Craig Barron(I)

Craig Barron is an Academy-Award winning visual effects supervisor, entrepreneur, lecturer and film historian. As a VFX creative director, he has innovated techniques to create cinematic illusions, contributing to the visual effects on more than one hundred films. He is Executive Creative Director at Magnopus, a visual research and development company based in downtown Los Angeles that crafts immersive and interactive storytelling techniques for retail, educational, industrial and entertainment spaces.

Barron's career began when he joined Industrial Light + Magic in 1979 at age 18 (then the youngest person at ILM), and plunged into matte-effects photography for "The Empire Strikes Back." He worked on such landmark productions as "Raiders of the Lost Ark" and "ET: The Extra-Terrestrial." He was supervisor of photography of ILM's matte department from 1984 to 1988. In honor of his cinematographic work, he was named associate member of the American Society of Cinematographers in 2002.

Barron co-founded Matte World in 1988 with matte painter Michael Pangrazio and producer Krystyna Demkowicz. Matte World provided matte painting effects, beginning with classic matte-painting and modeling techniques, and later became Matte World Digital to reflect newly available digital tools. Matte World Digital's work appeared in feature films, television, commercials, electronic games, and IMAX large-format productions. The company won an Emmy in 1990 for outstanding visual effects for HBO's "By Dawn's Early Light." Clients included Martin Scorsese, Francis Ford Coppola, James Cameron, and David Fincher. Feature-film work ranged from the Oscar-nominated effects for "Batman Returns," to "Zodiac," "Hugo," and "The Curious Case of Benjamin Button," for which Barron won Oscar and BAFTA awards for best visual effects in 2009. After 24 years of service, Matte world Digital closed shop in 2012. Barron then worked as a visual effects supervisor at Tippett Studio in 2013, overseeing the creation and development of CGI environments for film, television, and electronic games.

Barron's independent work includes directing and co-producing the science-fiction short, "The Utilizer," based on a short story by Robert Sheckley, and a companion "making of" documentary. Both were broadcast on the Sci-Fi Channel in 1996. The show won a number of film-festival awards, including best visual effects at the Chicago International Film Festival. Recognizing the importance of archiving classic visual effects work, Barron co-wrote with Mark Cotta Vaz the first comprehensive book on the history of matte painting, "The Invisible Art: The Legends of Movie Matte Painting" (Chronicle Books, 2002). The book won the outstanding book-on-film award from the Theatre Library Association of New York, and the Golden Pen award from the U.S. Institute for Theatre Technology.

Barron produces and is featured in a number of documentary DVD and Blu-ray supplements for The Criterion Collection and for broadcast on TCM. Barron, often co-hosting with sound designer Ben Burtt, also lectures at AMPAS classic-film presentations. Digging up artifacts, outtakes, soundtracks and production photos, the pair present their findings and explain VFX and sound techniques created for such films as "Modern Times," "The Adventures of Robin Hood," and "Forbidden Planet." Barron and Burtt write and produce the documentary series "Secrets of the Hollywood Archives," premiering on The Criterion Channel in 2022. Each episode focuses on one scene of a classic Hollywood film to demonstrate how studio VFX departments created its visual effects.

Barron served nine years as a member of the Academy Board of Governors, representing the visual effects branch and is a founding member of the Visual Effects Society. He co-chaired the AMPAS Science & Technology Council.