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October’s here and it’s time to get spooked. After last year’s superb “’70s Horror” lineup, the Criterion Channel commemorates October with a couple series: “Universal Horror,” which does what it says on the tin (with special notice to the Spanish-language Dracula), and “Home Invasion,” which runs the gamut from Romero to Oshima with Polanski and Haneke in the mix. Lest we disregard the programming of Cindy Sherman’s one feature, Office Killer, and Jennifer’s Body, whose lifespan has gone from gimmick to forgotten to Criterion Channel. And if you want to stretch ideas of genre just a hair, their “True Crime” selection gets at darker shades of human nature.

It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...

Next month’s lineup at The Criterion Channel has been unveiled, featuring no shortage of excellent offerings. Leading the pack is a massive, 20-film retrospective dedicated to John Huston, featuring a mix of greatest and lesser-appreciated works, including Fat City, The Dead, Wise Blood, The Man Who Would Be King, and Key Largo. (The Treasure of the Sierra Madre will join the series on October 1.)

Also in the lineup is series on the works of Budd Boetticher (specifically his Randolph Scott-starring Ranown westerns), Ephraim Asili, Josephine Baker, Nikos Papatakis, Jean Harlow, Lee Isaac Chung (pre-Minari), Mani Kaul, and Michelle Parkerson.

The sparkling new restoration of La Piscine will also debut, along with Amores perros, Kiyoshi Kurosawa’s To the Ends of the Earth, Cate Shortland’s Lore, both Oxhide films, Moonstruck, and much more.

See the full list of August titles below and more on The Criterion Channel.

Abigail Harm,...

During a three-hour discussion on a recent episode of “The Empire Film Podcast,” Edgar Wright and Quentin Tarantino revealed the existence of their makeshift quarantine movie club over the last 9 months. As Wright explained, “It’s nice. We’ve kept in touch in a sort of way that cinephiles do. It’s been one of the very few blessings of this [pandemic], the chance to disappear down a rabbit hole with the hours indoors that we have.” Tarantino added, “Edgar is more social than I am. It’s a big deal that I’ve been talking to him these past 9 months.”

A bulk of the film club was curated by none other than Martin Scorsese, who sent Wright a recommendation list of nearly 50 British films that Scorsese considers personal favorites. In the five months Wright spent in lockdown before resuming production on “Last Night in Soho” — and before he received the...

It's heart-warming to see, in Bertrand Tavernier's majestic documentary series Voyage à Travers le Cinéma Français, how he pays special attention to the neglected Edmond T. Gréville. I mainly know this cinephile-cineaste from his British pictures, the beautiful, almost Sternbergian espionage melodrama Secret Lives of 1937, the fast-talking crime flick Noose of 1948, and the gloriously ludicrous Beat Girl of 1960, which has to be seen not to be believed. From this disparate, flaky assortment, it was clear something interesting was going on with M. Gréville.Tavernier points us especially towards Menaces... (1940) an ensemble drama in which international residents in a Paris hotel (one of those cramped, vertical affairs: think Hotel du Nord) face the coming of WWII with various forms of bravery, larceny and despair. French glamor icons Mireille Balin (Pépé le moko) and Ginette LeClerc (Le corbeau) are supported by Gréville's English wife Wanda, playing an unconvincing American, and British...

Brigitte Horney is not much remembered today, despite a long, distinguished career (films for Siodmak, Wegener, Fanck, the Nazi Baron Munchausen). Tarantino's name-checking of her during the pub games of Inglourious Basterds is probably her one star moment. Maybe the porn star name doesn't help: if Emil Jannings had been christened Emil Bigballs, he might not enjoy the status he currently has.Horney did not confine her activities to Germany: Secret Lives is a version of the Mata Hari history/legend produced in Britain with a French director, the versatile, some would say hacky, Edmond T. Gréville, whose most famous British creation was the 1960 camp classic Beat Girl (John Barry score; Gillian Hills; Christopher Lee; Oliver Reed; striptease and juvenile delinquency). But his '30s and '40s work, mostly in France, was generally slick and stylish.As a flagrant roman à clef treatment of the career of a celebrated seductress,...

Rossana Podestà dead at 79: ‘Helen of Troy’ actress later featured in sword-and-sandal spectacles, risqué sex comedies (photo: Jacques Sernas and Rossana Podestà in ‘Helen of Troy’) Rossana Podestà, the sensual star of the 1955 epic Helen of Troy and other sword-and-sandal European productions of the ’50s and ’60s — in addition to a handful of risqué sex comedies of the ’70s — died earlier today, December 10, 2013, in Rome according to several Italian news outlets. Podestà was 79. She was born Carla Dora Podestà on August 20, 1934, in, depending on the source, either Zlitan or Tripoli, in Libya, at the time an Italian colony. According to the IMDb, the renamed Rossana Podestà began her film career in 1950, when she was featured in a small role in Dezsö Ákos Hamza’s Strano appuntamento ("Strange Appointment"). However, according to online reports, she was actually discovered by director Léonide Moguy, who cast her in a small role in...