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Sneak Peek May 2019 fashion covers, showcasing actresses Scarlett Johansson for "As If", Lily Collins, "The Observer", Jessica Chastain, "Vanity Fair" (Us), Sophie Turner,"Harper's Bazaar" (UK), Marion Cotillard, "Madame Figaro", Vanessa Paradis, "Harper's Bazaar" (Ukraine), Uma Thurman, "Vanity Fair" (Italia), Anne Hathaway, "Modern Luxury Boston Common", Karen Gillan, "1883", Cara Delevingne,"Vogue" (Korea), Emilia Clarke, "Vogue" (España), Nina Dobrev, "Story & Rain" and Milla Jovovich for "Elle" (Italia):

"The history of fashion design refers to the development of the fashion industry, based around firms or fashion houses run by individual designers...

"...started in the 19th century by Charles Frederick Worth, who from 1858 was the first designer...

"...to have his label sewn into garments he created.

"Before the mid-19th century the division between 'haute couture' and 'ready-to-wear' did not exist. 

"All but the most basic major pieces of female clothing were made-to-measure by dressmakers and seamstresses dealing directly with the client.

Republic raids an early Rko talkie for a fantastic special effects sequence, and you won’t believe how it’s repurposed — in a story about a TV personality (in 1939!) taking on a corrupt political mob. New York crumbles and is then washed away — sort of. It’s yet another resurfacing of a title that not long ago we couldn’t see to save our cinema-curious souls.

S.O.S. Tidal Wave

Blu-ray

Olive Films

1939 / B&W / 1:37 flat Academy / 62 min. / Street Date October 31, 2017 / available through the Olive Films website / 29.98

Starring: Ralph Byrd, George Barbier, Kay Sutton, Frank Jenks, Marc Lawrence, Dorothy Lee, Oscar O’Shea, Mickey Kuhn, Ferris Taylor, Don ‘Red’ Barry, Raymond Bailey.

Cinematography: Jack A. Marta

Film Editor: Ernest Nims

Musical Director: Cy Feuer

Written by Gordon Kahn, Stanley Rauh, Maxwell Shane, story by James Webb

Produced by Armand Schaefer

Directed by John H. Auer

If Republic wasn’t...

(See previous post: Fourth of July Movies: Escapism During a Weird Year.) On the evening of the Fourth of July, besides fireworks, fire hazards, and Yankee Doodle Dandy, if you're watching TCM in the U.S. and Canada, there's the following: Peter H. Hunt's 1776 (1972), a largely forgotten film musical based on the Broadway hit with music by Sherman Edwards. William Daniels, who was recently on TCM talking about 1776 and a couple of other movies (A Thousand Clowns, Dodsworth), has one of the key roles as John Adams. Howard Da Silva, blacklisted for over a decade after being named a communist during the House Un-American Committee hearings of the early 1950s (Robert Taylor was one who mentioned him in his testimony), plays Benjamin Franklin. Ken Howard is Thomas Jefferson, a role he would reprise in John Huston's 1976 short Independence. (In the short, Pat Hingle was cast as John Adams; Eli Wallach was Benjamin Franklin.) Warner...

Really, I mean Preston Sturges' Hotel Haywire, because nobody's too interested in George Archainbaud, a Paramount contract director who had been directing for 20 years without helming a really memorable film (Thirteen Women, an uncomfortably racist pre-Code with Myrna Loy, is as exciting as it gets, and even that one is remembered chiefly for featuring the girl who threw herself off the Hollywood sign), He would continue for another 20, moving from B-westerns into TV westerns, without making anything else of particular note.Sturges wrote the script as part of his plan to get a long-term contract at Paramount. To particularly appeal to the suits there, he filled the story with roles for Paramount stars such as Mary Boland, Charles Ruggles, Fred MacMurray and Burns & Allen, none of whom were necessarily famous enough to carry a movie, but whose combined star-power might make an attractive investment for studio or future ticket-buyers.

Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...

While 13th century China remains a mystery, we learn a lot about 1930s Hollywood through this fictionalised romp

The Adventures of Marco Polo (1938)

Director: Archie Mayo

Entertainment grade: C–

History grade: D

Marco Polo was the first European to document travel to China in his Description of the World. Whether or not he actually visited China himself is a subject of dispute among historians.

Trade

The opening title cards state that Marco Polo (Gary Cooper) was the first European to visit China and "the first travelling salesman". Even if you do believe Marco went to China, he himself claims that his father Niccolò and uncle Maffeo Polo went first. He was blatantly not the first travelling salesman. The first evidence of long international trade routes dates them to at least 3,000 years earlier. But the movie had to get 1930s American audiences to identify with a 13th-century Venetian merchant somehow – hence the claim.

The Merry Widow (1934) Direction: Ernst Lubitsch Cast: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton, Una Merkel, George Barbier, Minna Gombell, Sterling Holloway Screenplay: Ernest Vajda and Samson Raphaelson; from Franz Lehár's operetta Oscar Movies Highly Recommended Jeanette MacDonald, Maurice Chevalier, The Merry Widow The Merry Widow is neither one of Ernst Lubitsch's most discussed nor best-liked films. Film critics and historians generally tend to focus on a couple of his early, pre-Code Paramount talkies, One Hour with You (co-directed with George Cukor) and Trouble in Paradise, and his later comedies Ninotchka and To Be or Not to Be. But that's the critics' and historians' fault. For the visually and aurally arresting The Merry Widow is a superlative musical, boasting sumptuous sets (production design by Cedric Gibbons), exquisite black-and-white cinematography (Oliver T. Marsh), and a magnificently staged ballroom-dancing sequence that should impress even those who couldn't care less about...