The Lady’s Companion debuted on Netflix only two months ago, and its future has finally been decided, though it's not looking so good. Local reports via What’s on Netflix suggest that the comedy-drama won’t return for a sophomore season despite earning favorable reviews after its release. However, rumors have circulated that the show has been renewed for another run, contradicting news of its cancellation. Meanwhile, Netflix Spain has confirmed that the renewal never happened, thereby quenching any hopes of a Season 2.
Created by María José Rustarazo and Gema R. Neira of Cable Girls, The Lady’s Companion, also known as Manual para Señoritas in Spanish-speaking regions, premiered on Netflix on March 28 with all eight episodes. The period drama is set in Madrid in 1880 and follows Elena Bianda, the city’s most sought-after, morally rigorous lady-in-waiting, who must navigate her greatest challenge yet when she’s tasked with guiding three...
Created by María José Rustarazo and Gema R. Neira of Cable Girls, The Lady’s Companion, also known as Manual para Señoritas in Spanish-speaking regions, premiered on Netflix on March 28 with all eight episodes. The period drama is set in Madrid in 1880 and follows Elena Bianda, the city’s most sought-after, morally rigorous lady-in-waiting, who must navigate her greatest challenge yet when she’s tasked with guiding three...
- 5/26/2025
- by Lade Omotade
- Collider.com
Stars: Macarena Gómez, Mario Mayo, Javier Botet, Christian Thomas, David Pareja, Lucía de la Fuente, Carmen del Rosal, Zorion Eguileor | Written and Directed by Kiko Prada
Sometimes when you watch a film you know it’s right up your street from the get-go and that was certainly the case for Halloween Tales. Opening with credits that look like they jumped out of an 80s Italian horror, with a soundtrack that sounds like a homage to John Carpenter, I was hooked immediately.
Halloween Tales, also known under its original title Historias de Halloween, is a horror anthology from Spain that is obviously influenced by the likes of US productions like Creephow (the film uses comics as a framing device like that King-inspired anthology) and, obviously, The Twilight Zone, but – like many Spanish genre fare, also the work of Chicho Ibáñez Serrador.
The wraparound follows Luis (Christian Thomas), a boy whose mother,...
Sometimes when you watch a film you know it’s right up your street from the get-go and that was certainly the case for Halloween Tales. Opening with credits that look like they jumped out of an 80s Italian horror, with a soundtrack that sounds like a homage to John Carpenter, I was hooked immediately.
Halloween Tales, also known under its original title Historias de Halloween, is a horror anthology from Spain that is obviously influenced by the likes of US productions like Creephow (the film uses comics as a framing device like that King-inspired anthology) and, obviously, The Twilight Zone, but – like many Spanish genre fare, also the work of Chicho Ibáñez Serrador.
The wraparound follows Luis (Christian Thomas), a boy whose mother,...
- 3/4/2025
- by Phil Wheat
- Nerdly
It’s only February, yet The Criterion Collection has already released two exceptional screwball comedies this 2017. The first, His Girl Friday, released last month (and reviewed by David Blakeslee here), is a film that comes to mind whenever the term “screwball comedy” is bandied about. The second is Pedro Almodóvar’s 1988 film Women on the Verge of a Nervous Breakdown.
Almodóvar, particularly at this early point in his career, was better known for dark comedies that did all they could to confront and provoke and remind everyone that with the demise of Franco’s regime Almodóvar intended to utilize a newly discovered freedom of expression, so the film’s provenance, combined with the film’s dark premise, means that the delirious, escalating light comedy of Women on the Verge of a Nervous Breakdown will come as a surprise (a pleasant surprise, I think) to first-time watchers familiar with the rest of Almodóvar’s work.
Almodóvar, particularly at this early point in his career, was better known for dark comedies that did all they could to confront and provoke and remind everyone that with the demise of Franco’s regime Almodóvar intended to utilize a newly discovered freedom of expression, so the film’s provenance, combined with the film’s dark premise, means that the delirious, escalating light comedy of Women on the Verge of a Nervous Breakdown will come as a surprise (a pleasant surprise, I think) to first-time watchers familiar with the rest of Almodóvar’s work.
