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The Oscars will continue their long-running tradition of honoring celebrated filmmakers with their "In Memoriam" segment on Sunday. ABC will broadcast the event hosted by Conan O'Brien with Hulu streaming the ceremony live at 7 p.m. Et; 4 p.m. Pt.

Among the Oscar winners and nominees who will have their lives celebrated are Teri Garr, Louis Gossett Jr., James Earl Jones, Jon Landau, David Lynch, Joan Plowright, Gena Rowlands, Albert S. Ruddy, David Seidler, Richard M. Sherman, Maggie Smith, Robert Towne, and honorary recipients Roger Corman, Quincy Jones, and Donald Sutherland.

There are more than 100 movie professionals who died since the last Academy Awards ceremony. Each person who was an Academy member is designated below with **. Keep in mind that producers usually choose between 40 and 50 for the segment and that a performer has not yet been confirmed.

Edited to add two-time Oscar winner Gene Hackman.

Jim Abrahams — Director/Writer

Anouk Aimée...

Emma Thompson holds a distinct Oscars record. She is the only person in the history of the Academy Awards to win for both acting and writing. She took home the Best Actress trophy in 1993 for “Howard’s End.” Three years later, she collected an Oscar bookend with her Best Adapted Screenplay win for bringing Jane Austen‘s 1811 novel “Sense and Sensibility” to the screen.

Prior to Thompson’s double wins, several others contended for both acting and writing. Orson Welles won Best Original Screenplay in 1942 with Herman J. Mankiewicz for “Citizen Kane.” He also picked up a Best Actor nomination for the same film. Warren Beatty has a rich history in both acting and writing awards. He was nominated for Best Actor in 1968 for “Bonnie & Clyde,” in 1979 for “Heaven Can Wait, in 1982 for “Reds,” and in 1992″ for “Bugsy.” He picked up Original Screenplay bids in 1976 for “Shampoo” (shared with...

Warren Beatty’s show is a beautiful, one of a kind epic. Never mind that it is sharply critical of John Reed, an American who was buried in the Kremlin — Hollywood never approached the title subject directly: (whisper) Commies. Beatty’s production idiosyncrasies raised eyebrows but his picture is quite an achievement in filmic storytelling, cleverly accessing a political scene sixty years gone through testimony by notables that lived it. Beatty and Diane Keaton provide the romantic fireworks that make the film commercially viable, amid all the revolutionary fervor and political chaos.

Reds 40th Anniversary

Blu-ray + Digital

Paramount Home Video

1981 / Color / 1:85 widescreen / 195 min. / 40th Anniversary Edition / Street Date November 30, 2021 / 17.99

Starring: Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosiński, Jack Nicholson, Paul Sorvino, Maureen Stapleton, M. Emmet Walsh, Ian Wolfe, George Plimpton, Dolph Sweet, Ramon Bieri, Gene Hackman, Gerald Hiken, William Daniels, Oleg Kerensky, Shane Rimmer, Jerry Hardin, Jack Kehoe,...

Spolight on the new projects from Rai Com, Latido, TrustNordisk and more.

Italy

Comedians, the new film by Gabriele Salvatores, headlines Rai Com’s market slate. The completed film is based on the play of the same name by Trevor Griffiths and is produced by Indiana with Rai Cinema. It features a cast of aspiring comedians preparing for their big night.

Intramovies is kickstarting sales on the Dutch drama Love In A Bottle, produced by Levitate Film and directed by Paula van der Oest, whose credits include Zus & Zo. It is a lockdown love story that unfolds over FaceTime. The...

Italian actor Toni Servillo (“The Great Beauty”) is set to star in “Il ritorno di Casanova,” a drama about what happens to a great lover when he gets older, to be directed by Oscar-winner Gabriele Salvatores (“Mediterraneo”).

Loosely based on Austrian author Arthur Schnitzler‘s novella “Casanova’s Homecoming,” in which the Venetian libertine is having trouble contending with the fact that he’s over 60, “Ritorno di Casanova,” which translates as “Casanova’s Return,” is co-written by Salvatores with “The Great Beauty” screenwriter Umberto Contarello and Sara Mosetti.

Taking his cue from Schnitzler’s use of parallel narratives — Schnitzler’s novella “Dream Story” was the basis for Stanley Kubrick’s non-linear “Eyes Wide Shut” — Salvatores is weaving his new take on the Casanova myth using that technique.

