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In a tough Nordic market that is slowing recovering from the downfall of Viaplay and streamers scaling back on commissions, Miso Film, the Fremantle-owned Nordic powerhouse behind Tobias Lindholm’s “The Investigation” and “Those Who Kill,” isn’t just hanging in there; it’s thriving.

The banner is still helmed by its founding duo Peter Bose and Jonas Allen, who have produced a flurry of iconic series, including “Beck” and “Wallander,” as well as “Those Who Kill,” “Dicte” and “1864.” They’re now celebrating Miso Film’s 20th anniversary with a packed slate of high-end shows and films featuring top Scandinavian talent.

Miso recently premiered Tomas Alfredson’s “Faithless,” an adaptation of Ingmar Bergman’s movie, in competition at Toronto Film Festival, and they’re now six-episode series based on Linn Ullmann’s bestselling novel “The Cold Song” and “Royal Blood,” a sprawling historical project set in 1807 when royal...

In true Hollywood style, Jake Gyllenhaal's twisty crime thriller, The Guilty (2021), that saw much critical acclaim, is actually a remake of a 2018 Danish film of the same name. As gripping as the English adaptation is (and it does still stand as its own piece of work), it doesn't compare to the rawness of the original. It is a crime that the 2018 film that premiered at Sundance has been eclipsed by the shadow of its remake, and it is about time its claustrophobic halls, unflinching acting and all-consuming atmosphere find the limelight. Under Gustav Möller's taut direction and Jakob Cedergren's harrowing performance as the one-man lead Asger, The Guilty promises to keep you white-knuckled and breathless.

Danish director Gustav Moller’s claustrophobic last feature, The Guilty, starred Jakob Cedergren as a police officer working the dispatch line, fielding calls from a victim, a suspect and many others, all the while holding the screen on his own. The movie so impressed actor Jake Gyllenhaal that he produced and starred in an English-language remake, directed by Antoine Fuqua, that skillfully transitioned the location from Copenhagen to Los Angeles.

But it’s hard to imagine that anyone could take the plot of Moller’s latest, Sons (Vogter), and relocate it easily to an American setting given the particulars. That’s because in Moller’s tense thriller, the drama revolves around a female correctional officer, Eva (Sidse Babett Knudsen), who works in an all-male prison, even on the maximum-security wing — a situation that’s not uncommon in liberal Denmark, but would be extremely rare in the U.S. Indeed, non-Scandinavian...

British filmmaker Sally Potter has set plans to re-release her 2009 feature Rage, starring Riz Ahmed, Lily Cole, Jude Law, and Judi Dench, as a series of posts on Instagram, to mark the film’s 15th anniversary.

Potter has said the movie will unravel over several “real-time” posts across seven days, starting February 23.

The film also stars Patrick J Adams, Jacob Cedergren, John Leguizamo, Eddie Izzard, David Oyelowo, Dianne Wiest, Steve Buscemi, Adriana Barraza, Simon Abkarian and Bob Balaban. The original concept in 2009 was for the film to be watched on smartphones. The synopsis reads: Michelangelo, an unseen schoolboy armed only with a mobile phone, goes behind the scenes at a New York fashion show for seven days in which an accident on the catwalk turns into a murder investigation, and his interviews with key players become a bitterly funny expose of an industry in crisis.

The story unfolds shot by shot,...

Sally Potter is taking her “Rage” to Instagram. IndieWire can exclusively reveal that the lauded British filmmaker will release her iconic 2009 film in a series of Instagram posts beginning on February 23.

“Rage” was the first full-length feature film specifically designed to be watched on mobile phones. Shot in a vertical format as a series of to-camera monologues, the Instagram release will feature a new shot being posted daily, leading up to the March 8 theatrical release from Abramorama to mark the 15th anniversary of the film’s Berlinale debut. “Rage” will screen with anniversary theatrical and non-theatrical engagements across North America and land on a Direct-to-Consumer digital and VOD placements later.

The film first premiered at the 2009 Berlin Film Festival, and follows an unseen student named Michelangelo who goes behind the scenes at a New York fashion show. However, over the course of a week, Michelangelo is thrust into the center...

Tribeca premiere ‘A Matter Of Trust’ is among those to land deals.

TrustNordisk has had a busy AFM closing a batch of deals on a trio of its festival hit titles of 2022.

Annette K. Olesen’s Danish drama A Matter Of Trust, which premiered at Tribeca and this week plays at the Nordic Film Days in Lubeck, has sold to Australia (Palace Films), Benelux (September) and Estonia (Estin). The story follows five unrelated people whose lives are turned upside down. The cast includes Trine Dyrholm (Queen Of Hearts) and Jakob Cedergren (The Guilty).

