Leading Dutch independent production company Lemming Film has restructured, promoting producers Erik Glijnis and Tom van Blommestein to the new positions of head of film and head of TV series respectively.
The restructure comes as Lemming manages a busy development and production slate (see below for more details).
Glijnis has worked at Lemming since 2016 and has producing credits including Sweet Dreams, which premiered in Locarno in 2023 and was the Dutch Oscar candidate, Do Not Hesitate, Milk and Dead And Beautiful.
Van Blommestein joined Lemming in 2020 having formerly worked at Nl Film and Endemol Shine. His credits include Zenith season 2, Floor Rules,...
The restructure comes as Lemming manages a busy development and production slate (see below for more details).
Glijnis has worked at Lemming since 2016 and has producing credits including Sweet Dreams, which premiered in Locarno in 2023 and was the Dutch Oscar candidate, Do Not Hesitate, Milk and Dead And Beautiful.
Van Blommestein joined Lemming in 2020 having formerly worked at Nl Film and Endemol Shine. His credits include Zenith season 2, Floor Rules,...
- 9/11/2024
- ScreenDaily
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Argentina– The Angel (El Angel) – Luis Ortega Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues Bulgaria – Omnipresent – Ilian Djevelekov Cambodia – Graves Without A Name – Rithy Pan Canada – Watch Dog – Sophie Dupuis Chile – And Suddenly The Dawn – Silvio Caiozzi Colombia– Birds of Passage, Cristina Gallego & Ciro Guerra Croatia – The Eighth Commissioner – Ivan Salaj Czech Republic – Winter Flies – Olmo Omerzu Denmark – The Guilty – Gustav Möller Dominican Republic – Cocote – Nelson Carlo de los Santos Ecuador – A Son Of Man – Jamaicanoproblem and Pablo Agüero Egypt – Yomeddine – Abu Bakr Shawky Estonia – Take It Or Leave It – Liina Trishkina-Vanhatalo Finland – Euthanizer – Teemu Nikin France – Memoir Of War – Emmanuel Finkiel Georgia – Namme – Zaza Khalvashi Germany – Never Look Away – Florian Henckel von Donnersmarck...
- 8/21/2020
- by Nancy Tartaglione
- Deadline Film + TV
An Interview with director Joram Lürsen of ‘The Resistance Banker‘/ ‘Bankier van het Verzet’
Slowly music and water segue into men filing into a conference room to hear a story they know nothing about. Water, the national symbol of Holland, a land forever waging a strategic battle with water, plays a thematic role in this film that only at the end becomes clear in its meaning of kinship and brotherhood.
Coming from an aristocratic Dutch banking family, brothers Walraven and Gijs van Hall risk their families and futures to slow the Nazi war machine by creating an underground bank to fund the Dutch resistance in Nazi-occupied Amsterdam. Actually they rob the Dutch National Bank, something that to this day is not discussed as such although the heroism of the men has finally been acknowledged.
SydneysBuzz: I have never heard this story before. Why is such an important and really gripping story so unknown?...
Slowly music and water segue into men filing into a conference room to hear a story they know nothing about. Water, the national symbol of Holland, a land forever waging a strategic battle with water, plays a thematic role in this film that only at the end becomes clear in its meaning of kinship and brotherhood.
Coming from an aristocratic Dutch banking family, brothers Walraven and Gijs van Hall risk their families and futures to slow the Nazi war machine by creating an underground bank to fund the Dutch resistance in Nazi-occupied Amsterdam. Actually they rob the Dutch National Bank, something that to this day is not discussed as such although the heroism of the men has finally been acknowledged.
SydneysBuzz: I have never heard this story before. Why is such an important and really gripping story so unknown?...
- 12/28/2018
- by Sydney Levine
- Sydney's Buzz
Kenneth Branagh’s Shakespeare tale All Is True has been selected to open the Palm Springs Film Festival, which Friday unveiled its full lineup of films for the 30th edition that runs January 3-14. The fest also said that Bruce Bereford’s Ladies in Black will be the closing-night film, with the director and cast members expected to be in attendance.
In all, the fest will screen 223 films from 78 countries, and as usual will screen a slew of Oscar Foreign Language Film entries, this year numbering 43 of the 87 official submissions. Also on the docket: a 30-film retrospective of past fest selections, dubbed the Palm Springs Canon; special focuses on cinema from France, India and Mexico, and Jewish and queer cinema; and the new Ricky Jay Magic of Cinema Award, named for actor and magician Ricky Jay who died last month.