- 2/22/2017
- by Trevor Berrett
- CriterionCast
Women on the Verge of a Nervous Breakdown
Blu-ray
The Criterion Collection 855
1988 / Color / 1:85 widescreen / 89 min. / Mujeres al borde de un ataque de nervios / available through The Criterion Collection / Street Date February 21, 2017 / 39.95
Starring Carmen Maura, Fernando Guillén, Antonio Banderas, Julieta Serrano, Rossy de Palma, María Barranco, Kiti Manver, Guillermo Montesinos, Chus Lampreave, Yayo Calvo, Loles León, Ángel de Andrés López, José Antonio Navarro.
Cinematography: José Luis Alcaine
Film Editor: José Salcedo
Original Music: Bernardo Bonezzi
Produced by: Augustin Almodóvar
Written and Directed by Pedro Almodóvar
Connected film festival attendees learned about Pedro Almodóvar before everybody else, especially if they had an understanding of new developments in Spanish cinema. Film school had shown us nothing but the very exceptional work of Luis Buñuel, most of which is really from Mexico and France. In the 1980s we Angelenos were just getting access to films by the old-school ‘traditional’ rebel Spaniards Carlos Saura and Juan Antonio Bardem.
Blu-ray
The Criterion Collection 855
1988 / Color / 1:85 widescreen / 89 min. / Mujeres al borde de un ataque de nervios / available through The Criterion Collection / Street Date February 21, 2017 / 39.95
Starring Carmen Maura, Fernando Guillén, Antonio Banderas, Julieta Serrano, Rossy de Palma, María Barranco, Kiti Manver, Guillermo Montesinos, Chus Lampreave, Yayo Calvo, Loles León, Ángel de Andrés López, José Antonio Navarro.
Cinematography: José Luis Alcaine
Film Editor: José Salcedo
Original Music: Bernardo Bonezzi
Produced by: Augustin Almodóvar
Written and Directed by Pedro Almodóvar
Connected film festival attendees learned about Pedro Almodóvar before everybody else, especially if they had an understanding of new developments in Spanish cinema. Film school had shown us nothing but the very exceptional work of Luis Buñuel, most of which is really from Mexico and France. In the 1980s we Angelenos were just getting access to films by the old-school ‘traditional’ rebel Spaniards Carlos Saura and Juan Antonio Bardem.
- 1/31/2017
- by Glenn Erickson
- Trailers from Hell
Carmen Maura, Antonio Banderas, Women on the Verge of a Nervous Breakdown Pedro Almodóvar‘s Academy Award-nominated Mujeres al borde de un ataque de nervios / Women on the Verge of a Nervous Breakdown (1988) will become a Broadway musical, Lincoln Center Theater has announced. To be directed by Bartlett Sher, Women on the Verge of a Nervous Breakdown will have book by Jeffrey Lane, and music and lyrics by David Yazbek. The cast includes de’Adre Aziza, Nikka Graff Lanzarone, Patti LuPone, Brian Stokes Mitchell, Mary Beth Peil and Sherie Rene Scott. Previews will begin Oct. 2. The musical will open Nov. 4 at the Belasco Theatre. Almodóvar’s classic comedy starred Carmen Maura, Antonio Banderas, Rossy de Palma, Maria Barranco, and Julieta Serrano. Photo: El Deseo...
- 7/27/2010
- by Alessandro Moretti
- Alt Film Guide
Have you heard the news that Pedro Almodóvar's comedic 1988 classic Women on the Verge of a Nervous Breakdown, the film that first won him a major following in the Us and his first trip to the Oscars, is going to become an English language TV series for Fox?
Pass the gazpacho!
When I read the headlines I felt like I had downed a pitcher of glee. Smashing news, especially since Almodóvar himself is producing. But ... then I read the fine print. There's always fine print.
Apparently it's Not a comedy but a "suburban drama" (huh?) And it's about women who've known each other a long time (what? no complex comedic interweaving of strangers?) And it's being written by a Grey's Anatomy writer? (oy!) This doesn't sound anything like the movie and it sounds way too much like a soapy redux of Desperate Housewives. Next thing you know we'll be...
Pass the gazpacho!
When I read the headlines I felt like I had downed a pitcher of glee. Smashing news, especially since Almodóvar himself is producing. But ... then I read the fine print. There's always fine print.
Apparently it's Not a comedy but a "suburban drama" (huh?) And it's about women who've known each other a long time (what? no complex comedic interweaving of strangers?) And it's being written by a Grey's Anatomy writer? (oy!) This doesn't sound anything like the movie and it sounds way too much like a soapy redux of Desperate Housewives. Next thing you know we'll be...
- 4/25/2009
- by NATHANIEL R
- FilmExperience
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