We're proud to announce a new partnership with one of our favorite online film journals, cléo. Every month, cléo will be presenting a great film to watch on our video on demand platform. In conjunction, we'll be hosting an exclusive article by one of their contributors. This month the journal's founding editor, Kiva Reardon, writes on Nathan Silver's Exit Elena, which is available to watch starting June 28 in the Us, Canada, UK, Australia, New Zealand, Italy, Norway, and Germany!
I need not sell my soul to buy bliss.
—Jane Eyre, Jane Eyre
Gothic fiction dates back to 1764 with Horace Walope’s The Castle of Otranto. Unlike the lush Romantic novels that had come before, here the supernatural plagued the lead characters and darker thematics prevailed. Walpoe’s book, in addition to being a bestseller of the time, paved the way for the greats of Gothic fiction to come: Mary Shelley,...
I need not sell my soul to buy bliss.
—Jane Eyre, Jane Eyre
Gothic fiction dates back to 1764 with Horace Walope’s The Castle of Otranto. Unlike the lush Romantic novels that had come before, here the supernatural plagued the lead characters and darker thematics prevailed. Walpoe’s book, in addition to being a bestseller of the time, paved the way for the greats of Gothic fiction to come: Mary Shelley,...
- 6/28/2014
- by Kiva Reardon
- MUBI
A Room of One’s Own: Nathan Silver’s Uncomfortable Familial Exploration
Compelling, observant, and uncomfortably funny, Nathan Silver’s latest feature, Exit Elena, is pleasant surprise, a testament of achievement with a shoe string budget. Appearing at first as a docudrama about a live-in nurse, Silver efficiently and swiftly gives us a fast paced exercise of fractured family dynamics, strange socializations centered on an abstract and mysterious woman, and a subtle subtext to ponder.
Elena (Kia Davis), is a newly licensed live-in nurse. A quiet and timid sort, she quickly gets offered a job to care for Florence (Gert O’Connell). Except Florence’s daughter-in-law, Cindy Akerman (Cindy Silver), neglected to tell husband Jim (Jim Chiros) that she hired a live-in nurse. And so immediately, Elena is thrust into an awkward family dynamic, lorded over by the extremely overbearing Cindy, who constantly bickers with her out-of-touch husband and quickly...
Compelling, observant, and uncomfortably funny, Nathan Silver’s latest feature, Exit Elena, is pleasant surprise, a testament of achievement with a shoe string budget. Appearing at first as a docudrama about a live-in nurse, Silver efficiently and swiftly gives us a fast paced exercise of fractured family dynamics, strange socializations centered on an abstract and mysterious woman, and a subtle subtext to ponder.
Elena (Kia Davis), is a newly licensed live-in nurse. A quiet and timid sort, she quickly gets offered a job to care for Florence (Gert O’Connell). Except Florence’s daughter-in-law, Cindy Akerman (Cindy Silver), neglected to tell husband Jim (Jim Chiros) that she hired a live-in nurse. And so immediately, Elena is thrust into an awkward family dynamic, lorded over by the extremely overbearing Cindy, who constantly bickers with her out-of-touch husband and quickly...
- 7/8/2013
- by Nicholas Bell
- IONCINEMA.com
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