In addition to the film lineup, the opening awards gala...
In all, the fest will screen 223 films from 78 countries, and as usual will screen a slew of Oscar Foreign Language Film entries, this year numbering 43 of the 87 official submissions. Also on the docket: a 30-film retrospective of past fest selections, dubbed the Palm Springs Canon; special focuses on cinema from France, India and Mexico, and Jewish and queer cinema; and the new Ricky Jay Magic of Cinema Award, named for actor and magician Ricky Jay who died last month.
In addition to the film lineup, the opening awards gala...
- 12/14/2018
- by Patrick Hipes
- Deadline Film + TV
The Palm Springs International Film Festival has announced its 2019 lineup, and it’s prodigious: 223 films from 78 countries, four of them world premieres. Though well known for celebrating future Oscar nominees (and winners) each year, the festival also boasts a deceptively robust world-cinema slate; among the upcoming offerings are Jia Zhangke’s “Ash Is Purest White,” Sergey Loznitsa’s “Donbass,” Cristina Gallego and Ciro Guerra’s “Birds of Passage,” and Ryūsuke Hamaguchi’s “Asako I & II,” to name just a few.
A number of post-screening Q&As will also be held, including with “Black Klansman” author Ron Stallworth and “Support the Girls” star Regina Hall, in addition to a new section celebrating the best films to screen at Psiff throughout its first three decades.
World premieres:
Buck Run (USA), Director Nick Frangione
Carlos Almaraz Playing With Fire (USA), Directors Elsa Flores Almaraz, Richard Montoya (Schlesinger Documentary Competition)
The Last Color...
A number of post-screening Q&As will also be held, including with “Black Klansman” author Ron Stallworth and “Support the Girls” star Regina Hall, in addition to a new section celebrating the best films to screen at Psiff throughout its first three decades.
World premieres:
Buck Run (USA), Director Nick Frangione
Carlos Almaraz Playing With Fire (USA), Directors Elsa Flores Almaraz, Richard Montoya (Schlesinger Documentary Competition)
The Last Color...
- 12/14/2018
- by Michael Nordine
- Indiewire
An Interview with director Joram Lürsen of ‘The Resistance Banker‘/ ‘Bankier van het Verzet’
Slow and mysterious, music and water segue into men filing into a conference room to hear a story they know nothing about. Water, the national symbol of Holland, a land forever waging a strategic battle with water, plays a thematic role in this film that only at the end becomes clear in its meaning of kinship and brotherhood.
Coming from an aristocratic Dutch banking family, brothers Walraven and Gijs van Hall risk their families and futures to slow the Nazi war machine by creating an underground bank to fund the Dutch resistance in Nazi-occupied Amsterdam. Actually they rob the Dutch National Bank, something that to this day is not discussed as such although the heroism of the men has finally been acknowledged.
SydneysBuzzz: I have never heard this story before. Why is such an important and really gripping story so unknown?...
Slow and mysterious, music and water segue into men filing into a conference room to hear a story they know nothing about. Water, the national symbol of Holland, a land forever waging a strategic battle with water, plays a thematic role in this film that only at the end becomes clear in its meaning of kinship and brotherhood.
Coming from an aristocratic Dutch banking family, brothers Walraven and Gijs van Hall risk their families and futures to slow the Nazi war machine by creating an underground bank to fund the Dutch resistance in Nazi-occupied Amsterdam. Actually they rob the Dutch National Bank, something that to this day is not discussed as such although the heroism of the men has finally been acknowledged.
SydneysBuzzz: I have never heard this story before. Why is such an important and really gripping story so unknown?...
- 11/13/2018
- by Sydney Levine
- Sydney's Buzz
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed - a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi - which has entered Shemu Joyah’s The Road to Sunrise - and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed - a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi - which has entered Shemu Joyah’s The Road to Sunrise - and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/9/2018
- by John Hazelton
- ScreenDaily
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
First-time submissions come from Malawi and Niger as Austrlia and New Zealand join the list.
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
Eighty-seven countries have submitted films for this year’s foreign language film Oscar, the Academy of Motion Pictures Arts and Sciences has revealed, a drop from the record 92 that submitted last year.
