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When it comes to romance, vampires take “forever” very seriously. And so do we. Maybe it’s the immortality, the brooding, or the way they make neck-biting look way more seductive than it should. Whatever the reason, vampire horror romances have been making audiences swoon for decades, blending love with death, passion with peril, and desire with destruction.

If you’re looking for a love story that comes with fangs, forbidden attraction, and a healthy dose of doomed obsession, these 10 vampire horror romances will sink their teeth into you.

Universal 10. Dracula (1931)

Before vampires were sexy, brooding antiheroes, Dracula set the gold standard for supernatural seduction. With hypnotic stares, impeccable fashion, and an unsettlingly smooth accent, Dracula (Bela Lugosi) effortlessly lures Mina (Helen Chandler) into his undead embrace, despite her engagement to another man.

This Universal classic is a must-watch for gothic horror fans. While it may not have the blood-drenched theatrics of modern adaptations,...

Abraham Van Helsing was a prominent literary figure from Bram Stokers 1897 novel Dracula, and several actors have played the character in movies over the years. Several Dracula adaptations were great, whereas others flopped, but the book was a difficult title to get right because it was so legendary. Dracula A Love Tale was recently announced, and many were quick to voice their hopes that the project was an improvement on past attempts to bring Stokers story to life.

Van Helsing was notably the arch nemesis of Count Dracula, one of the most powerful vampires from movies and TV and the defining figure in literature. His role as a vampire slayer was often translated in many different ways, with each interpretation altering his appearance, personality, and even profession. Abraham Van Helsing was a variety of men in the cinematic world, and a huge selection of actors have slipped into his shoes.

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Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging

Available On 4K, Blu-ray™ And Digital On October 5, 2021

From Universal Pictures Home Entertainment

Synopsis: From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.

Classic Monster Films Included:

Dracula (90th Anniversary) Frankenstein (90th Anniversary) The Invisible Man The Wolf Man (80th Anniversary)

Hours Of Bonus Content, Including:

The Road to...

The grimacing Count, the inspired Dr. Frankenstein, the megalomanic Dr. Griffin and the unlucky Larry Talbot make the jump to 4K courtesy of Universal. We’ve seen what 4k Ultra-hd can do for new movies, and selected older features that can benefit from the quality boost if they’re remastered well. Uni monster fans are presently scrutinizing the web for expert opinions on this disc; CineSavant tries to explain what he sees as simply as possible: are the format versions different? Is the new one an improvement? We certainly have no doubts about the movies, which if anything look better than ever. Each Universal classic comes with acres of accumulated fine-quality extras.

Universal Classic Monsters Icons of Horror Collection

4K Ultra-hd + Blu-ray + Digital

Dracula, Drácula, Frankenstein, The Invisible Man, The Wolf Man

Universal Pictures Home Entertainment

1931-1941 / B&w / 1:37 Academy / 4 complete films / Street Date October 5, 2021 /

Starring: Bela Lugosi, Helen Chandler,...

“The spider spinning his web for the unwary fly… The blood is the life, Mr. Renfield.”

Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging. Available On 4K, Blu-ray And Digital On October 5th

From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.

Classic Monster Films Included:

Dracula (90th Anniversary)Frankenstein (90th Anniversary)The Invisible ManThe Wolf Man (80th Anniversary)

Hours Of Bonus Content, Including:...

This January, NBCUniversal is offering fans the chance to dive into some of Universal Pictures’ most gruesome classic films ever made on one of the world’s biggest horror YouTube channels, ‘Fear: The Home of Horror.’

Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).

Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!

Edgar G. Ulmer movies on TCM: 'The Black Cat' & 'Detour' Turner Classic Movies' June 2017 Star of the Month is Audrey Hepburn, but Edgar G. Ulmer is its film personality of the evening on June 6. TCM will be presenting seven Ulmer movies from the mid-1930s to the mid-1960s, including his two best-known efforts: The Black Cat (1934) and Detour (1945). The Black Cat was released shortly before the officialization of the Christian-inspired Production Code, which would castrate American filmmaking – with a few clever exceptions – for the next quarter of a century. Hence, audiences in spring 1934 were able to witness satanism in action, in addition to other bizarre happenings in an art deco mansion located in an isolated area of Hungary. Sporting a David Bowie hairdo, Boris Karloff is at his sinister best in The Black Cat (“Do you hear that, Vitus? The phone is dead. Even the phone is dead”), ailurophobic (a.

