Taking on a classic is a gutsy move, even for an award-winning filmmaker. And when director Kimberly Peirce signed on to re-imagine Stephen King's horror classic "Carrie," about a teenage girl with telekinetic powers hellbent on revenge, she knew she had some sky-high expectations to meet.
"I'd make a joke and say, 'I didn't give a f*ck,' but of course I felt pressure!" she told us recently while doing press for "Carrie." "But I think pressure is good."
All that pressure had Peirce thinking long and hard about what it would mean to sign on to a project of this scale, with its history and existing fan base. Having made just one film, 2008's "Stop-Loss," since her 1999 directorial debut, "Boys Don't Cry," it's clear, as a filmmaker, she doesn't make decisions lightly.
"I walked into this feeling a huge responsibility, much like I did with 'Boys Don't Cry...
"I'd make a joke and say, 'I didn't give a f*ck,' but of course I felt pressure!" she told us recently while doing press for "Carrie." "But I think pressure is good."
All that pressure had Peirce thinking long and hard about what it would mean to sign on to a project of this scale, with its history and existing fan base. Having made just one film, 2008's "Stop-Loss," since her 1999 directorial debut, "Boys Don't Cry," it's clear, as a filmmaker, she doesn't make decisions lightly.
"I walked into this feeling a huge responsibility, much like I did with 'Boys Don't Cry...
- 10/15/2013
- by Tim Hayne
- Moviefone
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