Countries submitting films in the category for the first time include Malawi, which has entered Shemu Joyah’s The Road to Sunrise, and Niger, whose submission is Rahmatou Keïta’s The Wedding Ring.
Submissions that had not previously been confirmed include Australian entry Jirga, from director Benjamin Gilmour, and New Zealand contender Yellow Is Forbidden,...
- 10/8/2018
- by John Hazelton
- ScreenDaily
Eighty-seven countries have submitted films for consideration in the foreign language category for the 91st Academy Awards.
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
Oscar nominations will be announced on Jan. 22 and the ceremony will be held on Feb. 24 at Los Angeles’ Dolby Theatre. Malawi and Niger are first-time entrants. The Academy of Motion Picture Arts and Sciences made the announcement on Monday.
High-profile titles include Alfonso Cuaron’s “Roma,” the Mexican entry; Denmark’s “The Guilty”; Germany’s “Never Look Away,” from previous Oscar winner Florian Henckel von Donnersmarck; Hirokazu Kore-eda’s “Shoplifters,” the Japanese entry that won the Palme d’Or at this year’s Cannes Film Festival; Nadine Labaki’s “Capernaum,” the Cannes jury prize winner from Lebanon; and Pawel Pawlikowski’s “Cold War,” the Cannes best director prize winner from Poland.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,...
- 10/8/2018
- by Dave McNary
- Variety Film + TV
A whopping 87 countries submitted entries in the Foreign-Language Film race at the 2019 Oscars. That is down by five from last year’s record 92 submissions but up by two from 2017, which had broken the benchmark of 83 set in 2015. The nations represented ranged from A (Afghanistan) to Y (Yemen). Among the contenders is the Mexican entry “Roma” by Oscar winner Alfonso Cuaron (“Gravity”). This Venice Film Festival winner is a strong contender in both this and the Best Picture race at the Oscars.
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
Predicting the eventual five Oscar nominees for Best Foreign-Language Film is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as...
- 10/8/2018
- by Paul Sheehan
- Gold Derby
The Academy of Motion Picture Arts and Sciences has announced the official list of submissions for the 2019 Oscar for best foreign language film. There are 87 countries vying for the prize this awards season, including first-time entrants Malawi and Niger. Included among the titles are high-profile contenders such as Mexico’s “Roma” and Poland’s “Cold War,” both of which are vying to break out of the foreign race and earn nominations for best picture, best director, and more.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019. Click here to view predictions for the foreign language Oscar race from IndieWire’s awards editor Anne Thompson.
2018 Foreign Oscar Submissions
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director
Algeria, “Until the End of Time,” Yasmine Chouikh, director
Argentina, “El Ángel,” Luis Ortega, director
Armenia, “Spitak,” Alexander Kott, director
Australia, “Jirga,...
- 10/8/2018
- by Zack Sharf
- Indiewire
Nadine Labaki’s critical hit Capernaum, which was snapped up by Sony Classics in May, has been selected as Lebanon’s Foreign Language Oscar submission.
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
The Cannes Jury Prize winner, directed by Nadine Labaki, focuses on a 12-year-old boy in a fictitious Middle Eastern village who sues his parents for bringing him into a world of such suffering. The film features mostly non-professional actors. This year, The Insult by Ziad Doueiri won Lebanon’s first ever Academy Award nomination.
Also entering the Foreign Language race this week have been Brazil, Slovenia, Bulgaria, Pakistan, Thailand and Indonesia. Below is the full list of submissions to date.
2019 Foreign Language Film Oscar Submissions Algeria – Until The End Of Time – Yasmine Chouikh Austria – The Waldheim Waltz – Ruth Beckermann Belarus – Crystal Swan – Darya Zhuk Belgium – Girl – Lukas Dhont Bolivia – Muralla – Rodrigo Patiño Bosnia – Never Leave Me – Aida Begic Brazil – The Great Mystical Circus – Carlos Diegues...
- 9/19/2018
- by Andreas Wiseman
- Deadline Film + TV
The Netherlands and Austria have chosen Joram Lürsen’s “The Resistance Banker” and Ruth Beckermann’s “The Waldheim Waltz” as their respective foreign-language Oscar candidates.
“The Resistance Banker” is set in Nazi-occupied Amsterdam during World War II and tells the true story of Walraven van Hall, a banker who financed the Dutch Resistance by defrauding the Central Bank. Netflix has acquired global rights to the film outside of China, Belgium and the Netherlands and plans a rollout on Sept.11.