Another Tribeca selection, Gabriel Bier Gislason’s horror romance Attachment,...

Annette K Olesen’s A Matter Of Trust (Ingen Kender Dagen), co-written with Maren Louise Käehne, based on the stories by Carsten Jensen, Niels Henning Krag Jensby, Kamilla Hega Holst, Martin Kongstad, and Caroline Albertine Minor, and edited by Dennis Göl Bertelsen was a highlight of the 21st edition of the Tribeca Film Festival.

Trine Dyrholm heads a remarkable ensemble cast that includes Emil Aron Dolph, Anders Brink Madsen, Ellen Rovsing Krudson, Morten Hee Andersen, Jakob Cedergren, Ellaha Lack, Rey Yousefi, Lisbet Dahl, Ene Øster Bendtsen, and Sofie Juul Blinkenberg.

The five short stories, written independently by the five Danish authors, with some obstructions in place, intertwine into a fascinating snapshot of the state of trust in the state of Denmark. The actions all take place during one day in the near present....

Annette K Olesen on Sofie Juul Blikenberg as Maja in A Matter of Trust: “I have never directed a character that in that sense was somehow purely naïve or open. Photo: Anders Nydam

Annette K Olesen’s A Matter Of Trust (Ingen Kender Dagen), co-written with Maren Louise Käehne, based on the stories by Carsten Jensen, Niels Henning Krag Jensby, Kamilla Hega Holst, Martin Kongstad, and Caroline Albertine Minor, and edited by Dennis Göl Bertelsen is a highlight of the 21st edition of the Tribeca Film Festival. Trine Dyrholm heads a remarkable ensemble cast that includes Emil Aron Dolph, Anders Brink Madsen, Ellen Rovsing Krudson, Morten Hee Andersen, Jakob Cedergren, Ellaha Lack, Lisbet Dahl, Ene Øster Bendtsen, and Sofie Juul Blinkenberg.

Annette K Olesen with Anne-Katrin Titze on filming where Hans Christian Andersen is from: “We did that to be surrounded by that fairy-tale landscape as well.”

Five stories, written...

Tobias Menzies, who won last year’s primetime Emmy Award for his turn as Prince Philip in ‘The Crown,’ has joined the cast of “Made in Oslo,” a character-driven thriller series set at a fertility clinic in Norway.

Menzies stars in the cinematic show opposite Pia Tjelta, one of Norway’s most successful actors whose credits include successful shows such as “Norsemen” and “Lykkeland.”

Created and penned by Kathrine Valen Zeiner, the eight-part show is a Nent/Viaplay Original and is produced by Tordenfilm. It will premiere on Viaplay on April 24.

“Made in Oslo” is directed by Marit Moum Aune, whose credits includes “Angels in America – National Theatre” and “Oslo.”

In “Made in Oslo,” Tjelta plays Elin, a passionate doctor who runs a fertility clinic and becomes obsessed with her mission to help couples have children, leading her to break rules, cross boundaries and put her relationship with loved ones in jeopardy.

It’s tempting to say only Jake Gyllenhaal could play the tricky leading role of a disgraced police officer in Antoine Fuqua’s jittery “The Guilty,” but that would be silly, because icy star Jakob Cedergren did play this role — in Gustav Moller’s 2018 original. But Cedergren never went quite so crazy, got so explosive, so positively unhinged. Star-producer Gyllenhaal, who bought the rights to Moller’s film almost right out the gate, makes the film his own.

For the most part, it works. The same can be said about the film as a whole, which has gotten If you’ve seen Moller’s “The Guilty,” well, you’ve basically seen Fuqua’s, but Gyllenhaal’s performance adds a go-for-broke turn that capitalizes on the actor’s deep emotional reserves. Nic Pizzolatto’s adaptation is not as tightly wound as the original’s (penned by Moller and Emil Nygaard Albertsen...

Who is (or are) “The Guilty” referenced in Antoine Fuqua’s tense new Netflix thriller, adapted from the 2018 Danish film of the same name? The title obviously matters, since the “Training Day” director kept it. Fact is, Fuqua changes precious little in what amounts to a pretty direct remake of a nervy, adrenaline-rush crisis-management movie, one that tracks a more-complex-than-it-seems abduction from the limited perspective of a conflicted emergency services phone operator.

Transferred from Copenhagen to Los Angeles, where it unfolds in the midst of a massive wildfire outbreak, “The Guilty” stars Jake Gyllenhaal and barely anyone else. That’s the high-concept hook Fuqua’s adaptation more than satisfies: The camera hardly ever leaves Gyllenhaal, who plays Joe Baylor, a cop who’s been temporarily demoted from patrolling the streets to answering calls at a 911 communications center.

While the other operators do their adequate, professional best, Joe goes above and beyond.

