The Price of Nonna’s Inheritance reunites the unorthodox but united Delle Fave clan. Directed by Giovanni Bognetti, this comedy sequel centers on grandmother Giuliana’s engagement to her dubious ex, Nunzio.
Worried for her mother’s safety and inheritance, Anna calls on her husband Carlo and their adult children, Alessandra and Emilio, to intervene. Christian De Sica and Angela Finocchiaro reprise their roles as the long-married but mismatched parents, joined this time by Dharma Mangia Woods, Claudio Colica, and Fioretta Mari.
While this dysfunctional Italian family’s tactics leave much to be desired, their devotion to one another remains the true heart of the film. Over the course of their ill-advised scheme, bonds are strengthened through shared laughter and frustration. Whether thwarting wedding plans or each other, the Delle Faves prove that what really matters is having one another’s backs through every comedic calamity.
The Delle Fave Dysfunctions...
Worried for her mother’s safety and inheritance, Anna calls on her husband Carlo and their adult children, Alessandra and Emilio, to intervene. Christian De Sica and Angela Finocchiaro reprise their roles as the long-married but mismatched parents, joined this time by Dharma Mangia Woods, Claudio Colica, and Fioretta Mari.
While this dysfunctional Italian family’s tactics leave much to be desired, their devotion to one another remains the true heart of the film. Over the course of their ill-advised scheme, bonds are strengthened through shared laughter and frustration. Whether thwarting wedding plans or each other, the Delle Faves prove that what really matters is having one another’s backs through every comedic calamity.
The Delle Fave Dysfunctions...
- 6/26/2024
- by Naser Nahandian
- Gazettely
“The Price of Nonna’s Inheritance” is an Italian movie written and directed by Giovanni Bognetti starring Christian De Sica, Angela Finocchiaro, Dharma Mangia Woods and Claudio Colica.
“The Price of Nonna’s Inheritance” is not a film that taps into impressive cinematography or ground-breaking innovation. It thrives on the strength of a simple yet captivating idea – a clever comedy that resonates with the audience through intelligent dialogues and an unusual twist on traditional family dramas. An Italian movie carved meticulously by Giovanni Bognetti, it features an ensemble cast of performers who bring life to the characters with innate charm and wit.
At its core, “The Price of Nonna’s Inheritance” is reminiscent of the humorous blend of traditional values and macabre elements, similar to the 1944 classic “Arsenic and Old Lace”. Yet, it strikes its own distinctive notes.
The premise of the film is quite intriguing. An elderly matriarch’s boyfriend, Nuncio, is...
“The Price of Nonna’s Inheritance” is not a film that taps into impressive cinematography or ground-breaking innovation. It thrives on the strength of a simple yet captivating idea – a clever comedy that resonates with the audience through intelligent dialogues and an unusual twist on traditional family dramas. An Italian movie carved meticulously by Giovanni Bognetti, it features an ensemble cast of performers who bring life to the characters with innate charm and wit.
At its core, “The Price of Nonna’s Inheritance” is reminiscent of the humorous blend of traditional values and macabre elements, similar to the 1944 classic “Arsenic and Old Lace”. Yet, it strikes its own distinctive notes.
The premise of the film is quite intriguing. An elderly matriarch’s boyfriend, Nuncio, is...
- 6/4/2024
- by Veronica Loop
- Martin Cid Magazine - Movies
This time, an Italian comedy on Netflix that does another take of the great French movie Mes Trés Cheres Enfants. In this new series the couple will fake having inherited a fortune from an old woman in order to get the attention of their rather disengaged children.
This movie has been written and directed by Giovanni Bognetti, who adds a more bitter-sweet tone than the French original, it moves to another culture, environment, and above all, tone turning the comedy into a drama.
You can see it on Netflix.
Storyline
Heartbroken that their children no longer want to spend time with them, two parents fake an inheritance to bring the family together for Christmas.
Where to Watch The Price of Family
Netflix
Cast
Christian De Sica
Angela Finocchiaro
Dharma Mangia Woods
Iaia Forte
Claudio Colica
Fioretta Mari
Francesco Marioni
Alessandro Betti...
