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Red carpet protest highlighted fact only 82 women have been honoured in Official Selection over 71 editions of festival.

Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.

Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg

— Festival de Cannes (@Festival_Cannes) May 12, 2018

Other stars joining the protest...

Danièle Delorme and Jean Gabin in 'Deadlier Than the Male.' Danièle Delorme movies (See previous post: “Danièle Delorme: 'Gigi' 1949 Actress Became Rare Woman Director's Muse.”) “Every actor would like to make a movie with Charles Chaplin or René Clair,” Danièle Delorme explains in the filmed interview (ca. 1960) embedded further below, adding that oftentimes it wasn't up to them to decide with whom they would get to work. Yet, although frequently beyond her control, Delorme managed to collaborate with a number of major (mostly French) filmmakers throughout her six-decade movie career. Aside from her Jacqueline Audry films discussed in the previous Danièle Delorme article, below are a few of her most notable efforts – usually playing naive-looking young women of modest means and deceptively inconspicuous sexuality, whose inner character may or may not match their external appearance. Ouvert pour cause d'inventaire (“Open for Inventory Causes,” 1946), an unreleased, no-budget comedy notable...

Barbarossa: Siege Lord

Stars: Rutger Hauer, Raz Degan, F. Murray Abraham, Christo Jivkov, Antonio Cupo, Cécile Cassel, Kasia Smutniak | Written by Renzo Martinelli, Giorgio Schottler | Directed by Renzo Martinelli

Rutger Hauer stars as Germanic Emperor Frederick Barbarossa in this bloodthirsty tale of a deadly medieval siege. Set in Northern Italy, Barbarossa plans to capture the regions of South and Centre and recreate the empire, which many years ago belonged to Charlemagne. As deadly clashes break out between the people of the land, fighting for independence and social status, Barbarossa struggles to keep control. Barbarossa’s problems are further exacerbated when a young man from Milan, along with his army of 900 men known as the “Company of Death”, challenge the Emperors reign.

An ambitious Italian/Romanian co-production, Barbarossa is an epic of historic proportions that despite its flaws is actually a solidly made affair. Originally aired in a 200 minute cut in its native Italy,...

Above: Zoulikha Bouabdellah's Al Attlal (Ruines), left, and Pierre Léon's À la barbe d'Ivan, right.

Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps

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…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.

Editor’S Note: This is one of several interviews, conducted via email, with directors whose films are screening at the 2009 Tribeca Film Festival. “My Last Five Girlfriends” (Discovery) Director/Screenwriter: Julian Kemp Cast: Brendan Patricks, Naomie Harris, Jane March, Cécile Cassel, Kelly Adams, Edith Bukovics Synopsis: After his latest failed relationship, Duncan has hit emotional rock bottom. He just can’t understand what, or who, has caused all of his relationships to fail. …...

PARIS -- David Mackenzie's Hallam Foe took the top prize at the 18th Dinard Festival of British Cinema, which wrapped Sunday in the Brittany resort town.

A jury led by French actress Josiane Balasko and including actresses Linh Dan Pham, Sylvie Testud and Cecile Cassel bestowed the Hitchcock d'Or Grand Prize upon Mackenzie's coming-of-age comedy, which stars Jamie Bell as a 17 year-old misfit mourning his mother's sudden death who spies on the world from his treehouse.

The jury gave an honorable mention to John Carney's musical comedy Once, which took the audience award this year at the Sundance Film Festival.

"Foe" also went home with the Hitchcock Blanc, Kodak Limited prize for best photo direction.

Sarah Gavron's Brick Lane won the Grand Marnier Lapostolle award for best screenplay and the Hitchcock d'Argent audience award.

Lenny Abrahamson's Garage was awarded the Hitchcock de Bronze prize, which provides distribution to the winner in 40 movie theaters in the west of France.

The British Council gave it's €1,500 ($2,123) "Entente Cordiale" award for the best short film made by a graduate of French film school to Marcal Fores' Friends Forever.

The four-day festival kicked off Thursday with Ken Loach's It's a Free World and closed Sunday with Pascal Thomas' Gallic title L'heure zero.

PARIS -- The 18th Dinard Festival of British Film, which unspools in the Brittany resort Oct. 4-7, will open with Ken Loach's It's a Free World, organizers said Wednesday.

The four-day event will see six U.K. movies vie for the fest's top prize. Competition titles this year include David McEnzie's Hallam Foe, Julian Jarrold's Jane, Asif Kapadia's Far North, Mark Jenkin's The Midnight Drive, Sarah Gavron's Brick Lane and John Carney's Once.

Gallic actress and director Josiane Balasko will lead a jury composed of fellow French female thesps Cecile Cassel, Linh Dan Pham, Claire Nebout and Sylvie Testud, actor Robin Renucci, comedian Laurent Gerra, British actress Imelda Staunton and documentary filmmaker Michael Grigsby.

Loach's Free World will open the fest and Pascal Thomas' Gallic title L'Heure Zero will close it.

Dinard-bound cinephiles will also be treated to 20 French premieres including such titles as Anthony Byrne's How About You, Kevin Macdonald's documentary Mon Meilleur Ennemi and Lenny Abrahamson's Garage. The public will vote on a short film prize awarded by the British Council.

Shane Meadows and his producer Marc Herbert will be in the spotlight with films This is England, Dead Man's Shoes, A Room for Romeo Brass, Twenty 4 Seven" and Once Upon a Time in the Midlands."...