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Close-Up is a column that spotlights films now playing on Mubi. Leo McCarey's The Awful Truth (1937) is showing February 13 - March 15, 2017 in the United Kingdom in the series The Rom Com Variations.Leo McCarey’s 1937 screwball classic The Awful Truth is the epitome of a sub-genre dubbed by philosopher Stanley Cavell the “comedy of remarriage.” In the film, husband and wife Jerry and Lucy Warriner (Cary Grant and Irene Dunne) succumb to their marital suspicions and embark on an easier-said-than-done divorce. He returns home from an unspecified dalliance, complete with fake Florida tan (ever the gentleman, he bronzes so as to save Lucy the embarrassment of getting asked why her husband looks pale after spending time in the sun), but upon his arrival, Lucy herself is nowhere to be found. She must be with her Aunt Patsy, Jerry assures his guests, that is until Aunt Patsy (Cecil Cunningham) shows up sans niece.

Savant uncovers the true, hidden ending to this Fritz Lang masterpiece. The moral outrage of Lang's searing attack on lynch terror hasn't dimmed a bit -- with his first American picture the director nails one of our primary social evils. MGM imposed some re-cutting and re-shooting, but it's still the most emotionally powerful film on the subject. Fury DVD-r The Warner Archive Collection 1936 / B&W / 1:37 flat Academy / 92 min. / Street Date August 2, 2016, 2016 / available through the WB Shop / 17.99 Starring Sylvia Sidney, Spencer Tracy, Walter Abel, Bruce Cabot, Edward Ellis, Walter Brennan, Frank Albertson, George Walcott, Arthur Stone, Morgan Wallace, George Chandler, Roger Gray, Edwin Maxwell, Howard C. Hickman, Jonathan Hale, Leila Bennett, Esther Dale, Helen Flint. Cinematography Joseph Ruttenberg Film Editor Frank Sullivan Original Music Franz Waxman Written by Bartlett Cormack, Fritz Lang story by Norman Krasna Produced by Joseph L. Mankiewicz Directed by Fritz Lang

Reviewed by Glenn Erickson

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Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.

Norma Shearer films Note: This article is being revised and expanded. Please check back later. Turner Classic Movies' Norma Shearer month comes to a close this evening, Nov. 24, '15, with the presentation of the last six films of Shearer's two-decade-plus career. Two of these are remarkably good; one is schizophrenic, a confused mix of high comedy and low drama; while the other three aren't the greatest. Yet all six are worth a look even if only because of Norma Shearer herself – though, really, they all have more to offer than just their top star. Directed by W.S. Van Dyke, the no-expense-spared Marie Antoinette (1938) – $2.9 million, making it one of the most expensive movies ever made up to that time – stars the Canadian-born Queen of MGM as the Austrian-born Queen of France. This was Shearer's first film in two years (following Romeo and Juliet) and her first release following husband Irving G.

Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...

Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...

Mary Boland movies: Scene-stealing actress has her ‘Summer Under the Stars’ day on TCM Turner Classic Movies will dedicate the next 24 hours, Sunday, August 4, 2013, not to Lana Turner, Lauren Bacall, Katharine Hepburn, Ginger Rogers, Esther Williams, or Bette Davis — TCM’s frequent Warner Bros., MGM, and/or Rko stars — but to the marvelous scene-stealer Mary Boland. A stage actress who was featured in a handful of movies in the 1910s, Boland came into her own as a stellar film supporting player in the early ’30s, initially at Paramount and later at most other Hollywood studios. First, the bad news: TCM’s "Summer Under the Stars" Mary Boland Day will feature only two movies from Boland’s Paramount period: the 1935 Best Picture Academy Award nominee Ruggles of Red Gap, which TCM has shown before, and one TCM premiere. So, no rarities like Secrets of a Secretary, Mama Loves Papa, Melody in Spring,...

Doris Day movies: TCM’s ‘Summer Under the Stars 2013′ lineup continues (photo: Doris Day in ‘Calamity Jane’ publicity shot) Doris Day, who turned 89 last April 3, is Turner Classic Movies’ 2013 “Summer Under the Stars” star on Friday, August 2. (Doris Day, by the way, still looks great. Check out "Doris Day Today.") Doris Day movies, of course, are frequently shown on TCM. Why? Well, TCM is owned by the megaconglomerate Time Warner, which also happens to own (among myriad other things) the Warner Bros. film library, which includes not only the Doris Day movies made at Warners from 1948 to 1955, but also Day’s MGM films as well (and the overwhelming majority of MGM releases up to 1986). My point: Don’t expect any Doris Day movie rarity on Friday — in fact, I don’t think such a thing exists. Doris Day is ‘Calamity Jane’ If you haven’t watched David Butler’s musical...