Nicolas Pereda’s Everything Else Is Noise is among the 11 international projects selected for FIDLab, the international co-production platform of FIDMarseille.
Currently in post-production, Mexican director Pereda’s film unites three composers inside an apartment, where they have conversations on gender roles, family tensions and artistry.
Scroll down for the full list of projects
Everything Else Is Noise is produced by Catalina Pereda for Mexico’s En Chinga Producciones. It is Nicolas Pereda’s 10th feature; his previous film, Lazaro at Night, had its world premiere at FIDMarseille International Film Festival last year.
Two projects will be presented by the...
Currently in post-production, Mexican director Pereda’s film unites three composers inside an apartment, where they have conversations on gender roles, family tensions and artistry.
Scroll down for the full list of projects
Everything Else Is Noise is produced by Catalina Pereda for Mexico’s En Chinga Producciones. It is Nicolas Pereda’s 10th feature; his previous film, Lazaro at Night, had its world premiere at FIDMarseille International Film Festival last year.
Two projects will be presented by the...
- 5/20/2025
- ScreenDaily
European Pressphoto Agency The wreck of the Costa Concordia on Sunday, when a 13th body was found.
There is only one sea story: I jumped. Sea stories are as fueled by jumps as romances are by misunderstandings: “I had jumped… it seems,” says Jim, chief mate on the Patna, the stricken ship in Joseph Conrad’s Lord Jim. There are seven lifeboats for the four-hundred on board: the Patna’s Captain and three of the crew agree to abandon ship while the passengers are asleep.
There is only one sea story: I jumped. Sea stories are as fueled by jumps as romances are by misunderstandings: “I had jumped… it seems,” says Jim, chief mate on the Patna, the stricken ship in Joseph Conrad’s Lord Jim. There are seven lifeboats for the four-hundred on board: the Patna’s Captain and three of the crew agree to abandon ship while the passengers are asleep.
- 1/23/2012
- by Frances Wilson
- Speakeasy/Wall Street Journal
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