influenced by war and is a great alternative for fans of the classic film.

People who love Casablanca have a myriad of other movie options that use the same cinematic elements, tones, and storylines. Set in the French-controlled eponymous city in the year 1941, the award-winning film Casablanca follows the expat nightclub owner Rick Blaine (Humphrey Boggart) who must decide between keeping his former lover Ilsa Lund (Ingrid Bergman) and helping her resistance-leader husband Victor Laszlo (Paul Henreig) escape so he can fight against the German Nazis. Between Casablanca's emotional ending and stellar actors, the movie is iconic.

Casablanca, released in 1942, is considered one of the greatest films in history and boosted the careers of its cast members. Humphrey Bogart, who played Rick Blaine, saw his popularity grow after Casablanca and starred in several successful films. Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, Conrad Veidt, Dooley Wilson, and S.Z. Sakall all had successful careers after Casablanca.

Casablanca is widely considered one of the greatest films in history, and its impact was such that it boosted the careers of most of its cast. Based on the play Everybody Comes to Rick’s, by Murray Burnett and Joan Alison, Casablanca was directed by Michael Curtiz and released in 1942. Casablanca takes viewers back to 1941 and to the city of Casablanca, which at the time, was controlled by the French, to meet American expatriate and nightclub owner Rick Blaine (Humphrey Bogart) and Ilsa Lund (Ingrid Bergman), Rick’s former lover...

Where to Watch Powered by

Although the Hollywood masterpiece, Casablanca, had the potential for a sequel, it seemed that studios were hesitant to go through with the plans after noticing that the Rick Blaine twist. Overall, the film received massive praise, securing eight Oscar nominations and winning three for Best Director, Best Screenplay, and Best Picture. Its screenplay was skillfully written by Julius J. & Philip G. Epstein and Howard Koch, who loosely based it on Murray Burneet and Joan Alison unproduced play "Everybody Comes to Rick's".

Boasting a star-studded cast, including Humphrey Bogart, Ingrid Bergman, Claude Reins, Paul Henreid, and popular character actors such as Sydney Greenstreet and Peter Lorre, Casablanca captured hearts worldwide. Following its tremendous success, the studio quickly got to work on a sequel for the masterpiece, an uncommon occurrence for films at that time. The sequel was planned to bring back Bogart and Renault, but the project never came to fruition.

There are precious few cinematic romances that can hold a candle to Rick Blaine and Ilsa Lund in 1942's "Casablanca." It's a relationship that rekindles after heartbreak and is filled to the brim with complications far beyond the usual romantic drama scope. When Ilsa re-enters Rick's life, he's a bit bitter after being left flat with little more than a Dear John letter. He resents being hurt and has lived his life determined to wall off his emotions so that never happens again. 

To further complicate things, Ilsa happens to be traveling with her husband, a resistance leader named Victor Lazlo (Paul Henreid), who was believed to have been killed by the Nazis but is very much alive and still fighting the good fight. But Rick and Ilsa's love is deep and real and the two can't help but fall back to their old emotions around each other, even as...

Emma Mackey in Brontë Photo: Bleeker Street We don’t know for sure where Emily Brontë found the inspiration for her characters in Wuthering Heights, but the film Emily imagines the author herself as the starting point for Cathy, the heroine of the seminal novel. Actor Frances O’Connor, in her feature writing and directing debut,...

Robert Donat snagged an Oscar for this sentimental crowdpleaser, a Best Picture nominee in Hollywood’s ‘Golden Year’ of 1939. The genteel chemistry between Donat’s shy schoolteacher and the charming personality Greer Garson broke hearts, and made Ms. Garson one of MGM’s top names for the next decade. It’s one of the studio’s English productions, filmed in the shadow of the coming war. A glowing new digital restoration redeems 70 years of not-so-good TV prints.

Goodbye, Mr. Chips

Blu-ray

Warner Archive Collection

1939 / B&w / 1:37 Academy / 115 min. / Street Date January 24, 2023 / Available at Amazon.com/ 21.99

Starring: Robert Donat, Greer Garson, Terry Kilburn, John Mills, Paul Henreid, Judith Furse.

