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Invaders from Mars may have appeared at first glance to be just another cheesy, cheap sci-fi B-movie made during the 1950s. It was, after all, a time when the genre was booming and both major studios and independent film producers started churning out shockers about alien invasions and giant insects at an alarming rate. But thanks to a dedicated cult following and some dogged technical detective work, a brand new 4K Ultra HD restoration of 1953’s Invaders from Mars has finally surfaced to re-introduce us to a surreal classic that had a profound effect on a generation of filmmakers who later gave us little films like Close Encounters of the Third Kind, Gremlins, and Star Wars, among many others.

“It really turned my world around,” says Steven Spielberg in the booklet accompanying the new 4K Blu-ray release of the movie from Ignite Films. “It certainly touched a nerve in all...

The disc of the year has finally arrived and it’s 1000 worth the wait. William Cameron Menzies’ flight into schoolboy paranoia now really looks like it ought to hang in the Louvre; the entire show is inspired Modern Art. When Martians conduct a brain-snatching takeover of Middle America little David MacLean must save the day, with an assist from an astronomer buddy and a sexy city nurse. The review is mostly concerned with how the new Ignite release looks and sounds. The rejuvenation of this fantasy masterpiece will turn fans of the 1950s sci-fi boom back into delighted ‘Gee Whiz’ kids.

Invaders from Mars

Blu-ray

Ignite Films

1953 / Color / 1:37 Academy / 81 min. / Street Date September 27, 2022 that was the plan … delivery expected . . . ? / Available from Ignite Films / 55.00

Starring: Helena Carter, Arthur Franz, Jimmy Hunt, Leif Erickson, Hillary Brooke, Morris Ankrum, Max Wagner, William Phipps, Milburn Stone, Janine Perreau, Barbara Billingsley, Peter Brocco, Richard Deacon,...

Sorry, this is not for a new disc. From 23 years ago, this was the first article that convinced me that there might be a real audience for my review page, then called DVD Savant. It’s about time that the illustrated essay was brought up to date and moved to CineSavant. It probes the ‘primitive sophistication’ and weird appeal of William Cameron Menzies’ most accomplished job of direction: the paranoid nightmare that haunted our childhood dreams. It’s slightly rewritten and has improved images. There’s so much to talk about: Near-experimental visuals! Strange editing choices! The idea for the essay is the same as ever, to inspire somebody to properly remaster the show . . . it’s not like we’re going to live forever.

A two-part examination of a Sci-fi classic that, at least

in Savant’s opinion, should be showing in the Louvre.

Alas and alack! As of 12.16.21, there...

Ray Milland directs a fine western drama, strong on character and tension; it garnered enough praise to set him on a second, minor career behind the camera. Milland also stars as a gunman in the wrong place at the wrong time — framed for a mass murder in an unforgiving frontier town. Who ya gonna blame? That nasty sidewinder villain Raymond Burr, of course.

A Man Alone

Blu-ray

Kl Studio Classics

1955 / Color / 1:66 widescreen / 96 min. / Street Date November 6, 2018 / available through Kino Lorber / 29.95

Starring: Ray Milland, Mary Murphy, Ward Bond, Raymond Burr, Arthur Space, Lee Van Cleef, Alan Hale Jr., Douglas Spencer, Thomas Browne Henry, Grandon Rhodes, Martin Garralaga, Kim Spalding, Minerva Urecal.

Cinematography: Lionel Lindon

Film Editor: Richard L. Van Enger

Original Music: Victor Young

Written by John Tucker Battle, from a story by Mort Briskin

Directed by R. Milland

A Man Alone is yet another exceptional western from Republic Pictures.

Ray Milland produces, directs and stars in this odd, forgotten travelogue / adventure / romance /crime tale filmed in Portugal’s beautiful capital. Claude Rains is magnificent, Maureen O’Hara is okay and relative newcomer Yvonne Furneaux is a knockout. Most remembered is Nelson Riddle’s adaptation of the film’s title theme, one of the most admired pop instrumentals of the 1950s. Filmed in Republic’s ‘Naturama’ and ‘Trucolor,’ both of which prompt plenty of fuzzy man Savant-‘splaining.

Lisbon

Blu-ray

Kl Studio Classics

1956 / Color / 2:35 widescreen / 90 min. / Street Date November 6, 2018 / available through Kino Lorber / 29.95

Starring: Ray Milland, Maureen O’Hara, Claude Rains, Yvonne Furneaux, Francis Lederer, Percy Marmont, Jay Novello, Edward Chapman, Harold Jamieson, Robie Lester.

Cinematography: Jack Marta (Naturama and Trucolor)

Film Editor: Richard L. Van Enger

Original Music: Nelson Riddle

Written by John Tucker Battle, story by Martin Rackin

Associate-Produced and Directed by R. Milland

Lisbon is one...

From SneakPeekTV.Com,  take a look at the original 1953 science fiction feature "Invaders From Mars", directed by William Cameron Menzies, based on a story treatment by John Tucker Battle who was inspired by a dream recounted by his wife.

Produced independently by Edward L. Alperson Jr., the film stars Jimmy Hunt, Helena Carter and Arthur Franz:

"...late one night, young 'David MacLean' (Hunt) is awakened by a thunderstorm. From his bedroom window he sees a large flying saucer descend and disappear into the sandpit area behind his home. After rushing to tell his parents, his scientist father (Leif Erickson) goes to investigate David's claim.

"When his father returns much later in the morning, David notices an unusual red puncture along the hairline on the back of his father's neck; his father is now behaving in a cold and hostile manner. David soon begins to realize something is...

The Cool Ones (1967). Directed by Gene Nelson. Written by Nelson, Joyce Geller, Robert Kaufman.

Nothing ages more quickly and more embarrassingly than a movie or TV show which had worked so hard to be cool in its time. You disagree? Feathered hair, big lapels. Oh, God – mullets! You gonna honestly tell me that stuff still works for you as anything but a laugh-getter?

Lead times for some movies are so long, some crazes burn out between the pitch meeting and opening weekend. Roller disco was dying (if not dead) by the time Roller Boogie (1979) and Xanudu (1980) hit theaters, and did anybody still care about The Village People when Can’t Stop the Music (1980) had movie-goers wishing they could?

The only thing even more embarrassing is a movie that’s lethally uncool even before the first frame of film runs through the camera, not because it’s late to the party,...