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Lawrence Durrell

News

Lawrence Durrell

Josh O’Connor, Paul Mescal Unite for Gay Romance ‘History of Sound’ From Oliver Hermanus – AFM
Image
“The Crown” star and recent Emmy winner Josh O’Connor and “Normal People” BAFTA winner Paul Mescal will star in gay romance “The History of Sound,” an Oliver Hermanus-directed adaptation of an award-winning short story.

Produced by End Cue, the story follows two young men, Lionel (Mescal) and David (O’Connor), who, during the WW1 period, set out to record the lives, voices and music of their countrymen. An official description of the pic reads: “In this snatched, short-lived moment in their young lives, and while discovering the epic sweep of the U.S., both men are deeply changed.”

“The History of Sound” is based on the eponymous Pushcart Prize-winning story by American author Ben Shattuck, which is available to read online in literary journal The Common. CAA Media Finance will handle U.S. sales while Embankment will introduce the project to international buyers ahead of next week’s virtual American Film Market.
See full article at Variety Film + TV
  • 10/29/2021
  • by Manori Ravindran
  • Variety Film + TV
Cleopatra and Heaven's Gate: last of the stinkers?
If Cleopatra signalled the demise of Hollywood epics, Heaven's Gate ended the reign of the all-powerful director. Should these films' reputations be rescued? And has the film industry lost its kamikaze tendency?

Sexual intercourse must have been invented earlier in New York than in Yorkshire because all that Robert Benton could think about in 1963 was movies. One movie in particular. But it was not Hollywood's current grandest offering, Cleopatra, which Joseph L Mankiewicz directed for 20th Century Fox, with Elizabeth Taylor in the leading role. Benton was thinking about another love story – another portrayal of a woman loved by two very different men. The director was François Truffaut. The star was Jeanne Moreau. Benton saw Jules et Jim 12 times after it was released in the Us, and his obsession was crucial to what happened next.

"You cannot see a movie that often without beginning to notice certain things about structure and form and character,...
See full article at The Guardian - Film News
  • 7/19/2013
  • by Leo Robson
  • The Guardian - Film News
Literary events in 2012
More Dickens and even more Shakespeare, but also new novels from Toni Morrison, Hilary Mantel, Zadie Smith, plus exciting new voices – 2012's literary highlights

January

10 Charles Dickens's The Mystery of Edwin Drood, starring Matthew Rhys and Tamzin Merchant, begins – and, unlike the book, ends – on BBC2.

13 Michael Morpurgo's much-loved children's novel War Horse, a long-running favourite at the National and on Broadway, gets the Hollywood treatment. A tearjerking saga about a young soldier and his horse – it was only a matter of time before it was Spielberged.

16 Ts Eliot prize. Despite withdrawals from the shortlist over objections to a hedge fund's sponsorship of the prize, the Eliot remains the UK's premier poetry award, and its eve-of-event reading is always a treat. This year's shortlist includes Daljit Nagra, Carol Ann Duffy and John Burnside.

20 Release of film of Coriolanus, an Orson Wellesian effort directed by and starring Ralph Fiennes,...
See full article at The Guardian - Film News
  • 1/6/2012
  • The Guardian - Film News
Joseph Strick obituary
Maverick director best known for his film of Ulysses – widely seen as a noble failure

There must be something quixotic about a director who sets out to make a film of James Joyce's Ulysses. A passionate Joycean, Joseph Strick, who has died aged 86, was undeterred by the challenge and the obstacles: "Even before I made it, people were saying it was unfilmable. I think the truth is, some people just find the book unreadable."

The iconoclastic Strick first envisaged an 18-hour version, faithful to every word, but unsurprisingly he could not get anyone to finance it. When the final two-hour version, shot in Dublin, was completed in 1967, it fell foul of censorship – just like the novel. The British Board of Film Censors requested 29 cuts to remove sexual references from Molly Bloom's final, expletive-laden soliloquy. Strick obliged by replacing all of the offending footage with a blank screen and a high-pitched shrieking sound.
See full article at The Guardian - Film News
  • 6/17/2010
  • by Ronald Bergan
  • The Guardian - Film News
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