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Peter Clifton

Agnès Varda
The Criterion Channel’s March Lineup Includes Sophy Romvari, Pasolini, The Age of Innocence & More
Agnès Varda
Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it’s great seeing their March lineup give light to Sophy Romvari, the <bias>exceptionally talented</bias> filmmaker and curator whose work has perhaps earned comparisons to Agnès Varda and Chantal Akerman but charts its own path of history and reflection. It’s a good way to lead into an exceptionally strong month, featuring as it does numerous films by Pier Paolo Pasolini, the great Japanese documentarian Kazuo Hara, newfound cult classic Arrebato, and a number of Criterion editions.

On the last front we have The Age of Innocence, Bull Durham, A Raisin in the Sun, The Celebration, Merrily We Go to Hell, and Design for Living. There’s always something lingering on the watchlist, but it might have to wait a second longer—March is an opened floodgate.

See the full...
See full article at The Film Stage
  • 2/21/2022
  • by Nick Newman
  • The Film Stage
Umbrella restores more Oz classics
Umbrella Entertainment is restoring Australian classic Jedda plus Angel Baby and Burke & Wills for re-issue in HD on DVD and VOD platforms as part of an ongoing preservation program.

The distributor is also working with producer Jane Scott and distributor Andrew Pike on an HD version of Scott Hicks. Shine, and with Scott on Goodbye Paradise.

As part of its restoration program which covers around 200 titles, Umbrella plans to release on one DVD two musical films produced by Peter Clifton, one on The Easybeats. tour of England in 1967, the other looking at a concert by The Rolling Stones at Sydney Showground in 1966, hosted by DJ Ward ..Pally.. Austin.

Shot in 1955, Jedda was the last film from Australian filmmaker Charles Chauvel, who died four years later. The first Australian feature made in colour, it starred Indigenous actors Robert Tudawali and Ngarla Kunoth in the saga of an Aboriginal woman who is...
See full article at IF.com.au
  • 3/23/2015
  • by Don Groves
  • IF.com.au
$15m for films and TV
Screen Australia has announced an investment of $15m on 13 productions, including a German/Australian co-production directed by Cate Shortland and development for Bruce Beresford, Sarah Watt and Phillip Noyce projects.

In terms of films, Fred Schepisi’s The Eye of the Storm - which began production without financial support from Screen Australia – is one of the beneficiaries.

Shortland’s co-production Lore will be produced by Liz Watts, Karsten Stöter, Benny Drechsel, Paul Welsh and Gabriele Kranzelbinder and set in 1945 Germany.

The third feature to receive support is Kieran Darcy-Smith’s debut Say Nothing, written in conjuction with Felicity Price and produced by Angie Felder.

TV series The Slap, Cleo and Blood Brother, as well as series two of Spirited. also received financial support.

The agency estimates that these projects will generate production worth $72m.

The projects are:

The Eye Of The Storm

Paper Bark Films Eos Pty Ltd

Executive Producers Jonathan Shteinman,...
See full article at Encore Magazine
  • 7/9/2010
  • by Miguel Gonzalez
  • Encore Magazine
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