Cinematography: Freddie Young

Art Director: Alfred Junge

Film Editor: Charles Frend

Original Music: Richard Addinsell

Written by R.C. Sherriff, Claudine West, Eric Maschwitz from the novel by James Hilton

Produced by Victor Saville

Directed by Sam Wood

No, it’s not about the terrible Chips Ahoy!

The electric chemistry between Rick and Ilsa in "Casablanca" is the stuff of cinematic legend. Thanks to the lead performances from Humphrey Bogart and Ingrid Bergman, the 1943 romantic drama is remembered as a gem of classic Hollywood, its reputation only growing in the 80 years since its initial release. But although the two leads deserve a lion's share of the credit for the success of the film, the devastating love triangle could never have been carried off half as well without the efforts of its third wheel, Victor Laszlo, played by Paul Henreid. An Austrian-born actor who took Hollywood by storm in the early 1940s, his contributions to the role give it an essential sense of balance -- without his commanding presence, the entire romantic equilibrium would be thrown out of whack.

Convincing A Leading Man To Take A Supporting Role

Getting Paul Henreid to take on the role of Victor Laszlo was no small thing.

Audience reactions to "The Exorcist" when it was first released have since passed into cinematic lore, with tales of people passing out and vomiting with fear. When it came to the sequel, "Exorcist II: The Heretic," the crowd's reaction was no less visceral, albeit for very different reasons. According to William Friedkin, people in the theater were so incensed by what they saw that they angrily chased the producers down the street (this should probably be taken with a grain of salt).

To say John Boorman's "Exorcist II" has developed a bad rap is a major understatement. In "The Golden Turkey Awards," a readers' poll of the worst films ever made, it placed second only to Ed Wood's B-movie masterpiece "Plan 9 From Outer Space." This offers an interesting point of comparison as both films are the work of an auteur swinging for the fences despite their limitations: Wood...

Warner Brothers released “Casablanca” in New York on Nov. 26, 1942, which just happened to be Thanksgiving. But the romantic World War II drama starring Humphrey Bogart, Ingrid Bergman and Paul Henreid was anything but a turkey. To say the New York Times review was effusive is something of an understatement: “Warners here have a picture which makes the spine tingle and the heart take a leap….And they have so combined sentiment, humor and pathos with taut melodrama and bristling intrigue that the result is a highly entertaining and even inspiring film.”

And critical praise and audiences’ adoration continued when it opened in Los Angeles and nationwide in January 1943. It went on to win three Oscars for Best Picture, director for Michael Curtiz and adapted screenplay for Julius J. and Philip Epstein and Howard Koch. Let’s take a look back on the occasion of the 80th anniversary.

As time has gone by,...

Riddle me this: what do the Joker and "Casablanca" have in common? If you answered, "Conrad Veidt," then you've survived the first deathtrap, much like the Dynamic Duo coming out of a cliffhanger ending into the next episode of the 1966 "Batman" TV series.

80 years ago, Veidt received fifth billing in "Casablanca" after Humphrey Bogart, Ingrid Bergman, Paul Henreid, and Claude Rains. His movie career, however, dates back even further than that to the silent era. In "The Man Who Laughs," the 1928 silent film helmed by German Expressionist director Paul Leni, Veidt shared top billing with Mary Philbin, and the indelible image of his grinning face left a mark on both movie history and comic book history.

The creation of Batman's greatest nemesis, the Joker, is attributed to writer Bill Finger and artists Bob Kane and Jerry Robinson. Over the years, conflicting accounts arose over who really originated the first idea for the character.

Burbank, Calif., September 13, 2022 – Celebrating the 80th anniversary of its 1942 release, the legendary Warner Bros. film Casablanca will be released on Ultra HD Blu-ray Combo Pack and Digital on November 8, it was announced today by Warner Bros. Home Entertainment. Starring Academy Award winners Humphrey Bogart and Ingrid Bergman, critic Leonard Maltin calls Casablanca “the best Hollywood movie of all time.”