I live in Los Angeles, and my residency here means that a lot of great film programming-- revival screenings, advance looks at upcoming releases and vital, fascinating glimpses at unheralded, unexpected cinema from around the world—is available to me on a week-by-week basis. But I’ve never been to Cannes. Toronto, Tribeca, New York, Venice, Berlin, Sundance, SXSW, these festivals are all events that I have yet to be lucky enough to attend, and I can reasonably expect that it’s probably going to stay that way for the foreseeable future. I never attended a film festival of any kind until I made my way to the outskirts of the Mojave Desert for the Lone Pine Film Festival in 2006, which was its own kind of grand adventure, even if it wasn’t exactly one for bumping shoulders with critics, stars and fanatics on the French Riviera.

But since 2010 there...

Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...

Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.

Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,...

The Etch A Sketch is the source of wonder and frustration. Few toys can equal its seemingly magic ability to bring your creations to life, though patience and skill are required. George Vlosich has both and is a master of the Etch A Sketch knobs, and with Halloween coming up, he has etched and sketched a beautiful rendering of Bela Lugosi’s Count Dracula and Helen Chandler’s Mina from 1931’s Dracula.

The post Watch Bela Lugosi’s Dracula Come to Life on the Etch A Sketch appeared first on Daily Dead.

Oldest person in movies? (Photo: Manoel de Oliveira) Following the recent passing of 1931 Dracula actress Carla Laemmle at age 104, there is one less movie centenarian still around. So, in mid-June 2014, who is the oldest person in movies? Manoel de Oliveira Portuguese filmmaker Manoel de Oliveira will turn 106 next December 11; he’s surely the oldest person — at least the oldest well-known person — in movies today. De Oliveira’s film credits include the autobiographical docudrama Memories and Confessions / Visita ou Memórias e Confissões (1982), with de Oliveira as himself, and reportedly to be screened publicly only after his death; The Cannibals / Os Canibais (1988); The Convent / O Convento (1995); Porto of My Childhood / Porto da Minha Infância (2001); The Fifth Empire / O Quinto Império - Ontem Como Hoje (2004); and, currently in production, O Velho do Restelo ("The Old Man of Restelo"). Among the international stars who have been directed by de Oliveira are Catherine Deneuve, Pilar López de Ayala,...

‘Dracula’ 1931 actress Carla Laemmle dead at 104 (photo: Carla Laemmle ca. 1930) Carla Laemmle, a bit player in a handful of silent movies and at the dawn of the sound era — e.g., the horror classics The Phantom of the Opera (1925) and Dracula (1931) — and a niece of Universal Studios co-founder Carl Laemmle, died on June 12, 2014, at her Los Angeles home. Laemmle, who had reportedly been in good health, was 104 years old. Born Rebekah Isabelle Laemmle on October 20, 1909, in Chicago, Carla Laemmle was less known for her movie work than for having survived most of her contemporaries and for her family connection to the Universal mogul — her father, Joseph Laemmle, was Carl’s brother. ‘Dracula’ actress was a member of Carl Laemmle’s ‘very large faemmle’ "Uncle Carl Laemmle, Has a very large faemmle," once half-joked poet Ogden Nash, in reference to Laemmle’s penchant for hiring family members. As Laemmle’s niece,...

Lupita Tovar turns 103: Actress starred in Spanish-language ‘Dracula’ and in the first Mexican talkie, ‘Santa’ (photo: Lupita Tovar in ‘Santa’) Mexican actress Lupita Tovar, best remembered for the Spanish-language version of Dracula and for starring in the first Mexican talkie, Santa, turned 103 years old on Sunday, July 27, 2013. Tovar was born in 1910 in the city of Oaxaca, the capital of the Mexican state of the same name. In an interview with author Michael G. Ankerich (Mae Murray: The Girl with the Bee-Stung Lips) published on Ankerich’s site Close-ups and Long Shots, Tovar recalled her brief foray as a silent film actress at Fox (several years before it became 20th Century Fox): "Silent films were wonderful because you didn’t have to worry about your dialogue. You could say whatever you felt. We had music on the set all the time. It was absolutely wonderful." Unfortunately for Tovar, whose English was quite poor,...