This movie has been written and directed by Giovanni Bognetti, who adds a more bitter-sweet tone than the French original, it moves to another culture, environment, and above all, tone turning the comedy into a drama.
You can see it on Netflix.
Storyline
Heartbroken that their children no longer want to spend time with them, two parents fake an inheritance to bring the family together for Christmas.
Where to Watch The Price of Family
Netflix
Cast
Christian De Sica
Angela Finocchiaro
Dharma Mangia Woods
Iaia Forte
Claudio Colica
Fioretta Mari
Francesco Marioni
Alessandro Betti...
- 1/28/2023
- by Veronica Loop
- Martin Cid Magazine - Movies
Sony Pictures International Productions is venturing into local-language movies in Italy with the comedy “Un Natale in Famiglia” (“A Family Christmas”), which is currently shooting in Rome.
Alessandro Usai and Iginio Straffi of Colorado Film, which is owned by Straffi’s Rainbow Group, serve as producers on the film, which is the first of a three-picture deal between Spip and Colorado.
Directed by Italian commercial comedies helmer Giovanni Bognetti (“When Mom is Away”), Sony’s first foray into Italian movies stars Christian De Sica and Angela Finocchiaro, who are both local box office draws.
De Sica, who is the son of late great neorealist director Vittorio De Sica, is among Italy’s most popular stars. He’s had leading roles in some of the country’s highest grossing Christmas movies, such as “Vacanze di Natale” and “Christmas in Love,” both produced by Aurelio De Laurentiis.
De Laurentiis, after churning out...
Alessandro Usai and Iginio Straffi of Colorado Film, which is owned by Straffi’s Rainbow Group, serve as producers on the film, which is the first of a three-picture deal between Spip and Colorado.
Directed by Italian commercial comedies helmer Giovanni Bognetti (“When Mom is Away”), Sony’s first foray into Italian movies stars Christian De Sica and Angela Finocchiaro, who are both local box office draws.
De Sica, who is the son of late great neorealist director Vittorio De Sica, is among Italy’s most popular stars. He’s had leading roles in some of the country’s highest grossing Christmas movies, such as “Vacanze di Natale” and “Christmas in Love,” both produced by Aurelio De Laurentiis.
De Laurentiis, after churning out...
- 7/27/2022
- by Nick Vivarelli
- Variety Film + TV
Title: Latin Lover Director: Cristina Comencini Starring: Virna Lisi, Maria Paredes, Angela Finocchiaro, Valeria Bruni Tedeschi, Candela Peña, Pihla Viitala, Nadeah Miranda, Francesco Scianna, Neri Marcorè, Claudio Gioè, Lluís Homar, Toni Bertorelli, Jordi Mollà. Marcello Mastroianni, Ugo Toganzzi, Vittorio Gassman, Gian Maria Volonté – the Italian screen-womanisers of the golden age of Italian cinema – are all united in the character of Saverio Crispo, interpreted by the actor who has become known to the wide audience for playing in Giuseppe Tornatore’s ‘Baaria’: Francesco Scianna. The story begins with Saverio Crispo who has been dead for ten years and all his women are gathered to celebrate the anniversary of his death [ Read More ]
The post Latin Lover Movie Review appeared first on Shockya.com.
The post Latin Lover Movie Review appeared first on Shockya.com.
- 3/23/2015
- by Chiara Spagnoli Gabardi
- ShockYa
Rai Com boosts slate with Partly Cloudy, Probably Sunny and Latin Lover.
Rai Com is to handle sales on Partly Cloudy, Probably Sunny (Tempo instabile con probabili schiarite), the new film by Marco Pontecorvo.
The comedy stars John Turturro alongside Italian actors Luca Zingaretti, Lillo and Carolina Crescentini. Pontecorvo was recently director of photography on Fading Gigalo, which Turturro wrote, directed and starred.
The film is produced by Panorama Films in collaboration with Rai Cinema and will be distributed in Italy by Good Films.
