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John Wayne was riding remarkably high in the saddle in the early 1950s, knocking out one box office hit after another, when he decided to diversify his Hollywood profile by producing movies. So in 1952, the star of "Red River," "Sands of Iwo Jima," and "She Wore a Yellow Ribbon" hooked up with his longtime showbiz pal Robert Fellows, and together they founded Wayne-Fellows Productions. Wayne was picky about the people with whom he made movies, but Fellows more than earned his trust. According to Scott Eyman's "John Wayne: The Life and Legend," the Duke once said of Fellows, "What Bob doesn't know about the business isn't worth knowing."

Their first film together was the politically ignorant turkey "Big Jim McClain," which starred Wayne as a heroic special investigator for the House Un-American Activities Committee (Huac). In 1953, they released two movies,...

Cora Sue Collins, the charming child actress of the 1930s and ’40s who worked alongside such legends as Greta Garbo, Claudette Colbert, Bette Davis, Irene Dunne and Merle Oberon during her brief but sensational career, has died. She was 98.

Collins died Sunday at her home in Beverly Hills of complications from a stroke, her daughter, Susie Krieser, told The Hollywood Reporter.

Collins played younger versions of Colbert in Torch Singer (1933), Frances Dee in The Strange Case of Clara Deane (1932) and Keep ‘Em Rolling (1934), Loretta Young in Caravan (1934), Oberon in The Dark Angel (1935) and Lynn Bari in Blood and Sand (1941).

“I must have the most common face in the world,” she said in a 2019 interview. “I played either the most famous actresses of the ’30s as a child or their child. They made me up to look like everybody.”

The MGM contract player also was William Powell and Myrna Loy’s...

Throughout his 50-year filmmaking career, John Wayne was not much of a risk taker when it came to material. Once he broke through as a movie star with John Ford's template-setting Western "Stagecoach" in 1939, he mostly bounced back and forth between oaters and rah-rah war films. When he did futz with his image, he did so with great directors like Ford and Howard Hawks, whose judgment he implicitly trusted.

When it came to experimenting with emerging cinematic technology and new formats, however, Wayne was open to giving anything a whirl that would help movies stave off the stay-at-home threat of television. He made lots of films in Cinemascope and starred in "How the West Was Won," one of the first three-strip Cinerama movies. You might think the 3D fad of the 1950s would've been too sweaty for the Duke, but he actually teamed with director John Farrow to shoot...

I’m old enough to remember when Jacques Rivette films were the domain of dark-web networks and substandard DVD rips, a conspiratorial network worthy of his cinema. It’s still a little strange seeing that April will feature a 10-film, one-short Criterion Channel program that combines of his canonized masterpieces with decidedly lesser-seens––plus Va Savoir, which I really hope is the recently unearthed four-hour cut for which there’s no substitute. Penélope Cruz is also subject of a retrospective in April, which––more than making me pine for a Rivette collab that never was––will include both Abre Los Ojos and Vanilla Sky, some Almodóvar, and another in the Channel’s ongoing let’s-add-a-Woody-Allen-movie campaign, Vicky Cristina Barcelona.

For themed series, J. Hoberman has curated a series on the dangers of ’60s and ’70s New York that runs from Michael Roemer’s recently restored The Plot Against Harry and...

As always with awards season, there have been many declarations of whether the group of nominees or winners would be the best or worst films ever to take home Best Picture. To help us quantify that statement, we jumped into Oscar history and filled in any of our blind spots over the last few weeks. Here is our ranking (from worst to best) of every Best Picture winner from the Academy Awards.

97. Cimarron (1931) FandomWire Best Picture Rankings – Cimarron Directed by Wesley Ruggles

While the Western has struggled with depicting non-white characters since the beginning of the genre, Cimarron is beyond many of its contemporaries. It’s hard to fully explain how racist Cimarron comes across in 2025, especially in its depictions of black and Indigenous characters. However, Cimarron is also boring beyond compare. Unlike Gigi, which was wildly celebrated as one of the great Oscar winners of all time, Cimarron only took home three wins,...

John Wayne's Rio Lobo contains a fun easter egg callback to an underrated 1953 Western - even though its implications are reality-shaking. John Wayne fronted around 80 Westerns in his career and was very happily typecast as a cowboy. That said, he largely avoided sequels throughout his 50-year career, with the unofficial Rio Bravo trilogy being one of his rare franchises. The reason this trilogy is "unofficial" is that instead of being direct sequels, all three films are riffs on Rio Bravo's story.

Wayne and director Howard Hawks switched around character traits and themes, but both El Dorado and Rio Lobo are essentially Rio Bravo Remixed. Sadly, the latter is the worst of the trio, with Hawks later dismissing it as "that damn piece of junk;" even Tarantino stated Rio Lobo was the film that convinced him to retire early, as he didn't want to end his career on a tired note.

With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November’s Criterion Channel series spanning 1976’s A Real Young Girl to 2004’s Anatomy of Hell––just one of numerous retrospectives arriving next month. They’re also spotlighting Ida Lupino, directorial efforts of John Turturro (who also gets an “Adventures In Moviegoing”), the Coen brothers, and Jacques Audiard.