The newest trailer for Netflix's upcoming thriller The Guilty teases another powerhouse performance from celebrated talent Jake Gyllenhaal. The Academy Award nominated actor stars as a troubled police detective demoted to 911 operator duty, who scrambles to save a distressed caller during a harrowing day of revelations and reckonings.

The events of The Guilty take place over the course of a single morning in a 911 dispatch call center. Call operator Joe Bayler (Jake Gyllenhaal) tries to save a caller in grave danger, but he soon discovers that nothing is as it seems, and facing the truth is the only way out. Mostly made up of close-ups of both Gyllenhaal's concerned expression and his computer monitor, The Guiltyshould provide Netflix viewers with a minimal, but no less emotional thrill ride.

The project sees Gyllenhaal team up once again with Southpaw director Antoine Fuqua for this remake of the outstanding Danish thriller of the same name,...

"I have a woman who's been abducted." Netflix has revealed an official trailer for their upcoming film The Guilty, a remake of a Danish thriller from a few years ago. This English-language remake (a pretty common trend for Hollywood these days) is directed by Antoine Fuqua, and stars Jake Gyllenhaal in the same role as Danish actor Jakob Cedergren in the original (watch the trailer for it here). The film takes place over the course of a single morning in a 911 dispatch call center. Operator Joe Baylor (Gyllenhaal) tries to save a caller in grave danger—but he soon discovers that nothing is as it seems, and facing the truth is the only way out. The film is premiering at the 2021 Toronto Film Festival and will be on Netflix in October soon after. The supporting cast includes a lot of big names, but Gyllenhaal is the main actor in this.

An eerie new teaser trailer for Jake Gyllenhaal and Netflix's upcoming thriller The Guilty is sure to have the hairs standing up on the back of your neck as the Oscar nominated actor frantically tries to help a woman he believes has been kidnapped. While the trailer does not show much in terms of footage from the movie, it expertly sets the scene using nothing but dialogue, teasing the heart-racing experience to come...

In The Guilty, Jake Gyllenhaal stars as a troubled police detective demoted to 911 operator duty scrambles to save a distressed caller during a harrowing day of revelations - and reckonings. The project sees Gyllenhaal team up once again with Southpaw director Antoine Fuqua for this remake of the outstanding Danish thriller of the same name.

The trailer begins with audio from Gyllenhaal's character answering a 911 call, with the speech appearing on screen as text, which slowly forms a picture.

"Listen carefully." Netflix has unveiled a very short teaser for their film The Guilty, a remake of a Danish thriller from a few years ago. This English-language remake (a pretty common trend for Hollywood these days) is directed by Antoine Fuqua, and stars Jake Gyllenhaal in the same role as Danish actor Jakob Cedergren in the original (watch the trailer for it here). The film takes place over the course of a single morning in a 911 dispatch call center. Call operator Joe Baylor (Gyllenhaal) tries to save a caller in grave danger—but he soon discovers that nothing is as it seems, and facing the truth is the only way out. The film is premiering at the 2021 Toronto Film Festival and will be on Netflix in October soon after. The supporting cast includes a lot of major names, but no details on them yet - mainly because Gyllenhaal is the prominent actor in this.

Over the last few years, Jake Gyllenhaal has emerged as an actor who not only makes interesting choices, but also dedicates himself fully to his roles, making any project with his name attached a truly exciting one. Now, Gyllenhaal is now stepping into the ring once again with Southpaw director Antoine Fuqua for a remake of the outstanding Danish thriller, The Guilty.

Taking place exclusively in one location, the original version of The Guilty follows alarm dispatcher and former police officer, Asger Holm, who answers an emergency call from a kidnapped woman. When the call is suddenly disconnected, the search for the woman and her kidnapper begins. Co-written and directed by Gustav Möller in his feature film debut, the movie stars Jakob Cedergren as Asger Holm and Jessica Dinnage as Iben Østergård, the voice at the other end of the line.

Full of gut-wrenching twists and turns, and a stellar central performance,...

German director Patrick Vollrath became known in 2015 for his Oscar-nominated short “Everything Will Be Okay,” and that title phrase is used again a few times in “7500,” his feature film debut. But make no mistake, everything is not Ok in Vollrath’s films – not in the short film, in which a divorced father tries to leave the country with his young daughter, and not in the feature, a hijacking thriller that takes place over 92 nerve-wracking minutes.

Starring Joseph Gordon-Levitt in a tour de force performance that finds the actor exploring various shades of desperation for pretty much the entire movie, “7500” is brutally simple and brutally efficient. It stays in a single claustrophobic location and takes place in long, uninterrupted takes – and once the tension begins about 10 minutes in, it never lets up.