The movie was produced by Sytze van der Laan, Sabine Brian and Alain de Levita for the Dutch banner Nl Film and TV, in co-production with Eo-Evangelical Broadcasting and Belgium’s Zilvermeer Productions.
Lürsen is best-known for directing “In Orange” and “The Magicians.” “The Resistance Banker” has been nominated for a record 12 Golden Calf nominations, the national film awards of the Netherlands Film Festival. “The Resistance Banker” is also one of...
“The Resistance Banker” is set in Nazi-occupied Amsterdam during World War II and tells the true story of Walraven van Hall, a banker who financed the Dutch Resistance by defrauding the Central Bank. Netflix has acquired global rights to the film outside of China, Belgium and the Netherlands and plans a rollout on Sept.11.
The movie was produced by Sytze van der Laan, Sabine Brian and Alain de Levita for the Dutch banner Nl Film and TV, in co-production with Eo-Evangelical Broadcasting and Belgium’s Zilvermeer Productions.
Lürsen is best-known for directing “In Orange” and “The Magicians.” “The Resistance Banker” has been nominated for a record 12 Golden Calf nominations, the national film awards of the Netherlands Film Festival. “The Resistance Banker” is also one of...
- 9/7/2018
- by Elsa Keslassy
- Variety Film + TV
Financial contributions worth $55m were made to 256 productions from July 2014 to December 2017.
New research published in the Netherlands this week has revealed the transformative effect the government’s Film Production Incentive has had on the local industry. The research covers the period from July 2014, when the incentive was introduced, to December 2017.
In this period, financial contributions worth $55m were made to 256 productions through the incentive, resulting in a Dutch film industry spend in excess of $253.3m million. For each euro granted through the incentive, an average of €4.60 was spent on production expenditure in the Netherlands.
The Netherlands Film Production Incentive is a cash rebate scheme.
New research published in the Netherlands this week has revealed the transformative effect the government’s Film Production Incentive has had on the local industry. The research covers the period from July 2014, when the incentive was introduced, to December 2017.
In this period, financial contributions worth $55m were made to 256 productions through the incentive, resulting in a Dutch film industry spend in excess of $253.3m million. For each euro granted through the incentive, an average of €4.60 was spent on production expenditure in the Netherlands.
The Netherlands Film Production Incentive is a cash rebate scheme.
- 5/9/2018
- by Geoffrey Macnab
- ScreenDaily
Company founder Frans van Gestel also updates on their other film and TV projects.
Source: Topkapi
‘Flying Dutchmen’
Amsterdam-based Topkapi Films is to launch one of the most ambitious TV dramas in recent Dutch history, Flying Dutchmen, directed by Joram Lürsen (Public Works, In Orange). Shooting will start at the end of the year.
In an exclusive interview with Screen International, company founder Frans van Gestel has revealed details of the project, which recently received support from the Netherlands Production Incentive. The series consists of eight episodes, each with a budget of €800,000 Euros.
It tells the story of Anthony Fokker, the Dutch aviation pioneer and aircraft manufacturer, and of his very volatile partnership with fellow aviation expert, Albert Plesman.
Fokker became a naturalised German but returned to the Netherlands after the First World War and together with Plesman, began to build up the Dutch aviation industry. The two men took planes built for warfare and customised and re-designed...
Source: Topkapi
‘Flying Dutchmen’
Amsterdam-based Topkapi Films is to launch one of the most ambitious TV dramas in recent Dutch history, Flying Dutchmen, directed by Joram Lürsen (Public Works, In Orange). Shooting will start at the end of the year.
In an exclusive interview with Screen International, company founder Frans van Gestel has revealed details of the project, which recently received support from the Netherlands Production Incentive. The series consists of eight episodes, each with a budget of €800,000 Euros.
It tells the story of Anthony Fokker, the Dutch aviation pioneer and aircraft manufacturer, and of his very volatile partnership with fellow aviation expert, Albert Plesman.
Fokker became a naturalised German but returned to the Netherlands after the First World War and together with Plesman, began to build up the Dutch aviation industry. The two men took planes built for warfare and customised and re-designed...
- 1/29/2018
- by Geoffrey Macnab
- ScreenDaily
September Films boss Pim Hermeling has revealed details of his ambitious plans to remould his company as a vertically integrated outfit, combining production and exhibition with distribution.