In a slightly more macroscopic view, Columbia Noir and a new edition of “Queersighting” ring in Noirvember. Gregg Araki’s Teen Apocalypse trilogy and Miller’s Crossing get Criterion Editions, while restorations of David Bowie-starrer The Linguini Incident, Med Hondo’s West Indies, and Dennis Hopper’s Out of the Blue make streaming debuts; and Kevin Jerome Everson’s Tonsler Park arrives just in time for another grim election day.

See the full list of titles arriving in November below:

36 fillette, Catherine Breillat, 1988

Anatomy of Hell, Catherine Breillat,...

On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.

First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.

Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.

The Pitch: Film Noir Gets so Many Studio Notes it Achieves Sentience

I’m not the most important person in the world today who loves Venn Diagrams, but “His Kind of Woman” might be best explained as something that rests at the center of a series of overlapping circles. Almost all of those circles are “Howard Hughes wanted reshoots,” to be fair, but there are a number of factors that make this tropical fever dream a fun film noir b-side, best watched with a rowdy group of friends late at night. Alcohol is optional,...

The Criterion Channel has unveiled its streaming lineup for August 2024, which features an eclectic mix of independent films showcasing the work of auteurs from around the world.

The boutique service will become the exclusive streaming home of Paul Thomas Anderson’s 2021 comedy “Licorice Pizza,” and will celebrate the occasion by adding four more of his films to the channel: “The Master,” “There Will Be Blood,” “Punch-Drunk Love,” and “Magnolia.” Anderson’s frequent collaborator Philip Seymour Hoffman will additionally be celebrated on the streaming service as part of a larger retrospective. Many of the late actor’s most iconic roles, including “Capote” and “Synecdoche, New York,” will be included, along with his sole directorial outing “Jack Goes Boating.”

The channel will also highlight several other prominent filmmakers including Preston Sturges, who helped pioneer the modern rom-com through films like “The Lady Eve” and “The Palm Beach Story,” and prolific Egyptian auteur Youssef Chahine.

The Criterion Channel’s August lineup pays tribute to auteurs of all kinds: directors, actors, and photographers, fictional or otherwise. In a notable act of preservation and advocacy, they’ll stream 20 titles by the Egyptian filmmaker Youssef Chahine, here introduced by the great Richard Peña. More known (but fun all the same) is a five-title Paul Thomas Anderson series including the exclusive stream of Licorice Pizza, as well as a Philip Seymour Hoffman series that overlaps with Magnolia, Punch-Drunk Love (a Criterion Edition this month), and The Master, plus 25th Hour, Love Liza, and his own directing effort Jack Goes Boating. Preston Sturges gets five movies, with Sullivan’s Travels arriving in October.

Theme-wise, a photographer series includes Rear Window, Peeping Tom, Blow-up, Close-Up, and Clouzot’s La prisonnière; “Vacation Noir” features The Lady from Shanghai, Brighton Rock, Kansas City Confidential, Purple Noon, and La piscine. Alongside the aforementioned PTA and Antonioni pictures,...

In the "Star Trek" episode "The Galileo Seven", Spock (Leonard Nimoy), Dr. McCoy (DeForest Kelley), Lieutenant Commander Scott (James Doohan), and three specialists are assigned to take Enterprise's shuttlecraft, the Galileo, on a special survey to map the Murasaki-312 quasar. A mysterious spatial phenomenon pulls the shuttle off course, however, and it crash lands on a nearby world inhabited by vicious 10-foot-tall cavemen.

The seven people on board the Galileo have to repair their ship and find a way to contact the Enterprise through the signal-scrambling mists of the quasar. Their job is made more difficult by the attacking cavemen, who want to murder them with spears. The collected and logical Spock attempts to scare off the brutes, while his more emotional, human counterparts encourage deadly force. When two of the Galileo Seven are killed, Spock discourages a memorial service. The episode is ultimately about how Spock's logic isn't always...

1953's Hondo wasn’t John Wayne’s most successful film, but its legacy has endured thanks in part to the powerful acting and the slightly more sympathetic than usual portrayal of its Indigenous characters. Based on the Louis L'Amour story "The Gift of Cochise," the film follows a burgeoning love affair between Wayne's Hondo and a frontierswoman, Angie, played by Geraldine Page, during a time of escalating tensions with the local Apache tribe. The role was Page's first official foray onto the silver screen — and after her treatment at the hands of Wayne and director John Farrow, it's no wonder she waited eight years before attempting another one.

Tisa Farrow, the actress known for her roles in 1970s films like James Toback’s Fingers and William Richert’s Winter Kills, passed away at the age of 72. Her sister, Mia Farrow, announced the unexpected demise on Instagram on Wednesday, revealing that Tisa had seemingly passed away in her sleep. “If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there,” Mia wrote. “She was the best of us — I have never met a more generous and loving person. She loved life & never complained. Ever.” See the Instagram post below. View this post on Instagram A post shared by Mia Farrow (@realmiafarrow) John Farrow, her brother, informed The Hollywood Reporter that his sister passed away in Rutland, Vermont. Having made her onscreen debut in Homer (1970), where she portrayed the girlfriend of a high school student deeply affected by the Vietnam War, Tisa Farrow went on to star...

Tisa Farrow, an actor and sister of Mia Farrow, died in her sleep on Jan. 10 in Rutland, Vermont. She was 72.

Her sister Mia shared the news in a post on Instagram, writing: “If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there. She was the best of us – I have never met a more generous and loving person. She loved life and never complained. Ever. She was a nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”

Farrow was born Theresa Magdalena Farrow in Los Angeles to actor Maureen O’Sullivan and film director John Farrow and was the youngest of seven siblings. She was the subject of a New York Times profile in 1970, in which she discussed her family connections in the entertainment industry.

