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Many Marvel e­nthusiasts anticipate franchise deve­lopments with exciteme­nt, yet Madame Web appe­ared disheartening for some. Many fans are disappointed, with some not even bothering to watch.

Sydney Sweeney in Madame Web

However, discussions center on an unusual Spider-Man costume designe­d for rainforest dwellers. It’s left fans feeling shocked and confused. Marve­l’s renowned characters ofte­n possess iconic attire, leaving folks que­stioning this unconventional creative de­cision’s direction.

Madame Web’s Strange Spider-Man Outfit Shocks Marvel Fans

Marvel e­nthusiasts were shocked by an unconventional Spider-Man costume­ in Madame Web. Distinctly diverge­nt from typical Spidey garb, this costume confused and conce­rned fans.

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Like, where did they even get the idea for its peculiar design and questions regarding its inspiration?...

Josh Martin as Jack Harris, Melissa Neal as Dr. Caroline Clark, and Eoin Macken as Gavin Harris in ‘La Brea’ season 2 episode 9 (Photo by: Sarah Enticknap/NBC)

NBC’s La Brea season two episode eight ended with Gavin stopping the virus upload when it was 99 complete. Episode nine, “Murder in the Clearing,” picks up minutes later with Gavin (Eoin Macken) demanding to know his dad’s plan for getting them back home.

James (Jonno Roberts) claims his team’s on the verge of fixing the machine so it can be used safely. The catch? Dr. Harold Moore, the only scientist who understands the formula, is missing somewhere in 10,000 BC.

If Gavin can find him, then maybe they can all go home. And, it turns out, Gavin’s mom knows Harold and might know where to locate him.

Eve (Natalie Zea) shows up inside the Tower and wants to know why the virus stopped uploading.

If I was an art teacher, I would make "The Colour of Ink" part of my curriculum every year. The documentary, which premieres at the 2022 Toronto International Film Festival (TIFF), is one of those humble, understated gems that could easily be missed in the hustle-and-bustle of flashier, sexier films. The subject matter isn't exactly tantalizing — how does one make a 105-minute film about small-batch ink-making interesting? Film-critic-turned-director Brian D. Johnson has figured out the answer: You don't make a movie about the ink, you make it about the people.

"The Colour of Ink" centers on Jason Logan, a former illustrator for The New York Times, who is now an independent ink-maker in Toronto, Canada. Rather than go into the history of ink usage, mass production, or even some diatribe about how pervasive ink still is in our everyday lives, the documentary instead zeros in on Logan's personal experiences and relationships.