The winner of three Academy Awards® including Best Picture, Best Director and Best Adapted Screenplay, Casablanca was directed by Michael Curtiz from a screenplay by Julius J. Epstein, Philip G. Epstein, and Howard Koch. The screenplay is based on “Everybody Comes to Rick’s”, an unproduced stage play by Murray Burnett and Joan Alison. The film was produced by Hal B. Wallis.

The cast also features Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson.

Casablanca was voted the screen’s greatest love story and the #3 film of...

“Of all the gin joints, in all the towns, in all the world, she walks into mine”

The Rock ‘n’ Roll Drive-in in Chaffee, Mo has become another great St. Louis-area place to see old movies (Chaffee is about 120 miles south of St. Louis). This Friday April 8th, the Rock ‘n’ Roll Drive-in is screening Casablanca double feature Citizen Kane. Gates open at 6:30 pm, and the movies begin at 8:00 pm. The Rock ‘n’ Roll Drive-in’s site can be found Here. Their other screen is showing The Hunger Games (PG-13) and Harry Potter and the Prisoner of Azkaban (PG)

I there was ever a film deserved to be considered a classic then Casablanca is it, Even if you haven’t seen it before you’ll recognize much of the dialogue; it is probably the most quoted, and misquoted, film of all time. Humphrey Bogart is excellent in...

Sam Adams, a literary agent whose career began in the postwar years at Warner Bros. and ended with the deal to bring The Handmaid’s Tale to the big screen, has died, according to multiple reports. He was 94.

Adams’ client list included Handmaid’s author Margaret Atwood, the recently-deceased Peter Bogdanovich, Saturday Night Fever director John Badham, TV giant Stephen J. Cannell, Oscar-winner Alvin Sargent, Casablanca star Paul Henreid and Nobel laureate Isaac Bashevis Singer.

Adams got his start in Hollywood delivering messages at Warner Bros. while he was still at Beverly Hills High School. At Warners, he met the likes of Humphrey Bogart, Lauren Bacall, Errol Flynn, Bette Davis and Edgar G. Robinson. His stint at the studio was interrupted by 18 months of active duty in the army.

After the war he turned to journalism, serving stints at the William Randolph Hearst-owned Los Angeles Examiner, the Armed Forces Radio Services,...

The Academy Museum of Motion Pictures will be taking a trip to Vienna for a six-week programming initiative including a symposium and film series with a distinct cinematic connection to that fabled Austrian city.

The museum announced today the series launch on December 10 and running through January 31. It is designed to explore what the museum describes as the “large community of predominately Jewish, Austrian-born film artists and professionals who helped shape the films and industry of classical era Hollywood.” Titled “Vienna in Hollywood: Emigres and Exiles in the Studio System,” the series is presented in collaboration with the USC Libraries and the USC Max Kade Institute. The Austrian Consulate General in L.A. also is offering support.

Bill Kramer, director and president of the Academy Museum, said: “During the classical Hollywood era, so many beloved films and so many components of the movie industry were developed and shaped by Austrian émigrés,...

A wealthy young woman escapes her tyrannical mother to fall hopelessly in love in this magnificent Hollywood melodrama

The towering 1942 romantic melodrama Now, Voyager, starring Bette Davis and Paul Henreid has been re-released, and its audiences will once again get swept away in the emotional tsunami created by Max Steiner’s orchestral score; the music’s almost outrageous grandiloquence matches the passion and absolute seriousness of the film, and underscores Steiner’s reputation as the Tchaikovsky of the Hollywood golden age. The film was a sensational success and its keynote scene where Henreid suavely lights two cigarettes at once – one for him, one for Davis – was much copied by saucer-eyed fans. Clive James confessed that he attempted it while trying to impress a girl on a date, only for her to say she didn’t smoke, leaving him looking like a walrus.

Charlotte Vale (Davis) is a young woman from...