“None...

Tisa Farrow, a former actor born, like sister Mia Farrow, to show business parents Maureen O’Sullivan and John Farrow, died unexpectedly Wednesday morning. She was 72.

Her death was announced on social media by Mia Farrow, who said that Tisa apparently died in her sleep.

“If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there,” Mia wrote on Instagram and X. “She was the best of us — I have never met a more generous and loving person. She loved life & never complained. Ever. She was nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life.”

While never achieving the fame of sister Mia – or, for that matter, sister Prudence, who was immortalized by John Lennon in the classic 1968 Beatles White Album song “Dear Prudence” – Tisa Farrow nonetheless...

Tisa Farrow, the actress who appeared in such 1970s films as James Toback’s Fingers and William Richert’s Winter Kills, has died, her sister Mia Farrow announced. She was 72.

She died unexpectedly on Wednesday, “apparently in her sleep,” Mia Farrow reported on Instagram.

“If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there,” she wrote. “She was the best of us — I have never met a more generous and loving person. She loved life & never complained. Ever.”

Tisa Farrow made her onscreen debut in Homer (1970), portraying the girlfriend of a high school student (Don Scardino) deeply affected by the Vietnam War, and she also starred in the low-budget horror films Zombie (1979), directed by Lucio Fulci, and Anthropophagus (1980).

In her most prominent role, Farrow played a woman who has a kinky romance with a disturbed loner (Harvey Keitel) in writer-director Toback’s Fingers (1978). She then showed...

We have some sad news to report as we head into the weekend: Rosemary’s Baby star Mia Farrow has confirmed that her younger sister Tisa Farrow, who genre fans may remember as the star of Lucio Fulci’s 1979 classic Zombie and Joe D’Amato’s 1980 gross-out slasher Anthropophagus, has passed away at the age of 72.

Yesterday, Mia Farrow took to social media to write, “If there is a Heaven, undoubtedly my beautiful sister Tisa is being welcomed there. She was the best of us – I have never met a more generous and loving person. She loved life & never complained. Ever. She was a nurse for 27 years, a wonderful sister to Steffi, Prudence and me, a devoted mother to Jason, who died in Iraq, Bridget and little grandson Kylor – the lights of her life. She died unexpectedly yesterday morning (January 10th). Apparently in her sleep. This is a hard time for...

Marisa Pavan, the Italian actress and twin sister of Pier Angeli who received an Oscar nomination for her performance as the daughter of Anna Magnani’s seamstress in the 1955 drama The Rose Tattoo, has died. She was 91.

Pavan died Wednesday in her sleep at her home in Gassin, France, near Saint-Tropez, Margaux Soumoy, who wrote Pavan’s 2021 biography, Drop the Baby; Put a Veil on the Broad!, told The Hollywood Reporter.

Pavan also portrayed the French queen Catherine de’ Medici in Diane (1956), starring Lana Turner; an Italian girl who had an affair years ago with a corporate exec (Gregory Peck) in The Man in the Gray Flannel Suit (1956); and the love interest of a former cop (Tony Curtis) investigating the murder of a priest in the film noir The Midnight Story (1957).

In Paramount’s The Rose Tattoo (1955), an adaptation of the Tennessee Williams play that won four Tony Awards, including best play,...

It's been a long road, getting from there to here.

One might recall in June of 2023, it was announced that several key executives and programmers at Turner Classic Movies were callously canned by the new management at their parent company, Warner Bros. Discovery. For many, this was tantamount to nixing TCM altogether. CEO David Zaslav made this decision at the end of a string of bad decisions that made him look like the film world's most callous villain. After the weird rebranding of HBO Max to merely Max, it was starting to look like Zaslav didn't give a damn about film history.

It certainly looked that way to Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson, three lovers of vintage film and advocates for the preservation of classics. The trio famously called Zaslav to appeal for the retaining of TCM and the re-hiring of some of their old staff. A...

John Wayne once described himself as "just the paint for the palettes" of directors like John Ford and Howard Hawks, the filmmakers who steered him in films such as "Stagecoach" and "Red River." Such modesty was characteristic of "The Duke," whom Orson Welles described as one of the best-mannered actors in Hollywood. Yet Wayne was doing himself a disservice, for while he did benefit from the tutelage of two great filmmakers, he also worked long and hard to create the persona of "John Wayne," a figure with a distinctive gait, an easy drawl, and tough morality.

To explore the career of John Wayne is to explore five decades of Hollywood history. Wayne acted opposite everyone from Barbara Stanwyck and Maureen O'Hara to Henry Fonda, James Stewart, and Kirk Douglas. The list of directors he worked with is just as impressive, too.

So, where does one start with John Wayne, both...

The world was at war 80 years ago. The United States was grieving over the attack on Pearl Harbor on Dec. 7, 1941 by the Japanese military and the defeat of our forces that month at Wake Island. And then the beloved Carole Lombard, her mother, servicemen and the crew perished in a plane crash west of Las Vegas on January 16, 1942. She was returning to Hollywood after raising 2 million in a war bond drive in Indianapolis.

How would Hollywood and audiences respond to World War II? They certainly didn’t shy away from the war. If you look at the top 10 films of the year, there are some escapist films but also movies dealing with the global conflict.

