The three films included on the Criterion Collection’s Tod Browning’s Sideshow Shockers collectively suggest a miniature narrative of Browning’s evolution as a filmmaker. Though this two-disc set offers but a dip of the toe into Browning’s work, it’s governed by a persuasive through line. Here we get a film, 1925’s The Mystic, that’s rich in promise and less personal than the other two, one a perverse masterwork, 1927’s The Unknown, that’s criminally underseen by contemporary audiences, and the other a cult classic, 1932’s Freaks, that’s too often discussed in terms of its notoriety. Watching these films together offers a sketch of an artist’s sensibility reaching fruition, as a fine-grained empathy rises to the fore.
Browning’s affinity for outcasts has been well-documented and is discussed at length in the supplements included with this set, particularly in a new interview with author...
Browning’s affinity for outcasts has been well-documented and is discussed at length in the supplements included with this set, particularly in a new interview with author...
- 10/18/2023
- by Chuck Bowen
- Slant Magazine
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