Retro-active: The Best From The Cinema Retro Archives

“The Lady Vanishes One More Time”

By Raymond Benson

The Criterion Collection has issued a Blu-ray upgrade to a previous winning DVD release—Carol Reed’s World War II suspense adventure, Night Train to Munich. It’s a terrific example of the fine cinema Britain was managing to produce even while at war. Released there in August of 1940, the country was already in the conflict, although the Blitz had not yet occurred.

What’s more striking is its resemblance to Alfred Hitchcock’s The Lady Vanishes (1938) in tone, setting, and even characters. Marketing pushes at the time suggested that Night Train to Munich was a “sequel” to Vanishes, which was an extremely popular movie on both sides of the Atlantic. Night Train is not a sequel, though—it’s more of a remake.

Somebody at the studio must have thought they needed...

This 1942 film starring Humphrey Bogart, Ingrid Bergman, and Paul Henreid that went on to win the Academy Award for Best Picture is remembered as one of the greatest films in history, certainly one of the greatest love stories. This romantic movie's reputation has grown exponentially since 1942. Casablanca is one of the most beloved romantic drama films and it earns its reputation from the stunning performances of its characters, the amazing music, and the chemistry between the leads.

Related: Play It Again, Sam: 10 Behind-The-Scenes Facts About Casablanca

Many lines from this movie have been etched in the minds of audiences— even if people don't always get them quite right. Some quotes from Casablanca are truly some of the most romantic and heartwarming quotes ever spoken in a film or otherwise.

Casablanca Welcome to this week's Stay-At-Home Seven. If you're looking for more inspiration, you can read last week's here or hop aboard our Streaming Spotlight on trains.

Casablanca, BBC Four, 8pm, Thursday, September 17 and on BBC iPlayer

Infinitely quotable and featuring Ingrid Bergman and Humphrey Bogart at the top of their game, there's little wonder Michael Curtiz's film about impossible choices and a reunion between old lovers regularly makes it into lists of favourites. The secondary players are all from the top drawer, too, with Claude Rains, Paul Henreid, Sydney Greenstreet and Peter Lorre all puting in memorable performances. It's the heart of the matter that really makes the film tick, however, and scenes between Bergman and Bogart as economical as well as emotionally rich. Plus, of course, there's the song, As Time Goes By, which gains resonance the more you think about it. Read our full review.

The.

It ends with one of cinema’s most quotable lines of dialogue, as a chain-smoking Bette Davis slyly slows a Paul Henreid in his lukewarm wish to pursue a tenuous romance with her Charlotte Vale exclaiming, “Oh Jerry, don’t let’s ask for the moon. We have the stars.” The film, is of course, Now, Voyager (1942), borrowing its title from the Walt Whitman poem “The Untold Want” and adapted from a novel by Olive Higgins Prouty. It is, perhaps, the most quintessential of Bette Davis’ women’s pictures of her studio era days. If Joan Crawford was the star of melodramas as the woman from the wrong side of the tracks, Davis’ early days as leading lady tended towards women who transformed from ugly ducklings to elegant, ‘party favor’ swans (that is before 1950’s All About Eve would resurrect and revamp her screen image forever, equaled perhaps only by...

Stars: Bette Davis, Paul Henreid, Gladys Cooper, Claude Rains, Bonita Granville | Written by Casey Robinson | Directed by Irving Rapper

The secret at the heart of the Boston social scene is Charlotte Vale (Bette Davis) – a shy, repressed, mentally unstable young woman, tortured by her overbearing mother (Gladys Cooper). Charlotte’s older sister (Bonita Granville) arranges for a visit from the esteemed Dr Jaquith (Claude Rains), who recommends a stay at his hospital in Vermont. The retreat proves life changing. Charlotte’s adventurous spirit is awoken, and she takes a voyage to Brazil. En route she meets the unhappily married Jerry (Paul Henreid). The pair fall in love. Having said farewell to Jerry – apparently forever – Charlotte returns home, and finds that while she has been transformed, her increasingly ill mother hasn’t changed at all. It’s now a question of whether Charlotte’s increasing self-confidence can continue in the great yawning mansion,...

