There's a lot riding on FBI: CIA. The upcoming spinoff will be the first in the FBI franchise after CBS decided to pull the plug on both FBI: Most Wanted and FBI: International. Fans are steel reeling from the loss of 2/3 of the franchise's first three shows, but CIA will mark the dawn of a new chapter.
And it will be doing so on its own terms. Most FBI spinoffs, and most spinoffs in general, use their flagship show as a launchpad in the form of a backdoor pilot. This means the main FBI series has made a habit of dedicating whole episodes to introducing spinoff casts and premises. This won't be happening with FBI: CIA, however.
FBI: CIA will no longer receive a backdoor pilot “Blood Doesn’t Become Water” – The Fly Team leads an international manhunt when an American woman and her new husband flee from Baltimore to...
And it will be doing so on its own terms. Most FBI spinoffs, and most spinoffs in general, use their flagship show as a launchpad in the form of a backdoor pilot. This means the main FBI series has made a habit of dedicating whole episodes to introducing spinoff casts and premises. This won't be happening with FBI: CIA, however.
FBI: CIA will no longer receive a backdoor pilot “Blood Doesn’t Become Water” – The Fly Team leads an international manhunt when an American woman and her new husband flee from Baltimore to...
- 3/17/2025
- by Danilo Castro
- One Chicago Center
Long live the animal print trend. Embrace your wild side and choose a signature print. Animal prints aren’t just for scarves or handbags. They can make a serious statement on your feet as well.
You have virtually the entire animal kingdom to choose from – with cheetah, zebra, cow print, and tiger, to name but a few.
A vibrant collection of animal prints featuring cheetah, giraffe, tiger, zebra, leopard, Dalmatian, cattle, and jaguar patterns, showcasing nature’s diverse designs (Credit: LenaSunagatova / Shutterstock)
It’s easy to be overwhelmed by the different types of animal print available. There’s something for everyone, whether you want the chicness of Dalmatian or the quirkiness of butterflies.
We’re sharing the must-have animal print shoes that everyone needs to have in their closet, from the classics to the alternatives.
1. Cheetah Print Shoes: Subtle and Chic
One of the most popular animal prints of all time is the cheetah.
You have virtually the entire animal kingdom to choose from – with cheetah, zebra, cow print, and tiger, to name but a few.
A vibrant collection of animal prints featuring cheetah, giraffe, tiger, zebra, leopard, Dalmatian, cattle, and jaguar patterns, showcasing nature’s diverse designs (Credit: LenaSunagatova / Shutterstock)
It’s easy to be overwhelmed by the different types of animal print available. There’s something for everyone, whether you want the chicness of Dalmatian or the quirkiness of butterflies.
We’re sharing the must-have animal print shoes that everyone needs to have in their closet, from the classics to the alternatives.
1. Cheetah Print Shoes: Subtle and Chic
One of the most popular animal prints of all time is the cheetah.
- 12/21/2024
- by Aine Lagan
- Your Next Shoes
Tina Fey, the American actress known for “Saturday Night Live,” “Mean Girls,” “30 Rock,” and “Date Night,” stands at 5 feet 4 ½ inches (163.8 cm). This information comes directly from Fey, who corrected a common misconception about her height in an interview with the Cincinnati Enquirer, saying, “The Internet says I’m 5-foot-2. And I’m 5-4 and a half.”
She also mentioned her height in Glam in 2008. For context, the average American woman is around 5 feet 4 inches (162.5 cm). Therefore, Fey’s height is just slightly above this average, aligning her closely with the height of many American women.
Tina Fey: A Closer Look Height Comparison with Husband Jeff Richmond Tina Fey’s Shoe Size and International Conversions Beyond ’30 Rock’: A Diverse Portfolio of Earnings The Story Behind Tina Fey’s Facial Scar Elegance at the TIFF: Tina Fey’s Fashion Moment
Tina Fey, standing at 5 feet 4 ½ inches, poses alongside her husband Jeff Richmond,...
She also mentioned her height in Glam in 2008. For context, the average American woman is around 5 feet 4 inches (162.5 cm). Therefore, Fey’s height is just slightly above this average, aligning her closely with the height of many American women.
Tina Fey: A Closer Look Height Comparison with Husband Jeff Richmond Tina Fey’s Shoe Size and International Conversions Beyond ’30 Rock’: A Diverse Portfolio of Earnings The Story Behind Tina Fey’s Facial Scar Elegance at the TIFF: Tina Fey’s Fashion Moment
Tina Fey, standing at 5 feet 4 ½ inches, poses alongside her husband Jeff Richmond,...