Hermeling will soon be launching a major new, eight-screen 800 seat cinema in the Dutch province of Utrecht.
The Kade, as it will be called, is a joint venture between September Films (formerly Wild Bunch Benelux) and the Hku Univeristy of the Arts.
Building work on the venue will begin shortly and the venue is due to open in late 2016 or early 2017.
The veteran Dutch distributor recently set up September Films Production, a new outfit that will look to co-produce using the Dutch cash rebate incentive set up last year.
Hermeling has also been on an early autumn buying spree.
One recent September acquisition is A War (Krigen), directed by Tobias Lindholm. The film, sold by StudiCanal, is screening this week in Venice’s Orizzonti.
The company...
Hermeling will soon be launching a major new, eight-screen 800 seat cinema in the Dutch province of Utrecht.
The Kade, as it will be called, is a joint venture between September Films (formerly Wild Bunch Benelux) and the Hku Univeristy of the Arts.
Building work on the venue will begin shortly and the venue is due to open in late 2016 or early 2017.
The veteran Dutch distributor recently set up September Films Production, a new outfit that will look to co-produce using the Dutch cash rebate incentive set up last year.
Hermeling has also been on an early autumn buying spree.
One recent September acquisition is A War (Krigen), directed by Tobias Lindholm. The film, sold by StudiCanal, is screening this week in Venice’s Orizzonti.
The company...
- 9/4/2015
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Yorgos Lanthimos’s The Lobster, Peter Greenaway’s Eisenstein In Guanajuato and Alex van Warmerdam’s Schneider vs. Bax among those to receive a share of €8.5m ($11.4m) from the new Netherlands Film Production Incentive.Scroll down for full list of projects
A total of 34 film projects have received funding totaling €8.5m ($11.4m) from the budget of the new Netherlands Film Production Incentive.
It is anticipated that these projects will generate €47.9m ($64.6m) in Netherlands-based production expenditure.
Some 21 of the 34 successful applicants were international co-productions of feature films and documentaries, in which a Dutch producer has a majority or minority stake.
Productions include The Night Of A Thousand Hours by screenwriter/director Virgil Widrich, a co-production between Austria (Amour Fou Vienna), Luxembourg (Amour Fou Luxembourg) and The Netherlands (KeyFilm); The Lobster by director/screenwriter Yorgos Lanthimos, a co-production between Ireland (Element Pictures), France (Haut et Court), Greece (Faliro House), UK (Scarlet Films) and The Netherlands (Lemming Film); and...
A total of 34 film projects have received funding totaling €8.5m ($11.4m) from the budget of the new Netherlands Film Production Incentive.
It is anticipated that these projects will generate €47.9m ($64.6m) in Netherlands-based production expenditure.
Some 21 of the 34 successful applicants were international co-productions of feature films and documentaries, in which a Dutch producer has a majority or minority stake.
Productions include The Night Of A Thousand Hours by screenwriter/director Virgil Widrich, a co-production between Austria (Amour Fou Vienna), Luxembourg (Amour Fou Luxembourg) and The Netherlands (KeyFilm); The Lobster by director/screenwriter Yorgos Lanthimos, a co-production between Ireland (Element Pictures), France (Haut et Court), Greece (Faliro House), UK (Scarlet Films) and The Netherlands (Lemming Film); and...
- 7/28/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
It was all the way back in 2009 that young UK writer-director made his breakthrough with taut thriller The Disappearance Of Alice Creed. Blakeson, at the time, was rightly hailed as a bright young talent to watch, the sort of director who could easily prove to be the next Danny Boyle. He has since disappeared into development hell without a single other credit to his name in the five years since Alice disappeared.And though we still wait for Blakeson to reappear, there goes Alice popping up in the Netherlands thanks to Reckless (Bloedlink), a remake of Blakeson's film from director Joram Lürsen.Ex-cons Victor (Tygo Gernandt) and Rico (Marwan Kenzari) have masterminded a foolproof plan to abduct millonaires' daughter Laura Temming (Sarah Chronis). When she is kidnapped...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/13/2014
- Screen Anarchy
Kidnap thriller The Disappearance Of Alice Creed remade for Dutch audiences.