This must be an official Bette Davis month… Criterion has two vintage Davis pictures on offer, and TCM is devoted to a roundup of the actress’s work as well. This one qualifies as the all-time champion Women’s Weepie, but one that holds up as a great picture on all levels. Director Irving Rapper guided this best-ever drama, in which a put-upon Ugly Duckling throws off oppressive familial chains and blossoms into a woman of the world. She then makes choices of personal nobility and selflessness, that will challenge anybody’s notions of saint-like deportment. It’s the kind of show normally gets discussed over coffee, not by film critics, so the extras on this one are especially interesting.

Now, Voyager

Blu-ray

The Criterion Collection 10004

1942 / B&w / 1:37 flat Academy / 117 min. / available through The Criterion Collection / Street Date November 26, 2019 / 39.95

Starring: Bette Davis, Paul Henreid, Claude Rains, Gladys Cooper, Bonita Granville.

‘Mission impossible’ escapism about high-stakes wartime sabotage looks at an authentic, dramatic episode of WW2 — the onslaught of futuristic V-Weapons on London — and then veers into fictional fantasy (think big explosions). George Peppard toughs it out to get free of his MGM contract. Lili Palmer and Barbara Rütting do the heavy lifting, while Sophia Loren is in as a glamorous sidebar. Weirdly, the movie all but lionizes the Germans that develop, test and fire the V-Weapon rockets at England … exaggerating their scientific progress and giving them a strange kind of ‘Right Stuff.’

Operation Crossbow

Blu-ray

Warner Archive Collection

1965 / Color / 2:35 widescreen / 116 min. / Street Date November 12, 2019 / available through the WBshop / 21.99

Starring: Sophia Loren, George Peppard, Trevor Howard, John Mills, Richard Johnson, Tom Courtenay, Jeremy Kemp, Anthony Quayle, Lilli Palmer, Barbara Rütting (Rueting), Paul Henreid, Helmut Dantine, Richard Todd, Sylvia Sims, John Fraser, Maurice Denham, Patrick Wymark, Richard Wattis, Allan Cuthbertson, Karel Stepanek,...

Loosey Goosey: Hawley Gets Histrionic with Uneven Melodrama

At the end of Now, Voyager (1942) the chain-smoking Bette Davis delivers her iconic line to Paul Henreid, “Oh Jerry, don’t let’s ask for the moon. We have the stars.” Considered one of the most memorable and quotable lines of dialogue from Hollywood’s Golden Era, it caps Irving Rapper’s hefty melodrama with an immaculate moment which has allowed for the film’s enduring immortality despite the initial mixed critical reception it received upon release, dealing as it did with the troubled but hopeful spinster who finds happiness despite not having everything she wants. A similar legacy could be in order for Noah Hawley’s uneven narrative debut Lucy in the Sky which fashions a similarly complex and superficially charged veneer around Natalie Portman playing a composite of infamous astronaut Lisa Nowak, who in 2007 wore adult diapers as she embarked...

“Of all the gin joints, in all the towns, in all the world, she walks into mine”

Considered a landmark in American cinema, the romantic Casablanca will enchant as the Slso performs the score live.

Sunday June 23rd at 2pm. Watch all the drama unfold as the Slso performs Max Steiner’s moving score while the timeless film plays on the big screen. Winner of the Academy Award for Best Picture and lauded as one of the greatest movies of all time by the American Film Institute, Casablanca will sweep you up in the story of Rick and Ilsa’s love. Conducted by Norman Huynh. Ticket Information can be found Here

I there was ever a film deserved to be considered a classic then Casablanca is it, Even if you haven’t seen it before you’ll recognize much of the dialogue; it is probably the most quoted, and misquoted,...

Here’s looking at you, Humphrey Bogart. The Oscar-winning leading man would’ve celebrated his 119th birthday on December 25, 2018. Best known for playing a tough guy with a heart of gold, Bogart made dozens of films before his untimely death in 1957. But how many of those titles are classics? In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.