In fact, the No. 1 film of the year William Wyler’s “Mrs. Miniver” broke records at Radio City Music Hall in New York playing 10 weeks. Production began on the stirring, sentimental drama about a British...

Angus MacLane, animation veteran and director of the new Pixar adventure Lightyear, discusses his favorite movies with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Taking Off (1971)

Reign of Terror (1949)

Kiss Me Deadly (1955) – Josh Olson’s trailer commentary, Glenn Erickson’s review

Lightyear (2022)

Toy Story (1995)

Mad Max: Fury Road (2015) – Brian Trenchard-Smith’s trailer commentary, Dennis Cozzalio’s Beyond Furious series, Glenn Erickson’s Blu-ray review

Innerspace (1987) – Glenn Erickson’s Blu-ray review

Mars Attacks! (1996)

The ’Burbs (1989) – Ti West’s trailer commentary, ’Burbs Mania at Tfh

Alive (1993)

Star Wars (1977)

Snow White And The Seven Dwarfs (1937)

The Empire Strikes Back (1980)

Star Wars: Episode I – The Phantom Menace (1999)

The Matrix (1999)

Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing

Aliens (1986) – Glenn Erickson’s Blu-ray review

Tron (1982)

The Blues Brothers (1980) – Adam Rifkin’s trailer commentary

Howard The Duck (1986) – Alex Kirschenbaum’s review

Wall-e (2008)

Predator 2 (1990)

Alien vs. Predator...

Let’s shout our approval of this foursome of vintage noirs, all of which have been scarce since Eddie Muller was old enough to rob candy stores. Three Paramounts and one Universal give us four notable directors and a gallery of attractive stars, including a swoon-worthy array of actresses: Marta Toren, Loretta Young, Susan Hayward, Gail Russell, Frances Farmer and Marina Berti. The selection includes one of the key ‘just prior to the official style’ titles, a thriller with supernatural overtones, a ‘woman in jeopardy’ story and a gangster tale reportedly inspired by Lucky Luciano.

Kino Noir Times Four

Blu-ray

Among the Living, Night Has a Thousand Eyes, The Accused, Deported

Kl Studio Classics

1941-1950 / B&W / 1:37 Academy / Street Date November 16, 2021 / available through Kino Lorber / Separate Purchases / 24.95 each

Starring: Albert Dekker, Susan Hayward; Edward G. Robinson, Gail Russell; Loretta Young, Robert Cummings, Wendell Corey; Jeff Chandler, Marta Toren.

Directed by Stuart Heisler,...

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“A Mentalist Mystery”

By Raymond Benson

Anything that originated from the mind of celebrated mystery novelist, Cornell Woolrich, is worth one’s perusal, and the 1948 film adaptation of the author’s 1945 work, Night Has a Thousand Eyes, mostly measures up.

Directed with confidence and style by John Farrow, Night is a film noir that ticks a lot of boxes that define that Hollywood cinematic movement of the late 1940s and early 50s. There’s a cynical and disturbed protagonist who is haunted by the past, cinematography (by John F. Seitz) that highly contrasts light and shadows, voiceover narration, flashbacks, and, of course, crimes. It’s short (81 minutes) and it’s intriguing. The picture’s faults might be that it can be overly melodramatic at times, and there are a couple of weak casting choices that prevent Night from being a classic. It’s good enough,...

A new documentary examines Mia Farrow’s father, a prolific film-maker from Marrickville with a backstory stranger than fiction

History has largely ignored John Farrow. Despite the Marrickville-born film-maker carving out a staggering body of work – directing about 50 features for major US studios and working with stars including John Wayne and Bette Davis – it’s as though he barely even existed, beyond his name appearing in credits.

The story of cinema is punctuated by those who rise to fame while countless others are relegated to the ash heap of history. John Farrow: Hollywood’s Man in the Shadows is a new documentary that shines a light on the Australian artist who was once a mover and shaker in Tinseltown, but whose legacy went the way of the dodo – similar to Gillian Armstrong’s 2015 film Women He’s Undressed, which examines the life of Australian-born costume designer Orry-Kelly.

Powerhouse Indicator moves forward to their fourth fancy box of noirs from the studio of Harry Cohn, six pictures stretching from the postwar boom to the end of the original classic noir era. This time around we have some notable directors, and a nice selection of stars — Dennis O’Keefe, George Murphy, Fred MacMurray, Kim Novak, Jean Simmons, Rory Calhoun and Richard Conte. Kim Novak makes her starring debut as a femme fatale; noir icon Richard Conte shines in a movie that marks a turn into a new kind of existential, paranoid thriller. And speaking of paranoid, we again get to lighten up with another selection of theme-appropriate Three Stooges shorts.

Columbia Noir #4

Region B Blu-ray

Powerhouse Indicator

1948-1957 / B&w + Color / 1:85 widescreen, 1:37 Academy / Street Date September 27, 2021 / available from Powerhouse Films UK / 49.99

Starring: Louis Hayward, Dennis O’Keefe; George Murphy; Fred MacMurray, Kim Novak; Jean Simmons, Rory Calhoun; Dennis O’Keefe,...

Claude Gonzalez and Frans Vandenburg have been following the stranger-than-fiction life of filmmaker John Farrow for over 10 years.