You wouldn’t exactly call it fun or enjoyable, but it’s a thriller that does what it sets out to do,...

Disguising herself as a boy, a Jewish girl escapes the Nazis by getting job on a Norwegian farm in this hammy Euro-drama

Fads may change, tastes may come and fashions may go, but one thing seems constant: an inexhaustible market for ropey, hammy Euro-puddingish, lite-drama films set in the 1940s. Here’s another such, set in Nazi-occupied Norway, written by Trond Morten Christensen and directed by British film-maker Ross Clarke. It is avowedly based on a composite of real cases.

The Danish star Sarah-Sofie Boussnina plays Esther, a Jewish girl in Trondheim who escapes a Nazi roundup and flees into the countryside. She winds up disguising herself as a boy and getting a job at a farm owned by Norwegian collaborationist Johann (Jakob Cedergren) whose wife Anna (Laura Birn) is having an affair with a German officer (August Diehl).

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.

The Boy Who Harnessed the Wind (Chiwetel Ejiofor)

The phrase “important film” covers all manner of cinematic sins. If a narrative speaks to a specific issue or disenfranchisement, it can make critique a little complicated. Thankfully, The Boy Who Harnessed the Wind plays more like entertainment than education while teaching its viewer something all the same. Written and directed by Chiwetel Ejiofor, adapted from the book by William Kamkwamba and Bryan Mealer, the film’s set in Wimbe, a village in the Southeast African country of Malawi. It concerns the life of a family trying their best to survive both extreme weather and a government that will offer no help.

To mark the release of The Guilty on 25th February we’ve been given a copy to give away on DVD.

Alarm dispatcher and former police officer, Asger Holm (Jakob Cedergren), answers an emergency call from a kidnapped woman. When the call is suddenly disconnected, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to save the endangered woman. But soon he realizes that he is dealing with a crime that is far bigger than he first thought.

Please note: This competition is open to UK residents only

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The Small Print

Open to UK residents only The competition will close 4th March 2019 at 23.59 GMT The winner will be picked at random from entries received No cash alternative is available To coincide with Gdpr regulations, competition entry information will not be stored once the competition...

Stars: Jakob Cedergren, Jessica Dinnage, Omar Shargawi, Johan Olsen, Jacob Lohmann, Katinka Evers-Jahnsen, Simon Bennebjerg, Jeanette Lindbaek, Laura Bro, Morten Suurballe, Guuled Abdi Youssef, Caroline Løppke, Peter Christoffersen, Nicolai Wendelboe | Written by Gustav Möller, Emil Nygaard Albertsen | Directed by Gustav Möller

Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman. When the call is suddenly disconnected, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to save the endangered woman. But soon he realizes that he is dealing with a crime that is far bigger than he first thought.

Gustav Möller’s Den skyldige, or in international territories The Guilty, is a simplistic masterstroke of cinematic intensity and atmospheric narrative. Taking place primarily in one claustrophobic albeit vastly atmospheric setting at an emergency service office with desk jockey Asger Holm, played by the extravagantly...

Charlotte Rampling (45 Years) will receive an Honorary Golden Bear at the 2019 Berlin International Film Festival. The festival will also present a homage to the feted British actress’s career: movies will include The Damned, The Night Porter, The Verdict, Swimming Pool and Stardust Memories. Rampling presided over the festival’s jury in in 2006 and in 2015 she won the Silver Bear for Best Actress for 45 Years, for which she was also Oscar-nominated. “I’m very happy that this year’s Homage is dedicated to the sublime actress Charlotte Rampling,” said Berlinale Director Dieter Kosslick. “She is an icon of unconventional and exciting cinema.” The prolific Rampling, whose career spans six decades, has recently played in Red Sparrow, The Little Stranger and Michel Blanc’s Kiss & Tell. She will next be seen in Paul Verhoeven’s film Benedetta, scheduled for release in 2019.

The third International Film Festival and Awards Macao handed...

The International Film Festival and Awards Macao drew to a close Sunday with South Korea writer-director Kwon Man-ki's debut feature, the psychological drama Clean Up, taking the best film prize and Argentine director Barbara Sarasola-Day's drug-trafficking thriller White Blood awarded the jury prize.

The seven-day festival concluded with an awards ceremony and the screening of Chinese legendary director Zhang Yimou's reimagining of one of the Three Kingdoms tales, Shadow.

Swedish director Gustav Moller was named best director for The Guilty, Denmark's best foreign-language film entry for the 2019 Oscars, with the film's leading man, Jakob Cedergren, picking up best actor....

