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60 years ago this September, Clint Eastwood's Man With No Name stepped on screen for the first time in Sergio Leone's "A Fistful of Dollars." It would be a few more years until the low-budget Spaghetti Western made it to America, but the actor's star power and the director's talents were instantly recognizable for early adopters – even if critics took longer to get on board. By the time Leone had released two more Eastwood-led films, rounding out what became known as the Dollars Trilogy, Eastwood's narrowed eyes and steely attitude had become a fundamental image of the movie cowboy.
The Dollars trilogy, which continued with "For A Few Dollars More" and concluded in 1966 with "The Good, The Bad, and The Ugly," is now celebrated as one of the best on-screen Western sagas of all time. The genre would...
60 years ago this September, Clint Eastwood's Man With No Name stepped on screen for the first time in Sergio Leone's "A Fistful of Dollars." It would be a few more years until the low-budget Spaghetti Western made it to America, but the actor's star power and the director's talents were instantly recognizable for early adopters – even if critics took longer to get on board. By the time Leone had released two more Eastwood-led films, rounding out what became known as the Dollars Trilogy, Eastwood's narrowed eyes and steely attitude had become a fundamental image of the movie cowboy.
The Dollars trilogy, which continued with "For A Few Dollars More" and concluded in 1966 with "The Good, The Bad, and The Ugly," is now celebrated as one of the best on-screen Western sagas of all time. The genre would...
- 10/13/2024
- by Valerie Ettenhofer
- Slash Film
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