- 5/14/2024
- by Jan Stromsodd
- Your Next Shoes
Best bargain in Cannes?
The Monoprix. It can get you out of a pickle.
Biggest faux pas?
At my first ever Cannes many years ago, I had the wrong "black tie." I needed a bow tie. I had to run off to buy a bow tie at the nearest store. It was silk and cost 80 euros! I made it back just in time.
Strangest request you’ve ever received in Cannes?
To come and shoot a "celebrity" in a very well known hotel "doing coke." Not the kind of work I do.
Your "only in Cannes" moment?
Sex ...
The Monoprix. It can get you out of a pickle.
Biggest faux pas?
At my first ever Cannes many years ago, I had the wrong "black tie." I needed a bow tie. I had to run off to buy a bow tie at the nearest store. It was silk and cost 80 euros! I made it back just in time.
Strangest request you’ve ever received in Cannes?
To come and shoot a "celebrity" in a very well known hotel "doing coke." Not the kind of work I do.
Your "only in Cannes" moment?
Sex ...
- 5/14/2019
- The Hollywood Reporter - Film + TV
Film review: 'Surviving Paradise'
A very poor attempt to continue the neorealist wave of modern Iranian cinema in a Los Angeles setting, "Surviving Paradise" is the feature debut of Iranian-
American filmmaker Kamshad Kooshan, whose rudimentary skills behind the camera are well-matched with the amateurish material heralded in press materials as "a finalist in the 1997 Sundance Screenwriters Lab."
Not that the world will cease to function with the limited release of another RBM (Really Bad Movie), but survivors of "Surviving" among even the ethnic target audience might wonder what hit them. Of particular offense -- along with the atrocious acting by most supporting players, the vapid dialogue and completely unbelievable plot -- is the blatantly ignorant portrayal of central Los Angeles and its various neighborhoods.
The story hinges on missing parts of Aristotle's "Poetics" recently found in Iran. Incompetent bad guys set out to kidnap the wife of an antiques dealer when she travels to the United States. They nab the wrong woman, Pari (Shohreh Aghdashloo), an architect on her way to America to start a new life, and her children are left abandoned at the airport. Showing courage and utter stupidity in the guise of gutsy disregard for law enforcement, Pari's son Sam and daughter Sara (played by real-life siblings Keyan Arman Abedini and Lauren Pariss Abedini) duck out of the hands of authorities and begin looking for their mother alone.
Nobody, of course, looks for them, except a conscience-torn underworld goon, code-dubbed F (Joe Alvarez) for the purposes of the ill-fated caper, who orginally hails from Iran and is so thick-headed he takes days to decide that Pari is not the right kidnappee.
The film has little Sam and Sara sleeping unmolested on public benches and downtown L.A. sidewalks. When they wander aimlessly in search of their uncle's office and make friends with Latino gangbangers in Echo Park, Chinese restaurant owners and a kindly black family, the proceedings become downright comical and utterly false.
If only it didn't result in the kids being supported with guns and gumbo in a truly dreadful parade of cliched characters, as well as a pandering, Los Angeles-is-
paradise/hell attitude -- but it does, and Kooshan lamely tries to get away with cutting between the children hoofing the mean streets and Mom being grilled by the kidnappers. He doesn't get away with it for long.
By the time the children's lowrider allies come in for a heroic drive-by shooting to help save the day -- and it's supposed to be OK -- "Surviving" has long degenerated into exploitation, but even then it's so wretchedly filmed and edited that there's no tension and no real emotional dimension beyond the worrisomeness of the kids and their mother over their ridiculously unrealistic predicaments.
SURVIVING PARADISE
New Light Entertainment
In association with International Film & Video and Tweedle Music
Screenwriter-director: Kamshad Kooshan
Producers: Bahman Maghsoudlou, Kamshad Kooshan
Executive producers: Fred Afsbar, Torange Yeghiazarjan, Kambiz Kuschan
Director of photography: Paul Mayne
Production designer: Jay Vetter
Music: Richard Herrara Lopez
Color/stereo
Cast:
Sam: Keyan Arman Abedini
Sara: Lauren Pariss Abedini
Pari: Shohreh Aghdashloo
F: Joe Alvarez
Running time -- 90 minutes
No MPAA rating...
American filmmaker Kamshad Kooshan, whose rudimentary skills behind the camera are well-matched with the amateurish material heralded in press materials as "a finalist in the 1997 Sundance Screenwriters Lab."