Pawel Pawlikowski’s “”Cold War” swept the European Film Academy Awards on Saturday, winning five of its bids: Best Picture, Director, Actress (Joanna Kulig), Screenplay and Film Editing. This Polish picture contended for the top prize against three other films that are also entered in this year’s Oscar race for Foreign-Language Film — Sweden’s “Border,” Poland’s “Cold War,” Italy’s “Dogman” and Belgium’s “Girl.” The fifth nominee was “Happy as Lazzaro,” which is also from Italy.

Winners of the 31st edition of these awards were decided by the 3,000 plus members of the academy, drawn from all parts of Europe. Scroll down to see all the winners (and nominees).

Last year Ruben Ostlund‘s satire “The Square” swept the EFAs with six wins including both Best Picture and Best Comedy. Ostlund claimed both the writing and directing awards for his savage satire set in the high stakes art...

“Cold War” was the big winner at the European Film Awards, picking up the prizes for Best European Film, Actress (Joanna Kulig), Director, and Screenwriter (both Paweł Pawlikowski). Best actor went to Marcello Fonte of “Dogman,” while Armando Iannucci’s “The Death of Stalin” was named Best European Comedy.

“Cold War” also led all films with five nominations, continuing a strong year for the black-and-white drama — Pawlikowski, whose “Ida” won the Foreign-Language Oscar, also took home Best Director laurels from Cannes.

Ali Abbasi’s “Border” and Alice Rohrwacher’s “Happy as Lazzaro” left the ceremony empty-handed despite picking up four nominations apiece.

The full list of winners:

Best European Film

“Border,” Ali Abbasi

“Cold War,” Pawel Pawlikowski

“Dogman,” Matteo Garrone

“Girl,” Lukas Dhont

“Happy as Lazzaro,” Alice Rorhwacher

European Comedy

“C’est La Vie,” Olivier Nakache, Eric Toledano

“Diamantino,” Gabriel Abrantes, Daniel Schmidt

“The Death of Stalin,” Armando Iannucci

European Director

Ali Abbasi,...

“Cold War,” Pawel Pawlikowski’s black-and-white romance set in the 1950s, scooped the prizes for best film, director and screenplay at the 31st edition of the European Film Awards on Saturday.

“Cold War” star Joanna Kulig also won the award for best actress. Marcello Fonte, the star of Matteo Garrone’s “Dogman,” won for best actor.

Armando Iannucci’s political satire “The Death of Stalin” won for best European comedy. Adapted from the French graphic novel by Fabien Nury and Thierry Robin, “The Death of Stalin” is a comic look at how Joseph Stalin’s stroke in 1953 threw the U.S.S.R. into chaos and inspired a mad power grab among his top advisors.

“This is very brave of you. This movie was banned in Russia,” Iannucci said upon picking up his award onstage. The British writer-director added that he loved Europe and made a joke about Brexit.

Lukas Dhont’s “Girl,...

ustThe Competition line-up included 11 features from first- and second-time filmmakers.

The 3rd International Film Festival & Awards Macao (Iffam) unveiled its winners today (December 14), with Kwon Man-Ki’s redemption drama Clean Up receiving the best film prize.

The award, presented by filmmaker and Iffam jury president Chen Kaige, follows the film’s shared victory in the New Currents awards at Busan International Film Festival, where it premiered in October.

The Iffam jury awarded the jury prize to Barbara Sarasola-Day’s South America drug-trafficking story White Blood.

Gustav Möller’s Sundance 2018 hit The Guilty – Denmark’s foreign-language Oscar entry – won two awards:...

Korean drama movie, “Clean Up” took the best film prize on Friday night at the closing ceremony of the International Film Festival and Awards Macao.

The jury, which comprised Chen Kaige, Danis Tanovic, Mabel Cheung, Paul Currie, and Tillotama Shome, said: “’Clean Up’ is a powerful, visceral film which is symbolic and naturalistic at the same time… The director unfolds a psychological drama with simmering intensity, and humanists the criminal without condoning the heinous crime in any way.”

The festival, completing its third edition, wrapped up with another breezy and efficient closing ceremony, kept largely on schedule thanks to its local live broadcast.

Celebrities on the red carpet included Phillip Noyce, Aaron Kwok and Ben Wheatley. Industry executives in attendance included Ellen Eliasoph, Michael J. Werner and Shekhar Kapur.

The closing ceremony was also the occasion for Variety and the festival to present awards to Asia’s next wave of talent.

The Guilty, a Danish thriller which won the Audience Award at the Sundance Film Festival, hits Blu-ray, DVD, and Digital HD February 5 via Magnolia Home Entertainment.

Police officer Asger Holm is banished to desk work as an emergency dispatcher. Before clocking out of his night shift [...]

The post Award Winning Danish Thriller ‘The Guilty’ Hits Blu-Ray In February appeared first on Hollywood Outbreak.