Pontecorvo, who also wrote the film, described it as “a bittersweet comedy, a sarcastic metaphor for the vices and defects as well as the virtues of Italy today.”
Rai Com has also added Cristina Comencini’s Latin Lover to its slate. Comencini was nominated for a Best Foreign-Language Film Oscar in 2005 with Don’t Tell.
Latin Lover, currently in post-production, stars Italo-French actress Valeria Bruni Tedeschi (“Saint Laurent”), Spanish stars Candela Pena (“All About My Mother...
Rai Com is to handle sales on Partly Cloudy, Probably Sunny (Tempo instabile con probabili schiarite), the new film by Marco Pontecorvo.
The comedy stars John Turturro alongside Italian actors Luca Zingaretti, Lillo and Carolina Crescentini. Pontecorvo was recently director of photography on Fading Gigalo, which Turturro wrote, directed and starred.
The film is produced by Panorama Films in collaboration with Rai Cinema and will be distributed in Italy by Good Films.
Pontecorvo, who also wrote the film, described it as “a bittersweet comedy, a sarcastic metaphor for the vices and defects as well as the virtues of Italy today.”
Rai Com has also added Cristina Comencini’s Latin Lover to its slate. Comencini was nominated for a Best Foreign-Language Film Oscar in 2005 with Don’t Tell.
Latin Lover, currently in post-production, stars Italo-French actress Valeria Bruni Tedeschi (“Saint Laurent”), Spanish stars Candela Pena (“All About My Mother...
- 11/25/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Don't Tell
VENICE -- Cristina Comencini's multilayered drama Don't Tell is a refreshingly insightful look at the lingering impact of child abuse, a subject that has been dealt with in all too many trite and exploitive television shows and feature films.
The well-crafted screenplay by Francesca Marciano, Giulia Calenda and Comencini, based on a novel by the director, explores how a brother and sister deal with their grown-up recollections of being abused by their late father.
The film, which screened In Competition at the Venice International Film Festival, goes beyond the fate of Sabina (Giovanna Mezzogiorgno) and Daniele Luigi Lo Cascio) to include their lovers, friends and children.
Powerfully moving but laced with incisive wit, Don't Tell has terrific performances with a wise tone and polished look that should find appreciative audiences well beyond art houses.
There is a Richard Curtis feel to the intertwining relationships although the subject matter is handled with a depth way beyond the shallow waters of Four Weddings and a Funeral or Notting Hill.
Sabina's nightmares begin after she arranges for her father's cremation and while she wants a baby with her genial actor lover Franco (Alessio Boni), the reality of it spins her into an emotional trauma. Seeking answers, she flies to America to see her older brother Daniele, but she quickly sees in his awkward dealings with his own children that he has been traumatized too.
There are searing scenes that leave Sabina with some answers but no resolution and when she returns to Italy, her pregnancy becomes the nucleus of all her fears. Her friends, Emilia (Stefania Rocca), who is gay and blind, and Maria (Angela Finocchiaro), who is divorced and lonely, lend their support and develop an unlikely liaison themselves.
Franco's director (Giuseppe Battiston) also plays an important role as the characters deal with their own failings and strengths, helping each other to find a kind of love that is understanding and forgiving.
The well-crafted screenplay by Francesca Marciano, Giulia Calenda and Comencini, based on a novel by the director, explores how a brother and sister deal with their grown-up recollections of being abused by their late father.
The film, which screened In Competition at the Venice International Film Festival, goes beyond the fate of Sabina (Giovanna Mezzogiorgno) and Daniele Luigi Lo Cascio) to include their lovers, friends and children.
Powerfully moving but laced with incisive wit, Don't Tell has terrific performances with a wise tone and polished look that should find appreciative audiences well beyond art houses.
There is a Richard Curtis feel to the intertwining relationships although the subject matter is handled with a depth way beyond the shallow waters of Four Weddings and a Funeral or Notting Hill.
