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Robert Gist

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Robert Gist

The Naked and the Dead
One of the splashier WW2 combat sagas adapts Norman Mailer’s respected book but ends up a bona fide mess. Aldo Ray, Cliff Robertson and Raymond Massey flail about in a compromised screen story, augmented with side-dish appearances by sultry Barbara Nichols and — even though she’s allowed to contribute almost nothing — famous ecdysiast Lili St. Cyr. Let the search for outtakes begin.

The Naked and the Dead

Blu-ray

Warner Archive Collection

1958 / Color / 2:35 widescreen / 131 min. / Street Date August 28, 2018 / available through the WBshop / 21.99

Starring: Aldo Ray, Cliff Robertson, Raymond Massey, Lili St. Cyr, Barbara Nichols, William Campbell, Richard Jaeckel, James Best, Joey Bishop, Jerry Paris, Robert Gist, L.Q. Jones, Max Showalter, John Beradino, Saundra Edwards, Lydia Goya, Val Hidey, Taffy O’Neil, Liz Renay, Grace Lee Whitney.

Cinematography: Joseph Lashelle

Film Editor: Arthur P. Schmidt

Original Music: Bernard Herrmann

Written by Denis Sanders & Terry Sanders from the novel by Norman...
See full article at Trailers from Hell
  • 9/1/2018
  • by Glenn Erickson
  • Trailers from Hell
Two Must-See Disasters as Parker Series Continues (She Turns 91 in Two Days)
Eleanor Parker 2013 movie series continues today (photo: Eleanor Parker in Detective Story) Palm Springs resident Eleanor Parker is Turner Classic Movies’ Star of the Month of June 2013. Thus, eight more Eleanor Parker movies will be shown this evening on TCM. Parker turns 91 on Wednesday, June 26. (See also: “Eleanor Parker Today.”) Eleanor Parker received her second Best Actress Academy Award nomination for William Wyler’s crime drama Detective Story (1951). The movie itself feels dated, partly because of several melodramatic plot developments, and partly because of Kirk Douglas’ excessive theatricality as the detective whose story is told. Parker, however, is excellent as Douglas’ wife, though her role is subordinate to his. Just about as good is Best Supporting Actress Oscar nominee Lee Grant, whose career would be derailed by the anti-Red hysteria of the ’50s. Grant would make her comeback in the ’70s, eventually winning a Best Supporting Actress Oscar for her...
See full article at Alt Film Guide
  • 6/25/2013
  • by Andre Soares
  • Alt Film Guide
Endora-ble! Six Reasons We Love Agnes Moorehead
Halloween is here, witches! On Monday we examined The 13 Bewitching Qualities of Elizabeth Montgomery and today we're taking a look at the top six reasons we love her Bewitched co-star, Agnes Moorehead.

6. Orson Welles was her boo.

He's widely thought of as the greatest moviemaker of all time and he believed Agnes was the best actress in America. They worked together on the radio first with Agnes becoming an early member of Welles's Mercury Theatre. Her break into film was as Charles Foster Kane's mother in Citizen Kane and under his direction Agnes was nominated for an Academy Award for her work in his damaged masterpiece The Magnificent Ambersons.

5. She could paralyze you with her voice.

With a face like hers she was perfect for the radio. Agnes was a staple of the airwaves for decades, including a stint as Margo Lane on The Shadow (with friend Orson as the...
See full article at The Backlot
  • 10/31/2012
  • by fakename
  • The Backlot
Sporadic movie appearances in later years: Janet Leigh
Janet Leigh biography final. Check out previous articles: Touch Of Evil / Orson Welles / The Manchurian Candidate and Psycho / marriaget to Tony Curtis. Leigh's movie career slowed down in the mid-60s. Among her sporadic movies from 1966 on were: Jack Smight’s Harper (1966), with Paul Newman, Lauren Bacall, and others; Jerry Lewis Three on a Couch; Robert Gist's An American Dream, with Stuart Whitman and Eleanor Parker; Jack Arnold's Hello Down There with Tony Randall; Giuliano Montaldo's Grand Slam, with Robert Hoffman, Mel Stuart's One Is a Lonely Number / Two Is a Happy Number, with Trish Van Devere, Monte Markham, and Melvyn Douglas; William F. Claxton’s Night of the Lepus (1972), with Whitman and Rory Calhoun; Stephen Verona’s Boardwalk, with Ruth Gordon and Lee Strasberg; and John Carpenter’s The Fog (1980), with Jamie Lee Curtis, Adrienne Barbeau, and Hal Holbrook. On TV, Leigh was featured in,...
See full article at Alt Film Guide
  • 7/6/2012
  • by Andre Soares
  • Alt Film Guide
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