South Korean cinematographer Kim Ji-yong won the EnergaCamerimage fest top prize, the Golden Frog, on Saturday for the sweeping imagery of his Renaissance-era war story “The Fortress” by director Hwang Dong-Hyuk. Juror David Gropman, a production designer, praised the film’s “staggering beauty and epic scale.”

Poland’s own rising-star Dp Lukasz Zal won the Silver Frog for the crisp, monochrome look of period love story “Cold War” by Pawel Pawlikowski while Alfonso Cuaron, who wrote, directed and filmed the richly atmospheric black-and-white film “Roma,” named for the Mexico City neighborhood where he grew up, scored the Bronze Frog.

The prizes, handed out at the Opera Nova music hall in Bydgoszcz, Poland, capped a week of top cinematography work in 10 competitions, an experience fest director Marek Zydowicz described as a great success despite “crisis situations” during the week, which included the brief arrest of cinematographer Matthew Libatique on suspicion of assault.

Eva Trobisch’s ’All Good’ won two key prizes.

UK photographer Richard Billingham’s feature debut Ray And Liz was named best film at the 59th Thessaloniki International Film Festival (Nov 1-11) winning the Theo Angelopoulos Golden Alexander award worth €8,000.

Ray And Liz is an autobiographical portrait of a dysfunctional family set during the Thatcher years. Luxbox has international rights.

The five-member international jury was headed by Romanian director Radu Jude and included Sandra den Hamer, director of the Filmuseum Amsterdam.

Eva Trobisch’s All Good (Alles Ist Gut), staring Aenne Schwarz, won the Silver Alexander special jury prize and...

Nominations for the European Film Academy Award were announced on Saturday (Nov. 10) at the Seville film festival in Spain. Four of the entries in this year’s Oscar race for Foreign-Language Film — Sweden’s “Border,” Poland’s “Cold War,” Italy’s “Dogman” and Belgium’s “Girl” — are up for Best Picture. The fifth nominee is “Happy as Lazzaro” from Germany (which submitted “Never Look Away” at the Oscars).

Pawel Pawlikowski’s “Cold War” leads with five nominations: Best Picture, Director, Actor (Tomasz Kot), Actress (Joanna Kulig) and Screenplay. “Dogman” and “Border” have four nominations apiece as does “Happy as Lazzaro.”

Winners of the 31st edition of these awards will be decided by the 3,000 plus members of the academy, drawn from all parts of Europe. The ceremony is scheduled for Dec. 15 in Seville.

Last year Ruben Ostlund‘s satire “The Square” swept the EFAs with six wins including both Best Picture and Best Comedy.

Paweł Pawlikowski’s “Cold War” leads the pack in this year’s European Film Awards, picking up five nominations after winning Best Director laurels earlier this year at Cannes. The black-and-white romance is followed closely by Matteo Garrone’s “Dogman,” Alice Rohrwacher’s “Happy as Lazzaro,” and Ali Abassi’s “Border,” all of which also picked up awards on the Croisette and now find themselves with four nods apiece.

This year’s ceremony takes place on December 15 in Seville, Spain. Here’s the full list of nominations:

European Film 2018

Border, dir: Ali Abbasi

Cold War, dir: Pawel Pawlikowski

Dogman, dir: Matteo Garrone

Girl dir: Lukas Dhont

Happy As Lazzaro, dir: Alice Rohrwacher

European Documentary 2018

A Woman Captured, dir: Bernadett Tuza-Ritter

Bergman – A Year In A Life, dir: Jane Magnusson

Of Fathers And Sons, dir: Talal Derki

The Distant Barking Of Dogs, dir: Simon Lering Wilmont

The Silence Of Others, dirs:...

Nominations are in for the 31st European Film Awards with previous winner Pawel Pawlikowski’s Cold War leading the pack. The romance drama won the Best Director prize in Cannes and Pawlikowski is up here for the same nod. Cold War, Poland’s Oscar hopeful this year, is also mentioned in the Best Film, Screenwriting, Actress and Actor categories.

Joining Cold War in the main race are a series of Oscar entries for the Best Foreign Language Film statue. They include Sweden’s wild Border from Ali Abbasi, Italy’s Dogman from Matteo Garrone and Belgium’s Girl by Lukas Dhont. The latter won the Camera d’Or in Cannes for best first film, and also scored the Best Performance nod in the Un Certain Regard section for lead Victor Polster who received a nomination today from the European Film Academy. Netflix acquired Girl for North and Latin America out of the festival.

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.