Not that the world will cease to function with the limited release of another RBM (Really Bad Movie), but survivors of "Surviving" among even the ethnic target audience might wonder what hit them. Of particular offense -- along with the atrocious acting by most supporting players, the vapid dialogue and completely unbelievable plot -- is the blatantly ignorant portrayal of central Los Angeles and its various neighborhoods.
The story hinges on missing parts of Aristotle's "Poetics" recently found in Iran. Incompetent bad guys set out to kidnap the wife of an antiques dealer when she travels to the United States. They nab the wrong woman, Pari (Shohreh Aghdashloo), an architect on her way to America to start a new life, and her children are left abandoned at the airport. Showing courage and utter stupidity in the guise of gutsy disregard for law enforcement, Pari's son Sam and daughter Sara (played by real-life siblings Keyan Arman Abedini and Lauren Pariss Abedini) duck out of the hands of authorities and begin looking for their mother alone.
Nobody, of course, looks for them, except a conscience-torn underworld goon, code-dubbed F (Joe Alvarez) for the purposes of the ill-fated caper, who orginally hails from Iran and is so thick-headed he takes days to decide that Pari is not the right kidnappee.
The film has little Sam and Sara sleeping unmolested on public benches and downtown L.A. sidewalks. When they wander aimlessly in search of their uncle's office and make friends with Latino gangbangers in Echo Park, Chinese restaurant owners and a kindly black family, the proceedings become downright comical and utterly false.
If only it didn't result in the kids being supported with guns and gumbo in a truly dreadful parade of cliched characters, as well as a pandering, Los Angeles-is-
paradise/hell attitude -- but it does, and Kooshan lamely tries to get away with cutting between the children hoofing the mean streets and Mom being grilled by the kidnappers. He doesn't get away with it for long.
By the time the children's lowrider allies come in for a heroic drive-by shooting to help save the day -- and it's supposed to be OK -- "Surviving" has long degenerated into exploitation, but even then it's so wretchedly filmed and edited that there's no tension and no real emotional dimension beyond the worrisomeness of the kids and their mother over their ridiculously unrealistic predicaments.
SURVIVING PARADISE
New Light Entertainment
In association with International Film & Video and Tweedle Music
Screenwriter-director: Kamshad Kooshan
Producers: Bahman Maghsoudlou, Kamshad Kooshan
Executive producers: Fred Afsbar, Torange Yeghiazarjan, Kambiz Kuschan
Director of photography: Paul Mayne
Production designer: Jay Vetter
Music: Richard Herrara Lopez
Color/stereo
Cast:
Sam: Keyan Arman Abedini
Sara: Lauren Pariss Abedini
Pari: Shohreh Aghdashloo
F: Joe Alvarez
Running time -- 90 minutes
No MPAA rating...
- 7/5/2000
- The Hollywood Reporter - Movie News
Film review: 'Surviving Paradise'
A very poor attempt to continue the neorealist wave of modern Iranian cinema in a Los Angeles setting, "Surviving Paradise" is the feature debut of Iranian-
American filmmaker Kamshad Kooshan, whose rudimentary skills behind the camera are well-matched with the amateurish material heralded in press materials as "a finalist in the 1997 Sundance Screenwriters Lab."
Not that the world will cease to function with the limited release of another RBM (Really Bad Movie), but survivors of "Surviving" among even the ethnic target audience might wonder what hit them. Of particular offense -- along with the atrocious acting by most supporting players, the vapid dialogue and completely unbelievable plot -- is the blatantly ignorant portrayal of central Los Angeles and its various neighborhoods.
The story hinges on missing parts of Aristotle's "Poetics" recently found in Iran. Incompetent bad guys set out to kidnap the wife of an antiques dealer when she travels to the United States. They nab the wrong woman, Pari (Shohreh Aghdashloo), an architect on her way to America to start a new life, and her children are left abandoned at the airport. Showing courage and utter stupidity in the guise of gutsy disregard for law enforcement, Pari's son Sam and daughter Sara (played by real-life siblings Keyan Arman Abedini and Lauren Pariss Abedini) duck out of the hands of authorities and begin looking for their mother alone.
Nobody, of course, looks for them, except a conscience-torn underworld goon, code-dubbed F (Joe Alvarez) for the purposes of the ill-fated caper, who orginally hails from Iran and is so thick-headed he takes days to decide that Pari is not the right kidnappee.