Born in 1904 in Marrickville, Sydney, John Farrow’s curious story ranges from fleeing Australia at age 17 to penning a Tahitian French Dictionary, winning an Oscar for co-writing Around the World in 80 Days, to being highly religious and conservative and married to the glamorous Hollywood star Maureen O’Sullivan. Yet on the flip side he obscured his past from his family and fathered an illegitimate son.

As a director, producer, writer and actor he was prolific, making 50 films and working with people like John Wayne, Bette Davis, Ava Gardner, and Lana Turner. He fathered seven children, including Mia Farrow.

Gonzalez and Vandenburg’s documentary – part mystery, biography and film noir – includes interviews with family members in the US and Australia, and with leading filmmakers and critics including Bruce Beresford, Phillip Noyce, Philippe Mora,...

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“The Devil Makes Him Do It”

By Raymond Benson

The actor Ray Milland always presented himself on screen with a serious intensity. His Oscar-winning turn as an alcoholic in The Lost Weekend (1945) catapulted him into the upper ranks of Hollywood stardom in those years. He didn’t always appear in A-list pictures, though. Film noir and thrillers like The Big Clock and So Evil My Love (both 1948) featured Milland in what might be perceived as moonlighting roles, but he is nonetheless effective.

Such is the case with Alias Nick Beal, directed by frequent Milland collaborator, John Farrow. This is not a film noir, per se, but rather a thriller-cum-supernatural tale that borrows heavily from the Faust myth. And while Milland is the fire that energizes Nick Beal, it is third-billing Thomas Mitchell who is the protagonist of the story.

Mitchell is Joseph Foster,...

Viavision’s second deluxe Film Noir boxed finds real variety in the film style, with entries that range from low-budget efforts to a picture filmed on location in Mexico. Richard Conte solves a notorious movie studio murder in Hollywood Story, Gig Young is a cop who considers going crooked in City that Never Sleeps, Glenn Ford dodges murderous treasure hunters in Plunder of the Sun and Steve Cochran’s cop really does go rogue in Private Hell 36.

Essential Film Noir Collection 1

Blu-ray (Region-Free)

Viavision [Imprint] 18, 19, 20, 21

1947-1957 / B&w / 1:37 Academy / 327 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99

Starring: Richard Conte, Julia Adams; Gig Young, Mala Powers, Marie Windsor; Glenn Ford, Diana Lynn, Patricia Medina; Ida Lupino, Steve Cochran, Howard Duff.

Directed by William Castle, John H. Auer, John Farrow, Don Siegel

Viavision’s noir series throws a wide net, with two debuts on Blu-ray and one full debut on home video.

Alias Nick Beal

Blu ray

Kino Lorber

1949 / 1.33:1 / 93 Min.

Starring Ray Milland, Audrey Totter

Cinematography by Lionel Lindon

Directed by John Farrow

The most sinister light comedian in Hollywood, Ray Milland was never more charming than when he was fixing to cut your throat. In John Farrow’s Alias Nick Beal, the actor dropped that two-faced mask to play an unambiguous villain—Nicholas Beal, a well-tailored but malevolent entity who makes his first appearance from behind a curtain of fog. As we begin to understand the tricky Mr. Beal, we realize that it isn’t fog swirling round his shoulders, it’s sulfur, billowing up from a pit of brimstone. Unfortunately Joseph Foster, an ambitious district attorney, understands it too late. When Foster decides to run for governor, Beal materializes to offer his own kind of campaign advice. Beal’s plan comes with a high price tag but he makes...

The Criterion Channel has unveiled their lineup for next month and it’s another strong slate, featuring retrospectives of Carole Lombard, John Waters, Robert Downey Sr., Luis García Berlanga, Jane Russell, and Rob Epstein & Jeffrey Friedman. Also in the lineup is new additions to their Queersighted series, notably Todd Haynes’ early film Poison (Safe is also premiering in a separate presentation), William Friedkin’s Cruising, and Pier Paolo Pasolini’s Teorama.

The new restorations of Manoel de Oliveira’s stunning Francisca and Francesco Rosi’s Christ Stopped at Eboli will join the channel, alongside Agnieszka Holland’s Spoor, Bong Joon Ho’s early short film Incoherence, and Luc Dardenne & Jean-Pierre Dardenne’s Rosetta.

See the lineup below and explore more on criterionchannel.com.

#Blackmendream, Shikeith, 2014

12 Angry Men, Sidney Lumet, 1957

About Tap, George T. Nierenberg, 1985

The AIDS Show, Peter Adair and Rob Epstein, 1986

The Assignation, Curtis Harrington, 1953

Aya of Yop City,...

By 1968, despite, or maybe because of, their huge popularity and success, the Beatles found themselves spiritually exhausted. “We’d been the Beatles, which was marvelous,” Paul McCartney later recalled in The Beatles Anthology. “We’d tried for it not to go to our heads and we were doing quite well – we weren’t getting too spaced out or big-headed – but I think generally there was a feeling of: ‘Yeah, well, it’s great to be famous, it’s great to be rich – but what it’s all for?'”

The...

Viavision’s first deluxe Film Noir boxed set gives us four titles that emphasize star power — Glenn Ford, Ray Milland, Kirk Douglas and Lee J. Cobb. The Australian release includes three Columbia titles and the home video premiere of a rare Paramount picture. Which ones are core Noir and which are merely ‘noir adjacent?’ The special extras invest in a quartet of audio commentaries from the top experts and Film Noir Foundation creators Eddie Muller and Alan K. Rode. There’s nothing that pair doesn’t know about these pictures.

