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I.Henri-Georges Clouzot’s Inferno (1964) is one of the most tantalizing unfinished projects in cinema history. If completed, it would have told a story of extreme jealousy and obsession. The plot is simple—a hotel owner, Marcel (Serge Reggiani), begins to suffer from nightmarish visions in which his young wife Odette (Romy Schneider) appears in various lascivious poses and sometimes erotically interacts with another man. Marcel gradually descends into madness and may, in the end, be driven to kill his wife. Generously backed by Columbia (via the French production company Orsay Films), Clouzot shot in black and white as well as in color, employing three separate film crews, no less than 12 cameras, and a large number of technicians and film craftsmen, including some of the most established industry names of the time. For six months, three cameramen—Claude Renoir, Armand Thirard and Andréas Winding—shot seemingly endless studio tests and,...

A cinematic puzzle and a filmic detective piece, Serge Bromberg’s examination of a world-class filmmaker’s catastrophic, never-finished production fascinates and dazzles. If the particulars of H.G. Clouzot’s experimental epic of internal torment remain clouded, the astonishing visuals he created are a total knockout. Working with hours of uncut dailies and precise collaborator memories, Bromberg gives us the most interesting filmic autopsy on record. Incredible stuff!

Inferno

(L’enfer d’Henri-Georges Clouzot)

Blu-ray

Arrow Academy

2009 / Color & B&W / 1:78 widescreen / 100 min. / L’enfer d’Henri-Georges Clouzot / Street Date February 6, 2018 / Available from Arrow Video 34.95

Starring: Romy Schneider, Serge Reggiani, Bérénice Bejo, Jacques Gamblin, Dany Carrel, Jean-Claude Bercq, Mario David, Catherine Allégret, Henri-Georges Clouzot, Gilbert Amy, Jacques Douy, Jean-Louis Ducarme, Costa-Gavras, William Lubtchansky, Thi Lan Nguyen, Joël Stein, Bernard Stora, Jean-Paul Belmondo, Bernard Blier, Inès Clouzot, Yves Montand, Simone Signoret, Lino Ventura, Burt Lancaster.

Cinematography: Jérôme Krumenacker, Irina Lubtchansky...

Close-Up is a feature that spotlights films now playing on Mubi. Henri-Georges Clouzot's Inferno (2009) is showing from February 2 - March 4, 2018 in many countries around the world.“Memory is cursed with what hasn’t happened.”—Marguerite Duras With Henri-Georges Clouzot’s Inferno, directors Serge Bromberg and Ruxandra Medrea both reconstruct and describe the production of the titular unfinished 1964 film, presenting their film as at once an op-art experiment and a traditional documentary of a failed production. At its center, however, is a preoccupation with the notion of the historical fragment and the viewer’s attribution of meaning and value to the fragment. This attribution is largely the result of a lack, as Lacan put it, experienced by both the fragment and viewer that can never be satisfied. The fragment signifies its own symbolic desire to be a part of a whole and the viewer’s symbolic desire for that whole.

Chicago – What truly defines a master of suspense? Is it the skill of keeping an audience’s attention rapt with slick pacing, elaborately designed set-pieces, and a whopper of a twist ending? Or is it simply the ability to viscerally convey the psychological trap of a character until the audience feels confined within it, and every onscreen gasp, scream and shiver becomes the viewer’s own?

Henri-Georges Clouzot is one of the few filmmakers in cinema history who not only warrants comparison to the legendary Master of Suspense himself, Alfred Hitchcock, but deserves to be considered his equal (both men were greatly fond of storyboards). Though he only made a quarter as many pictures during his career, which spanned nearly four decades, he made some of the most influential and spellbinding thrillers ever made, including two renowned masterpieces, 1953’s “The Wages of Fear” and 1955’s “Diabolique.” The latter film certainly...