The film has little Sam and Sara sleeping unmolested on public benches and downtown L.A. sidewalks. When they wander aimlessly in search of their uncle's office and make friends with Latino gangbangers in Echo Park, Chinese restaurant owners and a kindly black family, the proceedings become downright comical and utterly false.
If only it didn't result in the kids being supported with guns and gumbo in a truly dreadful parade of cliched characters, as well as a pandering, Los Angeles-is-
paradise/hell attitude -- but it does, and Kooshan lamely tries to get away with cutting between the children hoofing the mean streets and Mom being grilled by the kidnappers. He doesn't get away with it for long.
By the time the children's lowrider allies come in for a heroic drive-by shooting to help save the day -- and it's supposed to be OK -- "Surviving" has long degenerated into exploitation, but even then it's so wretchedly filmed and edited that there's no tension and no real emotional dimension beyond the worrisomeness of the kids and their mother over their ridiculously unrealistic predicaments.
SURVIVING PARADISE
New Light Entertainment
In association with International Film & Video and Tweedle Music
Screenwriter-director: Kamshad Kooshan
Producers: Bahman Maghsoudlou, Kamshad Kooshan
Executive producers: Fred Afsbar, Torange Yeghiazarjan, Kambiz Kuschan
Director of photography: Paul Mayne
Production designer: Jay Vetter
Music: Richard Herrara Lopez
Color/stereo
Cast:
Sam: Keyan Arman Abedini
Sara: Lauren Pariss Abedini
Pari: Shohreh Aghdashloo
F: Joe Alvarez
Running time -- 90 minutes
No MPAA rating...
American filmmaker Kamshad Kooshan, whose rudimentary skills behind the camera are well-matched with the amateurish material heralded in press materials as "a finalist in the 1997 Sundance Screenwriters Lab."
Not that the world will cease to function with the limited release of another RBM (Really Bad Movie), but survivors of "Surviving" among even the ethnic target audience might wonder what hit them. Of particular offense -- along with the atrocious acting by most supporting players, the vapid dialogue and completely unbelievable plot -- is the blatantly ignorant portrayal of central Los Angeles and its various neighborhoods.
The story hinges on missing parts of Aristotle's "Poetics" recently found in Iran. Incompetent bad guys set out to kidnap the wife of an antiques dealer when she travels to the United States. They nab the wrong woman, Pari (Shohreh Aghdashloo), an architect on her way to America to start a new life, and her children are left abandoned at the airport. Showing courage and utter stupidity in the guise of gutsy disregard for law enforcement, Pari's son Sam and daughter Sara (played by real-life siblings Keyan Arman Abedini and Lauren Pariss Abedini) duck out of the hands of authorities and begin looking for their mother alone.
Nobody, of course, looks for them, except a conscience-torn underworld goon, code-dubbed F (Joe Alvarez) for the purposes of the ill-fated caper, who orginally hails from Iran and is so thick-headed he takes days to decide that Pari is not the right kidnappee.
The film has little Sam and Sara sleeping unmolested on public benches and downtown L.A. sidewalks. When they wander aimlessly in search of their uncle's office and make friends with Latino gangbangers in Echo Park, Chinese restaurant owners and a kindly black family, the proceedings become downright comical and utterly false.
If only it didn't result in the kids being supported with guns and gumbo in a truly dreadful parade of cliched characters, as well as a pandering, Los Angeles-is-
paradise/hell attitude -- but it does, and Kooshan lamely tries to get away with cutting between the children hoofing the mean streets and Mom being grilled by the kidnappers. He doesn't get away with it for long.
By the time the children's lowrider allies come in for a heroic drive-by shooting to help save the day -- and it's supposed to be OK -- "Surviving" has long degenerated into exploitation, but even then it's so wretchedly filmed and edited that there's no tension and no real emotional dimension beyond the worrisomeness of the kids and their mother over their ridiculously unrealistic predicaments.
SURVIVING PARADISE
New Light Entertainment
In association with International Film & Video and Tweedle Music
Screenwriter-director: Kamshad Kooshan
Producers: Bahman Maghsoudlou, Kamshad Kooshan
Executive producers: Fred Afsbar, Torange Yeghiazarjan, Kambiz Kuschan
Director of photography: Paul Mayne
Production designer: Jay Vetter
Music: Richard Herrara Lopez
Color/stereo
Cast:
Sam: Keyan Arman Abedini
Sara: Lauren Pariss Abedini
Pari: Shohreh Aghdashloo
F: Joe Alvarez
Running time -- 90 minutes
No MPAA rating...
- 7/5/2000
- The Hollywood Reporter - Movie News
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