Take a look at the 15 movies you'll be hearing about in fall 2024.

15 Fall Movies You Need to Know About

Take a look at the 15 movies you&#39;ll be hearing about in fall 2024.

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Discover some of the most anticipated sequels, prequels, and spin-offs coming to theaters and streaming.

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Sally Eilers enjoyed lunch with a classmate from drama school, Jane Peters (who would later become known as Carole Lombard), at the Sennett Studios cafeteria. There she was spotted by Mack Sennett and instantly became one of his "discoveries". Having already appeared in several bit parts, beginning with The Red Mill (1927) in 1927, she was offered a role in The Good-Bye Kiss (1928), a rare dramatic feature for the studio. Either Sennett or Florenz Ziegfeld Jr. (depending on which version of the story is to be believed) tagged Sally with the publicity line "the most beautiful girl in movies".

The vivacious former brunette (quickly transformed by Hollywood into a blonde) spent her apprenticeship as a leading actress co-starring in westerns with her future husband Hoot Gibson and with Buster Keaton in Doughboys (1930). In 1931 director Frank Borzage cast her (instead of established star Janet Gaynor) in the depression-era film Bad Girl (1931). What could have been maudlin melodrama was enlivened by excellent direction and some snappy dialogue (winning Academy Awards for both direction and screenplay) and elicited from Sally in the title role (as "Dot Haley") the best performance of her career. There were to be other films of note: Reducing (1931) with Marie Dressler, the original State Fair (1933) with Will Rogers (with Sally playing a "carny") and Sailor's Luck (1933), with her Bad Girl (1931) co-star James Dunn, in which a reviewer described her performance as "highly satisfactory".

Alas, most of her subsequent parts were in lesser features and she never made the grade as a top star. Sally continued to act in films, eventually reduced to supporting roles, until the late 1940s. She was married four times.

Inurned at Forest Lawn Glendale, Freedom Mausoleum, Columbarium of
Understanding

Mother of screenwriter <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0998837/?ref_=nmtrv_trv">Harry Joe Brown Jr.</a>.

She was a natural brunette and started dying her hair blonde in the late 1920s.

Born to an Irish-American father and a Jewish mother.

Sister of <a class="ipc-md-link ipc-md-link--entity" href="/name/nm3581802/?ref_=nmtrv_trv">Bud Eilers</a>.

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Sally Eilers

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