Warner Archive Collection 4th anniversary DVD / Blu-ray releases The Warner Archive Collection (aka Wac), which currently has a DVD / Blu-ray library consisting of approximately 1,500 titles, has just turned four. In celebration of its fourth anniversary, Wac is releasing with movies featuring the likes of Jane Powell, Eleanor Parker, and many more stars and filmmakers of yesteryear. (Pictured above: Greer Garson, Debbie Reynolds, Ricardo Montalban in the sentimental 1966 comedy / drama with music The Singing Nun.) For starters, Jane Powell and Debbie Reynolds play siblings in Richard Thorpe's Athena (1954), whose supporting cast includes Edmund Purdom, Vic Damone, frequent Jerry Lewis foil Kathleen Freeman, Citizen Kane's Ray Collins, Tyrone Power's then-wife Linda Christian, former Mr. Universe and future Hercules Steve Reeves, veteran Louis Calhern, not to mention numerology, astrology, and vegetarianism. As per Wac's newsletter, the score by Hugh Martin and Martin Blane "gets a first ever Stereophonic Sound remix for this disc,...

Dracula

Directed by Tod Browning

Written by Garrett Fort

U.S.A., 1931

Sound on Sight’s 31 Days of Horror series makes a decisive switch of gears on Tuesdays with a look at some of the horror genre’s unmistakable gems: its classic monsters. These films will all be from the 1950s, 40s and even the 30s, the decades which saw some of the most well known, most beloved and, of course, most terrifying monsters arrive on the silver screen to freak out the others other in the films…and audiences.

Bram Stoker’s most recognized literary effort is undoubtedly the story of Count Dracula, a vampire who preys on his victims through unnatural powers of seduction. The number of films which take cues from the book, either as direct adaptations or indirect inspirations, are practically innumerable. Perhaps the most well known version of the past 20 years or so was from the early 1990s,...

Latest Additions Include Star-Studded Appearances, Noted Film Historians,

An Opening-Night Poolside Screening of High Society (1956)

And a Vanity Fair Showcase of Architecture in Film

Complete Schedule for 2012 TCM Classic Film Festival

Now Available at http://www.tcm.com/festival

With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:

On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...

The 2012 TCM Classic Film Festival has unveiled another spectacular lineup of special guests and events for this year’s four-day gathering in Hollywood. Among the newly announced participants for this year’s festival are five-time Emmy® winner Dick Van Dyke, Oscar® winner Shirley Jones, two-time Golden Globe® winner Angie Dickinson, six-time Golden Globe nominee Robert Wagner, seven-time Oscar nominee Norman Jewison, longtime producer A.C. Lyles and three-time Oscar-winning editor Thelma Schoonmaker. In addition, the festival will feature a special three-film tribute to director/choreographer Stanley Donen, who will be on-hand for the celebration.

As part of its overall Style and the Movies theme, the festival has added several films featuring the work of pioneering costume designer Travis Banton. Oscar-nominated costume designer Deborah Nadoolman Landis will introduce the six-movie slate, with actress and former Essentials co-host Rose McGowan joining her for one of the screenings.

Other festival additions include a screening...

By James Morgart

“There is no pleasure. There is no pain. There is only skin.” - Pinhead, Hellraiser III

“Women tend to be more tolerant about visceral things because they have more direct personal experience with them. They cope with periods once a month, they go through childbirth and they are usually the ones who look after the bleeding and battered limbs when the kids take a tumble. They can put blood and gore in context and generally cope better than men.” - Bela Lugosi

Most scholarship on the horror film has assumed that males are the primary spectators of horror; however, there have been developments, both in scholarship as well as in mainstream media, to contradict this point. In 2009, journalist Michelle Orange pointed out, in an article written for the New York Times, “Recent box office receipts show that women have an even bigger appetite for these [horror] films than men.