Producer Frans van Gestel is at the Rotterdam International Film Festival (Iffr) drumming up international interest in Joram Lürsen’s new thriller Reckless (Bloedlink), a Dutch remake of British kidnap thriller The Disappearance Of Alice Creed.
The film, produced by Oscar-nominated Dutch outfit Topkapi Films, is directly based on J Blakeson’s 2009 thriller, which starred Gemma Arterton, Eddie Marsan and Martin Compston
Speaking to ScreenDaily in Rotterdam, van Gestel said that the new film, now in post-production, is aimed primarily at a Dutch audience.
“Obviously, if you make a remake of a British film, it is not meant to travel around the world. It is meant to work really strongly in the domestic market.”
Van Gestel together with screenwriter Frank Ketelaar was looking for genre stories that could be made for a modest budget of around €1m.
At first, they wanted...
Producer Frans van Gestel is at the Rotterdam International Film Festival (Iffr) drumming up international interest in Joram Lürsen’s new thriller Reckless (Bloedlink), a Dutch remake of British kidnap thriller The Disappearance Of Alice Creed.
The film, produced by Oscar-nominated Dutch outfit Topkapi Films, is directly based on J Blakeson’s 2009 thriller, which starred Gemma Arterton, Eddie Marsan and Martin Compston
Speaking to ScreenDaily in Rotterdam, van Gestel said that the new film, now in post-production, is aimed primarily at a Dutch audience.
“Obviously, if you make a remake of a British film, it is not meant to travel around the world. It is meant to work really strongly in the domestic market.”
Van Gestel together with screenwriter Frank Ketelaar was looking for genre stories that could be made for a modest budget of around €1m.
At first, they wanted...
- 1/28/2014
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
The 18th International Children’s Film Festival of India has announced the competition lineup for 2013. Some of the well-known Indian films in competition are Nagraj Manjule’s Fandry [Read interview], Shilpa Ranade’s Goopi Gawaiya Bagha Bajaiya [Read interview] and Batul Mukhtiar’s Kaphal.
Organized by the Children’s Film Society of India, the biennial festival also known as The Golden Elephant will be held from November 14-20, 2013 in Hyderabad.
Competition Live Action
A Horse on the Balcony
Dir.: Hüseyin Tabak (Austria)
Tainá – an Amazon Legend
Dir.: Rosanne Svartman (Brazil)
Havanastation
Dir.: Ian Padrón (Cuba)
The Great Bird Chase
Dir.: Christian Dyekjær (Denmark)
Horizon Beautiful
Dir.: Stefan Jäger (Ethiopia, Switzerland)
Windstrom
Germany
Igor and the Cranes’ Journey
Dir.: Evgeny Ruman (Germany, Israel, Poland)
Fandry
Dir.: Nagraj Manjule (India)
Kaphal
Dir.: Batul Mukhtiar (India)
Good Fellows
Iran
7 Days of Himmawari and her Puppies
Dir.: Emiko Hiramatsu (Japan)
Mother,...
Organized by the Children’s Film Society of India, the biennial festival also known as The Golden Elephant will be held from November 14-20, 2013 in Hyderabad.
Competition Live Action
A Horse on the Balcony
Dir.: Hüseyin Tabak (Austria)
Tainá – an Amazon Legend
Dir.: Rosanne Svartman (Brazil)
Havanastation
Dir.: Ian Padrón (Cuba)
The Great Bird Chase
Dir.: Christian Dyekjær (Denmark)
Horizon Beautiful
Dir.: Stefan Jäger (Ethiopia, Switzerland)
Windstrom
Germany
Igor and the Cranes’ Journey
Dir.: Evgeny Ruman (Germany, Israel, Poland)
Fandry
Dir.: Nagraj Manjule (India)
Kaphal
Dir.: Batul Mukhtiar (India)
Good Fellows
Iran
7 Days of Himmawari and her Puppies
Dir.: Emiko Hiramatsu (Japan)
Mother,...
- 10/30/2013
- by NewsDesk
- DearCinema.com
Sliff/Kids opens tonight! I’m planning on attending tonight’s show and tomorrow night’s as well. This should be a great, Free, event and hopefully will turn into an annual fest.
Did we mention everything is free!!!