Though it may sound like a bit of Hollywood lore, Bogart was indeed born on Christmas Day, 1899, in New York City. After a short stint in the Navy, he started acting onstage and in films, mostly in bit parts as gangsters who met the wrong end of a bullet.

SEEOscar Best Actor Gallery: Every Winner in Academy Award History

His big breakthrough came with the Broadway hit “The Petrified Forest,” in which he played a violent bank robber holed up at...

Here’s looking at you, Humphrey Bogart. The Oscar-winning leading man would’ve celebrated his 119th birthday on December 25, 2018. Best known for playing a tough guy with a heart of gold, Bogart made dozens of films before his untimely death in 1957. But how many of those titles are classics? In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked worst to best.

Though it may sound like a bit of Hollywood lore, Bogart was indeed born on Christmas Day, 1899, in New York City. After a short stint in the Navy, he started acting onstage and in films, mostly in bit parts as gangsters who met the wrong end of a bullet.

His big breakthrough came with the Broadway hit “The Petrified Forest,” in which he played a violent bank robber holed up at an isolated diner with a hobo and a waitress. When...

Okay, it's not earth-shaking, but So Young, So Bad (1950) kept me watching, sometimes goggling. It's the penultimate film of quota quickie master Bernard "Mad" Vorhaus, who made cheap and often very skilled work in the U.K., moved to the U.S. and made The Amazing Mr. X, a really stylish and entertaining thriller shot by the great John Alton, then made this, and got blacklisted the following year. He had already left the U.S., having seen the way the wind was blowing, but aside from shooting second unit on William Wyler's Roman Holiday, Vorhaus made only one more movie, an Italian flick called Finishing School which seems to be impossible to get at present. He went into house renovation back in the U.K. and did alright at it, I believe.So, one doesn't necessarily expect earth-shaking from a B-movie talent like Vorhaus, but he was capable of splendid work,...

One of the most jeered-at, overcooked sequels of all time thoroughly deserves its reputation as a train wreck of a movie. In hindsight we see a heap of resources and cinematic fireworks thrown at a project with little chance of survival. ‘There must be a sequel’ spake Warner Bros., and lo Sir John of Boorman stepped up to the plate. I think a lot of the scorn was blowback from the power of the original Friedkin picture, a blockbuster that was just too profane of an act to follow.

Exorcist II: The Heretic

Blu-ray

Scream Factory

1977 / Color / 1:85 widescreen / 118 and 102 min. / Collector’s Edition / Street Date September 25, 2018 34.93

Starring: Linda Blair, Richard Burton, Louise Fletcher, Max von Sydow, Kitty Winn, Paul Henreid, James Earl Jones, Ned Beatty, Belinda Beatty, Rose Portillo.

Cinematography: William A. Fraker

Film Editor: Tom Priestley

Special Visual Effects: Bill Hansard, Albert Whitlock, Frank Van Der Veer

Special...

The Ready Room is excited to announce they’re teaming up with Talent Plus and the Mahler Ballroom to present a series of events the likes of which have never been seen before in St. Louis. Tickets can be purchased Here

Join them at the Mahler Ballroom and step into the world of Casablanca. Ben Nordstrom has written and directed immersive theatre pieces which will bring attendees into the film and Ryan Marquez will be performing his own stylized adaptations of music from the film.

This is going to be a swanky cocktail party, with unforgettable programming, and an impeccable venue. And the first drink is free!

I there was ever a film deserved to be considered a classic then Casablanca is it, Even if you haven’t seen it before you’ll recognize much of the dialogue; it is probably the most quoted, and misquoted, film of all time.

Exorcist II: The Heretic is one of the more maligned horror sequels of all time. The original is a classic. And it proved hard to follow, as none of the four sequels that arrived in its wake proved worthy enough to live up to the legacy. Exorcist II is a decidedly different movie from the first, and it's such a huge departure that fans didn't know what to think back in 1977. And most fans still don't know what to think. To celebrate the cult oddity's existence, Scream Factory is releasing a new Collector's Edition Blu-ray this fall.