Sabina's nightmares begin after she arranges for her father's cremation and while she wants a baby with her genial actor lover Franco (Alessio Boni), the reality of it spins her into an emotional trauma. Seeking answers, she flies to America to see her older brother Daniele, but she quickly sees in his awkward dealings with his own children that he has been traumatized too.
There are searing scenes that leave Sabina with some answers but no resolution and when she returns to Italy, her pregnancy becomes the nucleus of all her fears. Her friends, Emilia (Stefania Rocca), who is gay and blind, and Maria (Angela Finocchiaro), who is divorced and lonely, lend their support and develop an unlikely liaison themselves.
Franco's director (Giuseppe Battiston) also plays an important role as the characters deal with their own failings and strengths, helping each other to find a kind of love that is understanding and forgiving.
- 9/10/2005
- The Hollywood Reporter - Movie News
Don't Tell
VENICE -- Cristina Comencini's multilayered drama "Don't Tell" is a refreshingly insightful look at the lingering impact of child abuse, a subject that has been dealt with in all too many trite and exploitive television shows and feature films.
The well-crafted screenplay by Francesca Marciano, Giulia Calenda and Comencini, based on a novel by the director, explores how a brother and sister deal with their grown-up recollections of being abused by their late father.
The film, which screened In Competition at the Venice International Film Festival, goes beyond the fate of Sabina (Giovanna Mezzogiorgno) and Daniele Luigi Lo Cascio) to include their lovers, friends and children.
Powerfully moving but laced with incisive wit, "Don't Tell" has terrific performances with a wise tone and polished look that should find appreciative audiences well beyond art houses.
There is a Richard Curtis feel to the intertwining relationships although the subject matter is handled with a depth way beyond the shallow waters of "Four Weddings and a Funeral" or "Notting Hill".
Sabina's nightmares begin after she arranges for her father's cremation and while she wants a baby with her genial actor lover Franco (Alessio Boni), the reality of it spins her into an emotional trauma. Seeking answers, she flies to America to see her older brother Daniele, but she quickly sees in his awkward dealings with his own children that he has been traumatized too.
There are searing scenes that leave Sabina with some answers but no resolution and when she returns to Italy, her pregnancy becomes the nucleus of all her fears. Her friends, Emilia (Stefania Rocca), who is gay and blind, and Maria (Angela Finocchiaro), who is divorced and lonely, lend their support and develop an unlikely liaison themselves.
Franco's director (Giuseppe Battiston) also plays an important role as the characters deal with their own failings and strengths, helping each other a kind of love that is understanding and forgiving.
The well-crafted screenplay by Francesca Marciano, Giulia Calenda and Comencini, based on a novel by the director, explores how a brother and sister deal with their grown-up recollections of being abused by their late father.
The film, which screened In Competition at the Venice International Film Festival, goes beyond the fate of Sabina (Giovanna Mezzogiorgno) and Daniele Luigi Lo Cascio) to include their lovers, friends and children.
Powerfully moving but laced with incisive wit, "Don't Tell" has terrific performances with a wise tone and polished look that should find appreciative audiences well beyond art houses.
There is a Richard Curtis feel to the intertwining relationships although the subject matter is handled with a depth way beyond the shallow waters of "Four Weddings and a Funeral" or "Notting Hill".
Sabina's nightmares begin after she arranges for her father's cremation and while she wants a baby with her genial actor lover Franco (Alessio Boni), the reality of it spins her into an emotional trauma. Seeking answers, she flies to America to see her older brother Daniele, but she quickly sees in his awkward dealings with his own children that he has been traumatized too.
There are searing scenes that leave Sabina with some answers but no resolution and when she returns to Italy, her pregnancy becomes the nucleus of all her fears. Her friends, Emilia (Stefania Rocca), who is gay and blind, and Maria (Angela Finocchiaro), who is divorced and lonely, lend their support and develop an unlikely liaison themselves.
Franco's director (Giuseppe Battiston) also plays an important role as the characters deal with their own failings and strengths, helping each other a kind of love that is understanding and forgiving.
- 9/9/2005
- The Hollywood Reporter - Movie News
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