Cinema St. Louis introduces Sliff/Kids, the First Annual St. Louis International Children’s Film Festival, presented by Pnc Arts Alive. With a half-dozen presenting partners, Csl will offer film programs, camps, and a workshop as part of Sliff/Kids, which is held from July 26-Aug. 4, 2013. A total of 14 film programs will be screened on the fest’s two weekends (July 26-28 and Aug. 2-4) at Webster University, the St. Louis Public Library, the Missouri History Museum, Washington University, Lindenwood University, and the Wildey Theatre. With the participation of both Lindenwood and Webster universities, filmmaking camps on live action and animation will be held at the St. Louis Public Library’s...
Did we mention everything is free!!!
Cinema St. Louis introduces Sliff/Kids, the First Annual St. Louis International Children’s Film Festival, presented by Pnc Arts Alive. With a half-dozen presenting partners, Csl will offer film programs, camps, and a workshop as part of Sliff/Kids, which is held from July 26-Aug. 4, 2013. A total of 14 film programs will be screened on the fest’s two weekends (July 26-28 and Aug. 2-4) at Webster University, the St. Louis Public Library, the Missouri History Museum, Washington University, Lindenwood University, and the Wildey Theatre. With the participation of both Lindenwood and Webster universities, filmmaking camps on live action and animation will be held at the St. Louis Public Library’s...
- 7/26/2013
- by Tom Stockman
- WeAreMovieGeeks.com
The 17th Kolkata Film festival to be held from November 10-17, 2011 has announced its lineup. Terrence Malick’s The Tree of Life, Alexander Sokurov’s Faust, Godard’s Film Socialism, Bela Tarr’s The Turin Horse, among others will be presented at the International Cinema section of the festival.
Joram Lürsen’s The Magicians will be the opening film of the festival.
In a Special Tribute to Uttam Kumar—Nayak directed by Satyajit Ray and documentary Mahanayak—a Superstar’s Journey directed by Swapan Das will be screened.
A Retrospective of Japanese director Shohei Imamura will showcase films like Stolen Desire, Black Rain and Vengeance is Mine, among others.
Carlo Lizzani’s Luchino Visconti: Life as in a romance, Chidananda Dasgupta’s Amodini, Mani Kaul’s Uski Roti, Luchino Visconti’s The Innocent and The Leopard will be screened in the Homage section.
Ritwik Ghatak’s Komal Gandhar and...
Joram Lürsen’s The Magicians will be the opening film of the festival.
In a Special Tribute to Uttam Kumar—Nayak directed by Satyajit Ray and documentary Mahanayak—a Superstar’s Journey directed by Swapan Das will be screened.
A Retrospective of Japanese director Shohei Imamura will showcase films like Stolen Desire, Black Rain and Vengeance is Mine, among others.
Carlo Lizzani’s Luchino Visconti: Life as in a romance, Chidananda Dasgupta’s Amodini, Mani Kaul’s Uski Roti, Luchino Visconti’s The Innocent and The Leopard will be screened in the Homage section.
Ritwik Ghatak’s Komal Gandhar and...
- 11/7/2011
- by NewsDesk
- DearCinema.com
Amsterdam -- Romantic comedy "Love Is All" took home the Golden Calf for best Dutch feature Friday night as the Dutch Film Festival in Utrecht came to a close. Its helmer, Joram Lursen, received the award for best director.
"Love," a romantic comedy similar to the U.K.'s "Love Actually," stars Carice van Houten and, with 1.3 million admissions, is the biggest boxoffice hit in the Netherlands in recent years.
The festival jury, headed by former banker and film financier Frans Afman, was very critical of the quality of most of the Dutch features in competition, stating that many productions had not deserved financial support.
One of the highlights of the festival was opening night. While career achievement winner Rutger Hauer was not in town to receive his award, he sent along a short film in which he rides a bicycle through Amsterdam with Dutch Culture Minister Ronald Plasterk as his passenger.
"Love," a romantic comedy similar to the U.K.'s "Love Actually," stars Carice van Houten and, with 1.3 million admissions, is the biggest boxoffice hit in the Netherlands in recent years.
The festival jury, headed by former banker and film financier Frans Afman, was very critical of the quality of most of the Dutch features in competition, stating that many productions had not deserved financial support.
One of the highlights of the festival was opening night. While career achievement winner Rutger Hauer was not in town to receive his award, he sent along a short film in which he rides a bicycle through Amsterdam with Dutch Culture Minister Ronald Plasterk as his passenger.
- 10/3/2008
- by By Ab Zagt
- The Hollywood Reporter - Movie News
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