Following the enormous box-office success of its supernatural predecessor, Exorcist II: The Heretic premiered in 1977 to deliver another dose of demonic possession to terrified audiences. And, on September 25, 2018, Scream Factory pays homage to this haunting sequel with the ultimate blu-ray collector's edition. The 2-disc set, featuring new 2K scans of both theatrical editions from original film elements,...

Regan MacNeil's story didn't end in Georgetown, it continued in New York City years later in Exorcist II: The Heretic, and Scream Factory has now unveiled the full list of special features for their upcoming Collector's Edition release, including a new interview with actress Linda Blair, a new audio commentary with director John Boorman, and two cuts of the film:

Press Release: Following the enormous box-office success of its supernatural predecessor, Exorcist II: The Heretic premiered in 1977 to deliver another dose of demonic possession to terrified audiences. And, on September 25, 2018, Scream Factory pays homage to this haunting sequel with the ultimate blu-ray collector's edition. The 2-disc set, featuring new 2K scans of both theatrical editions from original film elements, is also loaded with specially-created features including an interview with Linda Blair, audio commentary from director John Boorman and much more.

In Exorcist II: The Heretic, bizarre nightmares plague Regan MacNeil...

Among Martin Scorsese’s directing projects-in-progress are a new television show (“The Caesars”), plus films based on an Oklahoma murder mystery (“Killers of the Flower Moon”) and the life of the 26th U.S. president (“Teddy”). He will also soon reunite with actors who delivered their most-acclaimed performances opposite his lens: “Casino” veteran Sharon Stone will star in a Scorsese film that’s still under wraps, while Robert De Niro’s ninth collaboration with the director — Netflix’s “The Irishman” — will be the priciest film of Scorsese’s career (reported budget: $140 million).

Still, the Oscar winner (“The Departed”) has set aside spare time for his signature cause: film preservation.

In his hometown next month, MoMA will host the second-half of its exhibition, “Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures.” The defunct studio Republic Pictures churned out 3,000 films and series, all of which are now property of Paramount.

What, another docu about Nazis? Rüdiger Suchsland’s show tells the entire story — with many rare clips and interesting actor and filmmaker profiles — of the hundreds of state-produced German films made during the Third Reich. It’s the most thorough, informative and eye-opening show on the subject I’ve yet seen. It comes with revelations about some surprising names, like Douglas Sirk and Ingrid Bergman.

Hitler’s Hollywood

DVD

Kino Lorber

2017 / Color & B&W / 1:78 enhanced widescreen / 105 min. / Street Date July 10, 2018 / Hitlers Hollywood: Das deutsche Kino im Zeitalter der Propaganda 1933 – 1945 / available through Kino Lorber / 29.95

Narrated by Udo Kier

With film clips of Hans Albers, Heinz Rühmann, Zarah Leander, Ilse Werner, Marianne Hoppe, Gustaf Gründgens, Wilhelm Furtwängler, Alfred Abel, Lída Baaroví, Willy Fritsch, Gustav Fröhlich, Lilian Harvey, Johannes Heesters, Brigitte Helm, Paul Henreid, Margot Hielscher, Emil Jannings, Pola Negri, Magda Schneider, Kristina Söderbaum, Anton Walbrook.

Film Editor: Ursula Pürrer

Produced by Gunnar Dedio,...

Oscar fever is in full effect, and before you watch this year’s Academy Awards, FilmStruck has a great opportunity for you to study some Oscar history with classic Best Picture titles.

Thanks to Filmstruck’s new partnership with Warner Bros. Digital Networks and TCM Select, the streaming service has added dozens of classic films to its catalog — meaning you can catch up on Oscar winners of years past any time you wish. The service’s vast back catalog now includes some of the most iconic films from the Golden Age of Hollywood — including five classic Best Picture winners that paved the way for modern winners.

They range from some of the most iconic films in Hollywood history (“Casablanca” and “On the Waterfront”) to the not-quite-as-ubiquitous (“The Best Years of Our Lives”). Check out five classic Best Picture winners from the 1940s and ’50s — smack in the middle of Hollywood...