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National Canadian Film Day, a local and global celebration of homegrown movies set for April 16, has received a burst of support from an unlikely source: Donald Trump. The U.S. president’s escalating tariff war and talk of turning Canada into the “51st state” is driving a surge in grassroots support for the annual celebration of Canuck cinema.

The event began in 2014 and now finds itself part of the defiant “Elbows Up, Canada!” campaign. The movement, which takes its name from a defiant ice hockey gesture made famous by Canadian NHL legend Gordie Howe, has seen its slogan become a rallying cry nationwide against the U.S. President’s trade war and threats of annexation.

“Suddenly, we’re in a place where we can say, we have our elbows up. Come join us. Stand up for Canada by sitting down to a great Canadian film,” says Jack Blum, co-founder of Canadian Film Day,...

It’s time for a new episode of the Real Slashers video series, and with this one we’re heading back into the glorious ’80s to look at a film that was released during the slasher boom of 1981: Happy Birthday to Me (watch it Here)! This movie was directed by J. Lee Thompson, whose previous credits included the classics The Guns of Navarone and Cape Fear (not to mention Conquest of the Planet of the Apes and Battle for the Planet of the Apes). To hear all about his contribution to the ’80s slasher era, check out the video embedded above.

From here, Thompson would go on to make several films with Charles Bronson, including 10 to Midnight and Death Wish 4: The Crackdown, as well as King Solomon’s Mines and the Chuck Norris adventure Firewalker.

Scripted by Timothy Bond, Peter Jobin, and John Saxton, Happy Birthday to Me...

Aging much better than a freezer burnt, half eaten cake, Happy Birthday to Me (1981) stands out as one of the better ones from the golden era of slashers, when the major studios weren’t afraid to throw some blood soaked (Canadian) coin at a B level concept, and in the process giving it some A list icing.

The Canadian ties? Filmed in Montreal when tax credits were still flying fast and furious, Happy was one of Columbia Pictures early ‘80s ventures into the horror world. (Graduation Day, released the same year, was the breadwinner of the two.) Recruiting the Canadian producing juggernaut of Andre Link and John Dunning (David Cronenberg’s cohorts on his mid ‘70s output, Shivers and Rabid), Columbia was guaranteed a good return on their investment. Of course, the Canuck connection doesn’t stop there – the cast includes such faces of Canadiana as Lawrence Dane (Scanners), Jack Blum...

Chicago – Now that Wes Anderson’s marvelous “Moonrise Kingdom” has finally received a much-belated wide release, it’s an ideal time for audiences to revisit Bill Murray’s first cinematic excursion to summer camp. Ivan Reitman’s 1979 hit, “Meatballs,” is famous primary for giving the SNL vet his first starring role, which is appropriate considering Murray is the only reason worth watching it.

As far as “snobs vs. slobs” farces of the ’70s go, “Meatballs” is a passable but wholly unremarkable escapist lark. It assembles a series of misfit stereotypes—the clueless nerd, the fat kid, the guy who can’t help blowing stuff up—and has them go through the motions. There isn’t a single gag involving the hapless counselors-in-training at Camp North Star that is the least bit funny or surprising. Half of the film’s 99-minute running time is so tiresome that it will undoubtedly lead...