Essential Film Noir Collection 1

Blu-ray

Viavision [Imprint] 18, 19, 20, 21

1947-1957 / B&w / 1:37 Academy / 366 min. / Street Date October 28, 2020 / Available from Viavision [Imprint] / 149.99

Starring: Glenn Ford, Janis Carter, Barry Sullivan; Ray Milland, Audrey Totter, Thomas Mitchell; Kirk Douglas, Eleanor Parker, Joseph Wiseman, Lee Grant; Lee J. Cobb, Richard Boone, Kerwin Mathews.

Directed by Richard Wallace, John Farrow, William Wyler, Vincent Sherman

The Australian disc boutique...

John Wayne, known as “The Duke” to his fans, starred in upwards of 150 movies throughout his 50-year career. While he had hits in a wide range of genres, he is best known as the macho hero at the heart of some classic westerns. Wayne made a slew of low-grade oaters throughout the 1930s. It wasn’t until John Ford‘s “Stagecoach” (1939), an Oscar-winning adventure epic that took the genre to new artistic heights, that he finally achieved stardom.

In all, the Duke and “Pappy” Ford, as his crew called the famously cantankerous director, made 14 films together. Among these are such other spurs and saddles classics as “She Wore a Yellow Ribbon” (1949), “The Searchers” (1956) and “The Man Who Shot Liberty Valance” (1962). All of these feature on our list of John Wayne’s best westerns ranked.

Despite being a top box office draw for decades, Wayne was only nominated for two acting...

Never heard of Wake Island? Its fall terrified Americans at Christmas of 1941. The war’s just begun, we’re definitely not winning, and the assignment was to make a movie about a tragic defeat that might be the first of many tragic defeats for the U.S.A.. Paramount’s careful morale-builder doesn’t exaggerate or sentimentalize the brutal fall of a tiny atoll in the Pacific, and stands as an example of filmmaking reaching for hope in the face of disaster.

Wake Island

Blu-ray

Kl Studio Classics

1942 / B&w / 1:37 flat Academy / 88 min. / Street Date August 18, 2020 / available through Kino Lorber / 29.95

Starring: Brian Donlevy, Robert Preston, Macdonald Carey, William Bendix, Albert Dekker, Walter Abel, Mikhail Rasumny, Rod Cameron, Bill Goodwin, Damian O’Flynn, Frank Albertson, Hugh Beaumont, Barbara Britton, Hillary Brooke, Dane Clark, Frank Faylen, Mary Field, Alan Hale Jr., Richard Loo, James Millican, Jack Mulhall, Keith Richards, Phillip Terry, Mary Thomas,...

The war’s just begun, we’re definitely not winning, and your assignment is to make a movie about a tragic defeat that could be the first of many tragic defeats for the U.S.A.. Paramount’s careful morale-building war drama doesn’t exaggerate or over-sentimentalize the brutal fall of a tiny island in the Pacific. John Farrow directs a fine group of actors who knew the film ‘had to say the right things.’ It stands as a fine example of filmmaking reaching for hope in the face of disaster.

The first WW2 Hollywood combat film based on an actual battle is the beautifully made Wake Island. It’s even more beautifully conceived to achieve multiple public relations aims in a time of great crisis. Until 1941 Wake Island had been little more than a stop for Pacific-hopping Pan-American clipper ship airplanes; Japan bombed it a few hours after the attack on Pearl Harbor.

Kino Lorber presents its fourth volume of forgotten or obscured film noir remnants with a trio of three titles from noted directors. With this set spanning 1946 to 1955, once again there’s an evident trajectory of diluted elements and attitudes as the cynicism and misanthropy was eroded or folded over into more palatable narrative aesthetics by the end of the 1950s Although none of these three titles represents the best work of either their directors or notable leading stars, each features its own little noteworthy kernels worthy of admiration.

Calcutta (1946)

John Farrow directed a wide variety of features in a career spanning four decades, but he contributed one of noir’s most enduring specimens with his 1948 classic The Big Clock (remade in 1987 as No Way Out).…...

This article contains major spoilers for Netflix’s Hollywood.

Ryan Murphy’s new Netflix series is here. And as Hollywood begins tripping the light fantastic on your streaming service, we’re here to provide you with some texture, color, and insight on all the little easter eggs about the Dreamland that was. We’ve already gone further in-depth here with regard to the real historical players bouncing around Murphy and co-creator Ian Brennan’s fantasy, but here we begin a nice overview of all the little nods (and perhaps come-hither stares that accompany their winks) in the show. Go here to find all our coverage, including more episodes’ easter eggs.

Hollywood Episode 1

-Ryan Murphy begins his Hollywood show where else but at the movies! We meet David Corenswet’s Jack Castello as he watches a newsreel in awe. It tells him to go west, young man, and find his start in Hollywood’s boomtown!

Here are many more movies to watch when you’re staying in for a while, featuring recommendations from Jim Gavin, Karyn Kusama, Matt Christman, and Jonah Ray.

Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!

