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The Blood Beast Terror

Blu-ray

Kino Lorber

1968 / 1.85: 1 / 88 Min.

Starring Peter Cushing, Wanda Ventham, Robert Flemyng

Written by Peter Bryan

Directed by Vernon Sewell

A serene British countryside is rocked by a series of brutal murders with a common thread; each victim has been mutilated and drained of their blood. All eyes are on a nearby university and its resident eccentric, the mysterious Dr. Mallinger, an entomologist with a fascination for Death’s-head moths. His daughter Clare shares his interests but her concerns are more personal than academic—Clare is a shapeshifter, transformed into a deadly butterfly when her blood is up and romance is in the air.

Directed by Vernon Sewell, this not so thrilling thriller features Robert Flemyng as Mallinger, and Wanda Ventham as Clare, whose blank-faced beauty suggests an otherworldly nature or a general lack of enthusiasm for the project—if it’s the latter she’s...

One can suppose it was inevitable for Hammer to take on a lesser celebrated (at the time) yet influential sub-genre such as zombies; the ’30s and ’40s were certainly a heyday, with such films as White Zombie (1932) and I Walked with a Zombie (1943) setting a template of voodoo curses and unwilling (and undead) subjects. By the ’50s, they were already used for comic effect, until Hammer took their chance with The Plague of the Zombies (1966), an atmospheric yet rousing period piece that would help set up another template for zombiedom’s biggest sea change two years later.

Part of a four picture co-op with Seven Arts Productions, Plague was released stateside by Twentieth Century Fox in late January to better than average reviews; mind you, Hammer usually found an appreciative press, if even for set design and production values alone. But critics at the time liked the fact that they...

It’s Hammer Time again! Every once in a while I like to dip back to that golden age, where the revered monsters of yore were dusted off with loving care for a newly appreciative crowd of teenagers at the Drive-In. Building upon the worldwide success of The Curse of Frankenstein (1957), Horror of Dracula (’58), and The Mummy (’59), it was time for another Drac attack. The Brides of Dracula (1960) keeps up the high level horror, as long as you’re okay with a Dracula movie having no Dracula. Looking back on the whole series, Brides stands out (and up) due to this very omission.

Released in the UK in July, with a stateside rollout in September, Brides was another hit for the unstoppable Hammer machine; and why wouldn’t it be? All the staples (by this point, a formula, really) are present: cleavage, gorgeous cinematography, solid performances, and a gloriously elevated Gothic tone.

Hammer hits one out of the park with this 'ripping good' Sherlock Holmes tale, tilted heavily toward gothic mystery and horror. Peter Cushing and André Morell excel in heroic roles, while Christopher Lee doesn't have to play a monster, just a coward. Terence Fisher's directing skill is at its height. The Hound of the Baskervilles Blu-ray Twilight Time Limited Edition 1959 / Color / 1:66 widescreen / 86 min. / Ship Date June 14, 2016 / available through Twilight Time Movies / 29.95 Starring Peter Cushing, André Morell, Christopher Lee, Marla Landi, David Oxley, Francis De Wolff, Miles Malleson, Ewen Solon. Cinematography Jack Asher Production Designer Bernard Robinson Film Editor Alfred Cox Original Music James Bernard Written by Peter Bryan from the novel by Arthur Conan Doyle Produced by Michael Carreras & Anthony Hinds Directed by Terence Fisher

Reviewed by Glenn Erickson

In addition to their straight-up gothic horrors, Hammer films produced films in other genres, such as costume adventures and war pictures.

Stars: Peter Cushing, André Morell, Christopher Lee, Marla Landi, David Oxley, Francis De Wolff, Miles Malleson, Ewen Solon, John Le Mesurier, Helen Goss, Sam Kydd, Michael Hawkins, Judi Moyens, Michael Mulcaster | Written by Peter Bryan | Directed by Terence Fisher

I’ve always been a Sherlock Holmes fan, and my horror leanings turned me to The Hound of the Baskervilles, a story I grew to love. It is evident by all different movies based on the tale and their popularity, that I’m not the only one. One of the best has to be Hammer’s with Peter Cushing as Sherlock Holmes. This is why when Arrow Video revealed their Blu-ray release I looked forward to seeing it, especially with the amount of behind the scenes material on the disc.

When Charles Baskerville is found slain on Dartmoor, the next in line Sir Henry Baskerville (Christopher Lee) inherits the estate, and...

The Brides of Dracula

Directed by Terence Fisher

Written by Jimmy Sangster, Peter Bryan & Edward Percy

UK, 1960

After the success of Horror of Dracula (1958), it only made sense to make a sequel. The Brides of Dracula tells the story of a young Marianne who happens to stay the night at a baroness’ castle only to discover her host’s dashing son is locked up in an adjacent wing. Feeling sorry for the Baron Meinster, she releases him from his bonds with no clue that she just unleashed a vampire to wreak havoc on all the ladies of Transylvania. It’s a psycho-sexual scenario peppered with mommy issues that Hitchcock would certainly appreciate – his film Psycho was released the same year as Brides.

David Peel doesn’t have the same animalistic ferocity as Christopher Lee’s Count Dracula, instead he plays Baron Meinster as the Prince Charming-type who is probably slipping...

The Plague Of The Zombies

Stars: André Morell, Diane Clare, Brook Williams, Jacqueline Pearce, John Carson | Written by Peter Bryan | Directed by John Gilling

When it comes to Hammer’s The Plague of the Zombies it’s never been one of my favourite. When I read that it would be part of the Bradford After Dark event at this years Bradford International Film Festival I thought I’d give it a go. With the digital restoration that has been done I was looking forward to seeing how good the print would actually look.

People are dying in strange circumstances in a small Cornish village and the doctor Peter Thompson is out of his depth in both understanding and dealing with the villagers who want answers. Calling on his professor Sir James Forbes he pleads for help. When Forbes arrives with his daughter it’s evident that something is not right...

The term “giallo” initially referred to cheap yellow paperbacks (printed American mysteries from writers such as Agatha Christie), that were distributed in post-fascist Italy. Applied to cinema, the genre is comprised of equal parts early pulp thrillers, mystery novels, with a willingness to gleefully explore onscreen sex and violence in provocative, innovative ways. Giallos are strikingly different from American crime films: they value style and plot over characterization, and tend towards unapologetic displays of violence, sexual content, and taboo exploration. The genre is known for stylistic excess, characterized by unnatural yet intriguing lighting techniques, convoluted plots, red herrings, extended murder sequences, excessive bloodletting, stylish camerawork and unusual musical arrangements. Amidst the ‘creative kill’ set-pieces are thematic undercurrents along with a whodunit element, usually some sort of twist ending. Here is my list of the best giallo films – made strictly by Italian directors, so don’t expect Black Swan, Amer or...