Adam Sandler: 100% Fresh (Steven Brill)

All of Adam Sandler’s non-Baumbach-directed Netflix original movies were worth it if it meant we got this. His latest stand-up special is funny, yes, but also honest and emotionally piercing in unexpected ways. It’s a return to form with a sincere dose of nostalgia for both those that grew up with his comedies and for Sandler, who reflects on his career and those that have been with him along the way. I’ve watched it twice this week and nearly teared up both times. Bring on Uncut Gems. – Jordan R.

Where to Stream: Netflix

BlacKkKlansman (Spike Lee)

There are...

The Danish thriller “The Guilty” is certainly not the first film with a protagonist trapped in a single location: Hitchcock did variations on the theme in “Rear Window,” “Rope” and “Lifeboat,” and more recently, characters have been stuck in a phone booth (“Phone Booth”), a grave (“Buried”) and a car (“Locke”).

But with Denmark’s 2018 Oscar entry “The Guilty,” first-time feature director Gustav Möller has created a crafty cinematic experiment that, for the most part, succeeds on its own terms.

Set in an enclosed room with essentially one actor, and made up entirely of phone conversations, the film employs a full toolbox of cinematic techniques to fashion a complex character study. Lighting, camera angles, production design, editing, and sound effects all conspire to build a mood and contribute to the claustrophobia.

Also Read: Magnolia Picks Up Danish Thriller 'The Guilty'

Asger Holm (Jakob Cedergren) is an irritable narcotics...

In TV, it’s called a “bottle episode”: a half-hour or hour of an ongoing series that corrals a cast into a single, usually closed-off location and forces the show’s creatives/creators to work within those parameters. The Guilty, Swedish filmmaker Gustav Möller’s feature debut, sticks to a somewhat similar limited set-up. A man (Jakob Cedergren) sits in a room, behind a desk, answering a phone. His name is Asger. He didn’t always do this; once upon a time, he was a cop who worked a beat,...

The Guilty (Den skyldige) Magnolia Pictures Reviewed by: Harvey Karten Director: Gustav Möller Screenwriter: Gustav Möller, Emil Nygaard Albertsen Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargaw Screened at: Dolby88, NYC, 10/9/18 Opens: October 19, 2018 What’s your worst computer repair nightmare? If you’re anything like me, you need your computer. You can’t live […]

The post The Guilty Movie Review appeared first on Shockya.com.

After hearing about a handful of festival titles for at least the past month (and perhaps beyond), a number of much-acclaimed films arrive in October alongside a few essential documentaries, and more. For the better half of the month we’ll also be continuing to cover the 56th New York Film Festival and one can our reviews here.

Matinees to See: The Hate U Give (10/5), Studio 54 (10/5), The Happy Prince (10/10), The Sentence (10/12), Thunder Road (10/12), Sadie (10/12), Apostle (10/12), Beautiful Boy (10/12), The Kindergarten Teacher (10/12), What They Had (10/19), and Galveston (10/19)

15. Bad Times at the El Royale (Drew Goddard; Oct. 12)

It’s been too long since Drew Goddard’s inventive debut The Cabin in the Woods, but thankfully the director is returning this month. Bad Times At The El Royale follows a group of shady characters–played by Chris Hemsworth, Jeff Bridges, Cynthia Erivo, and more–as they descend on a rundown hotel in a 1960s California.

One of the most intriguing and compelling films I had the pleasure of seeing during this year’s Fantastic Fest was Gustav Möller’s The Guilty, a thriller centered around a police officer (Jakob Cedergren) who is working at an emergency dispatch center and receives a frantic call from a woman who has been abducted. With time working against him, he must use all of his resources to try and rescue her before it’s too late.

While in Austin, Daily Dead had the opportunity to speak with Möller about The Guilty, and he discussed his unusual approach to crafting his intense thriller, defying the naysayers who said the film could never work how he envisioned it, his experiences working with Cedergren, and his feelings on The Guilty being Denmark’s pick for their Oscar submission for the year.

The Guilty arrives in select theaters on October 19th, courtesy of Magnolia Pictures.

The Guilty finds tense, clever ways to make a one-location film exciting. The Danish thriller finds an emergency dispatcher trying to save a kidnapped woman after receiving a panicked call. In an exclusive The Guilty clip below, you can see the moment that launches the entire film into motion, as the dispatcher (Jakob Cedergren) receives the call. […]

The post Exclusive Clip From ‘The Guilty’, Denmark’s Oscar Submission, Features a Call for Help appeared first on /Film.

Gustav Möller’s thriller “The Guilty” which won Sundance’s Audience Award in World Cinema, has been selected as Denmark’s official Oscar entry for best foreign language film.

Möller’s feature debut, “The Guilty” takes place over the course of a single night and centers on police officer Asger Holm (Jakob Cedergren) who has just been demoted to desk work and answers a panicked phone call from a kidnapped woman. The film follows Asger’s race against time to save the woman with the phone as his only tool.

