Craig (from Dark Eye Socket) here with Take Three. This week actress and director Ida Lupino
Ida Lupino a "sensation" circa 1941
Take One: The Bigamist (1953)
The Bigamist probes unseemly marital behaviour and stews on moral sorrows. At its centre is Edmond O’Brien toing and froing between two wives. But behind the camera as director, and in a supporting role as O’Brien’s second, San Francisco wife Phyllis Martin, is Ida Lupino. Her unfussy direction creates lean drama and her performance beautifully matches it, with nary an unnecessary furtive glance or superfluous line spoken. She’s a woman bored on a bus tour of Hollywood stars’ homes, chatted up by O’Brien’s depressed bigamist Harry Graham.
Edmond as Harry: Haven’t you any interest in how the other half lives?
Ida as Phyllis: No, not particularly. I’m just crazy about bus rides – gives me a chance to get off my feet.
Ida Lupino a "sensation" circa 1941
Take One: The Bigamist (1953)
The Bigamist probes unseemly marital behaviour and stews on moral sorrows. At its centre is Edmond O’Brien toing and froing between two wives. But behind the camera as director, and in a supporting role as O’Brien’s second, San Francisco wife Phyllis Martin, is Ida Lupino. Her unfussy direction creates lean drama and her performance beautifully matches it, with nary an unnecessary furtive glance or superfluous line spoken. She’s a woman bored on a bus tour of Hollywood stars’ homes, chatted up by O’Brien’s depressed bigamist Harry Graham.
Edmond as Harry: Haven’t you any interest in how the other half lives?
Ida as Phyllis: No, not particularly. I’m just crazy about bus rides – gives me a chance to get off my feet.
- 6/5/2012
- by Craig Bloomfield
- FilmExperience
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