Show Notes: Movies Referenced In This Episode

Three Tough Guys (1974)

Two Gentlemen Sharing (1969)

Tower of Evil a.k.a. Horror on Snape Island (1972)

Blow-Up (1966)

Blow Out (1981)

Body Double (1984)

Rififi (1955)

The Big Clock (1948)

No Way Out (1987)

Funeral In Berlin (1966)

The Ipcress File (1965)

Billion Dollar Brain (1967)

The Innocents (1961)

Miracle Mile (1988)

Femme Fatale (2002)

Main Street Women (1980)

Sleepwalkers (1992)

A Nightmare On Elm Street (1984)

Dracula’s Dog (1977)

Moneyball (2011)

Together (2000)

Contagion (2011)

Panic In The Streets (1950)

The Killer That Stalked New York (1950)

The Satan Bug (1965)

A Prophet (2009)

Point Break (1991)

The Thing (1982)

Invasion of the Body Snatchers (1978)

Hit! (1973)

Outbreak (1995)

The Island (2005)

6 Underground (2019)

Pain And Gain (2013)

The Invitation (2015)

High-Rise (2015)

The ’Burbs (1989)

To My Great Chagrin: The Unbelievable...

Clever plotting goes into overdrive for this light-comedy proto-paranoid film noir about a magazine publishing empire so organized that it seems a sci-fi invention from the future. Ray Milland’s charismatic fall guy finds himself embroiled in a murder plot filled with false identities, and a manhunt that he must supervise… to catch himself. Maybe Robert Zemeckis and Bob Gale watched this from their cribs, and applied its chaotic symmetry to their pretzel-plotted comedies!

The Big Clock

Blu-ray

Arrow Academy

1948 / B&W / 1:37 flat full frame / 95 min. / Street Date May 14, 2019 / Available from Arrow Video / 39.95

Starring: Ray Milland, Charles Laughton, Maureen O’Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harry (Henry) Morgan.

Cinematography: Daniel L. Fapp, John Seitz

Film Editor: LeRoy Stone

Original Music: Victor Young

Written by Jonathan Latimer from a novel by Kenneth Fearing

Produced by John Farrow, Richard Maibaum

Directed by John Farrow

The thriller The Big Clock...

Ray Milland in The Big Clock (1948) will be available on Blu-ray From Arrow Academy May 14th

Adapted by acclaimed screenwriter Jonathan Latimer from a novel by the equally renowned crime author Kenneth Fearing, The Big Clock is a superior suspense film which classily combines screwball comedy with heady thrills.

Overworked true crime magazine editor George Stroud has been planning a vacation for months. However, when his boss, the tyrannical media tycoon Earl Janoth, insists he skips his holiday, Stroud resigns in disgust before embarking on an impromptu drunken night out with his boss’s mistress, Pauline York. When Janoth kills Pauline in a fit of rage, Stroud finds himself to have been the wrong man, in the wrong place, at the wrong time: his staff have been tasked with finding a suspect with an all too familiar description… Stroud s very own!

Directed with panache by John Farrow (Around the World in 80 Days...

Michael Anderson, the British director who was nominated for an Academy Award for his direction on “Around the World in 80 Days,” died in Vancouver Wednesday. He was 98.

Anderson’s career began in the ’40s as an assistant director before he joined the Royal Signal Corps during the war. After Anderson was discharged, he signed a contract with Associated British Picture Corporation, for whom he directed five films.

The third film, 1955’s “The Dam Busters,” starring Richard Todd, which was the biggest film of the year for Britain at the box office. The film will be presented at the Royal Albert Hall in London and simulcast into 400 theatres throughout the UK on May 17 to commemorate the 75th anniversary of the Royal Air Force’s most daring operation of World War II.

Anderson was asked to direct “Around the World in 80 Days” after the original director John Farrow had a falling out with producer Mike Todd.

Above: Italian personality poster for Hedy Lamarr. Art by Sergio Gargiulo.Once promoted as “Hollywood’s No. 1 Glamour Girl,” Hedy Lamar (1914-2000) was much more than a pretty face, as the new documentary Bombshell: The Hedy Lamarr Story gloriously attests. Born Hedwig Eva Maria Kiesler in Austria, Lamarr was catapulted to fame as the star of the scandalous 1933 Czech import Ecstasy, in which she appeared nude (and ecstatic). In America she became one of the biggest stars of the 1940s, often called the most beautiful woman in Hollywood, a designation she thought of as a curse. But she was also blessed with a curious and inventive mind. As an amateur inventor she pioneered what is known as “frequency hopping” during World War II to prevent the Nazis jamming Allied torpedoes, a technology which has become the basis of Bluetooth and Wi-fi. With that in mind, it might seem perverse to...

John Wayne plays a German sea captain in a film that goes out of its way to create a favorable image of our former enemy, with hardly a Nazi flag or even a German accent in sight. Wayne and his co-star Lana Turner are as Teutonic as Blondie and Dagwood, yet the film works as a basic adventure – we like the charismatic star, and the sea chase format guarantees extra interest.

The Sea Chase

Blu-ray

Warner Archive Collection

1955 / Color / 2:55 widescreen / 117 min. / Street Date July 11, 2017 / available through the WBshop / 21.99

Starring: John Wayne, Lana Turner, David Farrar, Lyle Bettger, Tab Hunter, James Arness, Richard Davalos, John Qualen, Paul Fix, Alan Hale Jr., Peter Whitney, Claude Akins, John Doucette, Tudor Owen, Adam Williams.

Cinematography: William Clothier

Film Editors: William Ziegler, Owen Marks

Original Music: Roy Webb

Written by James Warner Bellah, John Twist from a novel by Andrew Geer

Produced and Directed...