On top of Sundance, “The Guilty” played at New Directors/New Films, as well as Seattle where it won Best Director and the Audience Award, and Rotterdam where it won the Audience Award. Magnolia Pictures will release the film on Oct.19 in 25 markets, including New York and Los Angeles, with a national rollout to follow.

Represented in international markets by TrustNordisk,...

Screen’s regularly updated list of foreign language Oscar submissions.

Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.

Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.

Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.

Submitted films must be released theatrically...

Updated with additional release date info: Gustav Möller’s The Guilty, which won this year’s Sundance Film Festival World Cinema Audience Award, has been selected by Denmark as the country’s official entry into the Oscar Foreign Language Film race.

The thriller, Möller’s directorial debut, was acquired by Magnolia Pictures in Park City and is hitting U.S. theaters October 19 in 25 markets. It next screens at Fantastic Fest which launches today.

The film centers on a police officer (Jakob Cedergren), who, when demoted to desk work, expects a sleepy beat as an emergency dispatcher. That changes when he answers a panicked phone call from a kidnapped woman who then disconnects abruptly. Confined to the police station, he is forced to use others as his eyes and ears as the severity of the crime slowly becomes more clear, with all the action set in his single location.

Denmark has...

Screen’s regularly updated list of foreign language Oscar submissions.

Nominations for the 91st Academy Awards are not until Tuesday January 22, but the first submissions for best foreign-language film are now being announced.

Last year saw a record 92 submissions for the award, which were narrowed down to a shortlist of nine. This was cut to five nominees, with Sebastián Lelio’s transgender drama A Fantastic Woman ultimately taking home the gold statue.

Screen’s interview with Mark Johnson, chair of the Academy’s foreign-language film committee, explains the shortlisting process from submission to voting.

Submitted films must be released theatrically...

Denmark has selected Gustav Moller's tense kidnap drama The Guilty as its submission in the best foreign-language film category for the Oscars.

Moller's feature debut takes place over the course of a single night at an emergency call center where dispatcher and former cop Asger Holm (Jakob Cedergren) takes a call from a kidnapped woman. When the line suddenly goes dead, Hom is pitched into a race against time to save the woman's life — with a phone his only tool.

The Hollywood Reporter's review called it a "cleverly constructed police procedural."

The Guilty beat out two ...

Denmark has selected Gustav Moller's tense kidnap drama The Guilty as its submission in the best foreign-language film category for the Oscars.

Moller's feature debut takes place over the course of a single night at an emergency call center where dispatcher and former cop Asger Holm (Jakob Cedergren) takes a call from a kidnapped woman. When the line suddenly goes dead, Hom is pitched into a race against time to save the woman's life — with a phone his only tool.

The Hollywood Reporter's review called it a "cleverly constructed police procedural."

The Guilty beat out two ...

Danish film The Guilty premiered overseas earlier this year and it has been getting rave reviews, going on to be an international festival hit. The hype has been so strong with the movie that director Gustav Moller has already been offered a lot of money from major studios to do an English language remake, which he politely turned down. The Guilty will make its United States debut in October of this year and the first North American trailer has just been released.

Gustav Moller's The Guilty first premiered at the Sundance Film Festival this year, where it won the Audience Award in the World Dramatic Competition section, and then went on to gain more acclaim across the festival circuit. The film takes place entirely inside of a 911 call center, which may not sound too thrilling, but just one viewing of the trailer will have you hooked. Reviews have called the movie "riveting,...

The Guilty Trailer Gustav Moller’s The Guilty (2018) movie trailer stars Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargaw, and Jacob Lohmann. The Guilty‘s plot synopsis: “When police officer Asger Holm (Jakob Cedergren) is demoted to desk work, he expects a sleepy beat as an emergency dispatcher. That all changes when he answers a panicked phone [...]

Continue reading: The Guilty (2018) U.S. Movie Trailer: Police Officer Jakob Cedergren Receives a Call During a Kidnapping...

Following its initial premiere at the 2018 Sundance Film Festival earlier this year, The Guilty now has its first U.S. trailer and a release date slated for later this fall. The film went on to win the World Cinema Audience Award at Sundance and had subsequent festival screenings at New Directors/New Films, Sydney, and Karlovy Vary International Film Festivals – as well as many others.

Marking Danish director Gustav Möller’s directorial debut, The Guilty centers on Asger Holm (played by Jakob Cedergren), a stoic emergency service operator who finds himself unusually invested in a new case involving a violent abduction and kidnapping. After its premiere, the film received high praise for its suspense and strong screenplay, which Gustav Möller wrote alongside Emil Nygaard Albertsen. The first trailer for the film showcases both of these elements, displaying the film’s tight cinematography accompanied by a tense and urgent piece of score.