One story strand sees the ageing Casanova hosted by a friend in the Venetian countryside “where one of the guests is a proto-feminist named Marcolina,...

Fresh off the festival circuit, a trailer for Cameron Macgowan's high-octane Red Letter Day has arrived. Also in today's Horror Highlights: details on special screenings for Devil's Junction: Handy Dandy's Revenge and release details for the web series, The Antimity Tapes.

Red Letter Day Trailer: "While adjusting to a new life in a quiet suburban community, a recently divorced mother (Dawn Van de Schoot), and her two teens receive mysterious red letters instructing them each to kill or be killed. As the bloodshed begins, they find themselves in a race against time to protect the ones they love from the people they thought they knew.

Red Letter Day recently screened at the L.A.horror hot-spot Screamfest and world premiered at the celebrated Cinequest Film Festival. It's screened internationally at FrightFest London, Brussels International Fantastic Film Festival, and both Sydney Underground and Calgary Underground Film Festivals.

The film is...

By Patrick Shanley

Managing Editor

With a number of big Golden Globe wins last night, including best director and best dramatic picture for The Revenant, director Alejandro G. Inarritu finds himself once more in the thick of the Oscar hunt. The Mexican-born filmmaker won big last year with three Oscars for his avant garde drama Birdman, which scored him the best original screenplay, best director, and best picture awards.

This year, with the western revenge thriller The Revenant, Inarritu has once more directed a film that he wrote himself, this time adapting the screenplay from the novel by Michael Punke with co-writer Mark L. Smith.

Inarritu is not the only writer/director with films in the race this year, however, as a number of other contenders boast a director who also penned the film’s script. The original screenplay hopefuls include Spotlight (directed and written by Tom McCarthy with co-writer...

The 1980s were a quiet period for British auteur Ken Loach, at least as far as film features were concerned. Though he directed six documentaries during the decade (nearly all of them for television), he’d only complete three narratives, none of which were as celebrated as his early works or the prolific period which would follow through the 1990s and 2000s. As the insert essay on this re-release from Julie Kirgo points out, this was a direct result of Thatcher’s government shutting down avenues for Loach to maintain funding for his features. Of the items he managed to get off the ground, his first and only foray (to date) into European filmmaking is 1986’s Fatherland (aka Singing the Blues in Red), a film about an East German musician defecting to the West to escape the political repression of his music. Written by Trevor Griffiths (best known for writing Warren Beatty’s Reds,...

Olivier Assayas looks back at the days following the events of May 1968 – and at his own youth – with a delicate wit

Link to video: Something in the Air: watch trailer here

The son of a movie director and now in his 50s, Olivier Assayas has built up an interestingly varied body of work as a critic for Cahiers du cinéma, authored several books including a monograph on Ingmar Bergman, and directed over the past 20 years a succession of modest, intelligent films. Most are concerned with moral problems and social responsibility in a middle-class setting like his Les Destinées sentimentales about a rebellious young man reluctantly taking over the family's prestigious porcelain factory in the 1920s, and Summer Hours, the tale of siblings and their elderly mother gathering to settle the estate of a recently deceased painter. Slightly different are Irma Vep, a cinéaste's celebration of Hong Kong movies and...

Irish stage and screen character actor who appeared in Barbarella, The Verdict and the BBC's 1969 sitcom Me Mammy

For a performer of such fame and versatility, the distinguished Irish character actor Milo O'Shea, who has died aged 86, is not associated with any role in particular, or indeed any clutch of them. He was chiefly associated with his own expressive dark eyes, bushy eyebrows, outstanding mimetic talents and distinctive Dublin brogue.

His impish presence irradiated countless fine movies – including Joseph Strick's Ulysses (1967), Roger Vadim's Barbarella (1968) and Sidney Lumet's The Verdict (1982) – and many top-drawer American television series, from Cheers, The Golden Girls and Frasier, right through to The West Wing (2003-04), in which he played the chief justice Roy Ashland.

He had settled in New York in 1976 with his second wife, Kitty Sullivan, in order to be equidistant from his own main bases of operation, Hollywood and London. The...

Whistling Woods International (Wwi) and Bradford College have signed a Memorandum of Understanding (MoU) to set up a film school in the latter’s UK campus. The school will be called the Whistling Woods International Bradford College Film School and will provide undergraduate courses in film making and animation.