(See previous post: Fourth of July Movies: Escapism During a Weird Year.) On the evening of the Fourth of July, besides fireworks, fire hazards, and Yankee Doodle Dandy, if you're watching TCM in the U.S. and Canada, there's the following: Peter H. Hunt's 1776 (1972), a largely forgotten film musical based on the Broadway hit with music by Sherman Edwards. William Daniels, who was recently on TCM talking about 1776 and a couple of other movies (A Thousand Clowns, Dodsworth), has one of the key roles as John Adams. Howard Da Silva, blacklisted for over a decade after being named a communist during the House Un-American Committee hearings of the early 1950s (Robert Taylor was one who mentioned him in his testimony), plays Benjamin Franklin. Ken Howard is Thomas Jefferson, a role he would reprise in John Huston's 1976 short Independence. (In the short, Pat Hingle was cast as John Adams; Eli Wallach was Benjamin Franklin.) Warner...

Fourth of July movies: A few recommended titles that should help you temporarily escape current global madness Two thousand and seventeen has been a weirder-than-usual year on the already pretty weird Planet Earth. Unsurprisingly, this Fourth of July, the day the United States celebrates its Declaration of Independence from the British Empire, has been an unusual one as well. Instead of fireworks, (at least some) people's attention has been turned to missiles – more specifically, a carefully timed North Korean intercontinental ballistic missile test indicating that Kim Jong-un could theoretically gain (or could already have?) the capacity to strike North America with nuclear weapons. Then there were right-wing trolls & history-deficient Twitter users berating National Public Radio for tweeting the Declaration of Independence, 140 characters at a time. Besides, a few days ago the current U.S. president retweeted a video of himself body-slamming and choking a representation of CNN – courtesy of a gif originally created by a far-right Internet...

Turner Classic Movies has released three Alan Ladd titles in a set titled "Alan Ladd: The 1940s Collection". Here is the official press release:

Handsome leading man Alan Ladd found success in the 1940s and ‘50s, first as the tough guy in several films noir co-starring Veronica Lake and then as the stoic hero in Westerns such as Shane (1953). Turner Classic Movies and Universal are proud to present this three-film collection that showcases Ladd’s talents in a range of genres from thriller to adventure, as well as the work of such directors as Irving Pichel and Frank Tuttle, and writers the likes of Richard Maibaum and Seton I. Miller. Lucky Jordan (1942) Directed by Frank Tuttle (who also directed Ladd’s breakthrough film This Gun for Hire the same year), Lucky Jordan stars Ladd as a racketeer who gets drafted into the Us Army and will do anything to...

By Patrick Shanley

Managing Editor

With Mad Max: Fury Road in a great position to earn the most Oscar nomination of any film this year when the Academy announces its nominations this Thursday, director George Miller and crew look to join the long legacy of Aussies at the Oscars.

In addition to Miller, the film’s producer Doug Mitchell, co-writer Nico Lathouris, and cinematographer John Clement Seale all hail from the land down under and have high Oscar hopes when nominations are announced this Thursday as the film has been a massive success with critics and audiences alike and earned two Golden Globe nominations for best picture and best director.

Miller and company would hardly be the first Aussies to be noticed by the Academy. Massive stars such as Russell Crowe, Nicole Kidman, and Cate Blanchett all call Australia home and have taken home Oscars, and Blanchett seems likely to...

Dalton Trumbo and Nathanael West contributed to the screenplay for John Farrow's suspense adventure about a plane crash in the Amazon jungle -- who will survive? Lucille Ball is the ranking castaway in a glossy Rko thriller that's been restored to a fine polish. Five Came Back DVD-r The Warner Archive Collection 1939 / B&W / 1:37 flat Academy / 75 min. / Street Date June 30, 2015 / available through the WBshop / 21.99 Starring Chester Morris, Lucille Ball, Wendy Barrie, John Carradine, Allen Jenkins, Joseph Calleia, C. Aubrey Smith, Kent Taylor, Patric Knowles, Elisabeth Risdon, Casey Johnson, Frank Faylen. Cinematography Nicholas Musuraca Original Music Roy Webb Written by Jerome Cady, Dalton Trumbo, Nathanael West story by Richard Carroll Produced by Robert Sisk Directed by John Farrow

Reviewed by Glenn Erickson

When they list the 'big' pictures of 1939, the ones that we're told made that year Hollywood's best ever, there are some winning titles that don't get mentioned.

Child actor Dickie Moore: 'Our Gang' member. Former child actor Dickie Moore dead at 89: Film career ranged from 'Our Gang' shorts to features opposite Marlene Dietrich and Gary Cooper 1930s child actor Dickie Moore, whose 100+ movie career ranged from Our Gang shorts to playing opposite the likes of Marlene Dietrich, Barbara Stanwyck, and Gary Cooper, died in Connecticut on Sept. 7, '15 – five days before his 90th birthday. So far, news reports haven't specified the cause of death. According to a 2013 Boston Phoenix article about Moore's wife, MGM musical star Jane Powell, he had been “suffering from arthritis and bouts of dementia.” Dickie Moore movies At the behest of a persistent family friend, combined with the fact that his father was out of a job, Dickie Moore (born on Sept. 12, 1925, in Los Angeles) made his film debut as an infant in Alan Crosland's 1927 costume drama The Beloved Rogue,...