The school will commence in April 2013 with two three-year programs- Bachelor’s Degree in Film and Bachelor’s Degree in Animation. The students in these courses may also spend one or two semesters at the Whistling Woods Mumbai campus to be exposed to the Indian film industry.

The MoU was signed between Trevor Griffiths, Associate Director Innovation & Projects – Bradford College and Meghna Ghai Puri, President, Wwi in the presence of Subhash Ghai, Founder & Chairman, Wwi.

Whistling Woods International and Bradford College have had a four year affiliation. They jointly proposed a successful bid to the UK-India Education Research Initiative for support a student film co-production.

Two time Tony winner Mark Rylance had added his name to an open letter calling for the withdrawal of an invitation to an Israeli theater company to participate in a London stage festival.The actor and several other British theater personalities including playwright Trevor Griffiths, director Jonathan Miller, and actors Emma Thompson and Harriet Walter, have called for Shakespeare's Globe to retract an invitation to Israel's Habima company to perform "The Merchant of Venice" in Hebrew as part of the company's Globe to Globe Festival in May.The open letter claims Habima has "a shameful record of involvement with illegal Israeli settlements in occupied Palestinian territory." Rylance stated he signed the letter "in support of those artists within Israel who are resisting the requests to play in the illegal settlements...Acting in the illegal settlements seems to me to be an act of provocation and disrespect. Surely peace will only be borne when.

Olivier wasn't just a great actor – he was a quintessentially modern performer, who cast a powerful spell over audiences

It's a shock to realise that few people under the age of 60 will ever have seen Laurence Olivier on stage. It came as an even greater shock to be told recently that many young actors have either scarcely heard of him, or routinely dismiss him as an "old ham". Nothing could be further from the truth. I first came under Olivier's spell when, as a 15-year-old schoolboy, I saw him play Malvolio, Macbeth and Titus Andronicus in a single Stratford season. He was not only a great actor. He was also, allowing for changes of style and taste, a quintessentially modern actor.

How to explain his power? I would seize first of all on the voice. What was initially a light tenor became, through training and application, a uniquely flexible instrument...

Chris Petit on an exploration of Warren Beatty's reputation

Warren Beatty famously never made up his mind, but his indecision was the source of his power. By revealing so little of his hand, it fell to others to interpret his wishes and act on them. Peter Biskind shows by default how life in Hollywood operates like a Renaissance principality, and the key to understanding it is not Sun Tzu, whom movie agents are fond of quoting, but Machiavelli's The Prince.

This latest biography is predictable in its treatment of Beatty, being neither authorised nor unauthorised and written in the hope of acquiring its subject's blessing. In a typical move, the star has issued a statement dumping on the book. For his part, Biskind demonstrates all the standard phases of dealing with Beatty – infatuation, adulation and manipulation leading to resentment as it dawns that the confidences on offer are as...

'What really buys you freedom is being successful. So long as you deliver, they leave you alone'

For someone best known for Shooting the Past, a television drama apparently so slow and un-televisual that BBC executives begged him to speed it up, Stephen Poliakoff is a very fast talker. Sentences tumble into one another, thoughts jerkily digress, regroup and change their angle of attack. Ideas flit in and out of focus as all the while a plastic drinking straw is furiously twiddled between his fingers. Outlining details of his latest venture, Glorious 39, his first feature film for 12 years, Poliakoff makes glancing references to George W Bush, Bulldog Drummond, the history of the wire tap and Norfolk's evergreen oaks in expressing his fascination and horror at the aristocratic and establishment appeasers who, in the run-up to the second world war, mounted a desperate last effort to do a deal with...

Shakespeare's Globe is delighted to announce its 2009 theatre season, which opens on Shakespeare's birthday, 23 April, and goes under the overall title of Young Hearts. The Shakespeare plays will be Romeo and Juliet, As You Like It, Troilus and Cressida and a revival of Dominic Dromgoole's 2007 production of Love's Labour's Lost, prior to embarking upon a North American tour in the autumn. The 2009 theatre season will also include a range of new work including the Globe's first excursion into full-scale Greek drama in a new version of Euripedes' Helen by Frank McGuinness; A New World, marking the 200th anniversary of the death of Thomas Paine, by Trevor Griffiths and the return of Ch? Walker's explosive, panoramic and funny tale of contemporary London life, The Frontline.