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There was a time when the Western was every bit as popular as the superhero movies of today. Well, perhaps not of today, considering Marvel should arguably allow the Marvel Cinematic Universe to die. But Western films have been integral to the history of cinema since the silent era, becoming a reliably popular genre throughout the first half of the 20th century before diminishing in the latter half. Even then, however, we still got some outstanding efforts as the 20th century drew to a close, and even the last decade has seen some great Westerns released.

Of course, as the genre persisted, it transmogrified. Westerns began by telling simple stories of good vs evil only to morph into the kind of revisionist fare we've seen in more recent decades. These more complex takes on the genre subvert well-established tropes and standards in order to re-evaluate Westerns and the often real-life stories on which they're based.

The popularity of the Western genre has endured for decades, with some of the greatest films in the genre having literary roots. Authors like Lauran Paine and Ron Hansen have successfully captured the gritty landscape and character types of the Western genre in their writing and directors have elevated their work with the use of their film knowledge. The Old West provides an ideal setting for themes of conflict and individualism. Directors like John Ford and the Coen brothers use their skills to actualize such factors in the visual medium.

Oftentimes, it's books that have already attempted to expand the Western genre that inspire innovative directors because of their added components of other genres like comedy and crime. Unlike some of the worst book-to-film adaptations, many of those in the Western genre are faithful to the original text. There are countless examples of Western films inspired by books, but a...

Killers of the Flower Moon is the latest Martin Scorsese film and as expected it’s brilliant. The revisionist western crime drama film is co-written by Eric Roth and it is based on a book of the same name by David Grann. The crime drama film revolves around a series of Oklahoma murders in the Osage Nation during the 1920s after oil was found on tribal land. Killers of the Flower Moon stars Leonardo DiCaprio, Robert De Niro, and Lily Gladstone. So, if you also loved Killers of the Flower Moon here are the 10 best similar movies you could watch next.

The Assassination of Jesse James by the Coward Robert Ford (Rent on Prime Video) Credit – Warner Bros.

Synopsis: The names ricochet through Western lore. Jesse James (Brad Pitt) was the most notorious outlaw of his time, wanted by the law in ten states yet celebrated as a Robin Hood in newspapers and dime novels.

Roger Deakins is as celebrated as cinematographers come. His work on everything from "No Country For Old Men," to "Blade Runner 2049" has elevated him to a status few others in his field attain. The man can seemingly do no wrong — unless you're Quentin Tarantino, who's railed against digital cameras while Deakins has fully embraced them.

But among Deakins' seemingly endless triumphs of cinematography, there's one that remains somewhat of an outlier. 2007's "The Assassination of Jesse James by the Coward Robert Ford'' is regarded by most who've seen it as one of the finest films of the 21st Century. Andrew Dominik's haunting, elegiac take on the Western sought to portray its titular character in a starkly unembellished way, so as to undermine the myth of him being a hero of the Old West. And Deakins' thoughtful and confident cinematography only helped to enhance the film's reflective tone.

Unfortunately,...

The Western has been on life support for decades. One of the most popular and bankable genres in the silent film era, it experienced a decline in the 1930s, only to come back and dominate once again in 1939 with films such as the John Wayne-starring "Stagecoach" and James Stewart-led "Destry Rides Again." It would remain popular for several decades after that, producing more stars of the genre, including Clint Eastwood, before fizzling out once again by the 1970s. Since then we've seen Westerns pop up sporadically here and there, with some, including 1992's "Unforgiven," and 2010's "True Grit," enjoying significant success. Even in the last decade, we've seen some outstanding modern takes on the Western. But on the whole, the genre just isn't what it once was.

In the early 2000s, when Warner Bros. greenlit "The Assassination of Jesse James by the Coward Robert Ford," they were hoping...

Director Andrew Dominik has a new film headed to select theaters, "Blonde," which will walk down the red carpet to Netflix a week from today to become the first Nc-17 streaming film ever released. "Blonde" has earned praise for its central Ana de Armas performance, but it's already proving as divisive as Dominik's last non-documentary film, "Killing Them Softly," starring Brad Pitt.

That movie came out ten years ago, while Dominik's filmography dates back even further to 2000 when he made his directorial debut with the Eric Bana-led "Chopper." There was a seven-year gap separating "Chopper" from Dominik's next effort, but his sophomore film was well worth the wait, and it happens to be commemorating its 15th anniversary today.

"Blonde" deals with celebrity and revisionist history — two narrative forces at work in "The Assassination of Jesse James by the Coward Robert Ford," which remains not only Dominik's best film...

The film “No Country for Old Men” tells the story of Llewelyn Moss, a welder and Vietnam veteran who finds a case of drug money in the aftermath of a bad drug deal.

Anton Chigurh, a relentless and psychopathic killer, attempts to make off with the money from the crime scene. The film follows Moss as he tries to outwit his pursuer while also dealing with the interference of Sheriff Ed Tom Bell, an old lawman who is struggling to come to terms with the changes that have taken place in his town.

“No Country for Old Men” film is written and directed by Joel and Ethan Coen, based on Cormac McCarthy’s 2005 novel. The film was met with critical acclaim and won four Academy Awards, including Best Picture, Best Director, Best Supporting Actor (Bardem), and Best Adapted Screenplay (Joel and Ethan Coen).

If you’re a fan of movies...

Two wives fall in love amid the grinding exhaustion and violence of pioneer life, hoping to build a future for themselves

The World to Come is a tragedy and a love story – and also a puzzle, courtesy of the title. Does it mean the afterlife, the entry into paradise that will be recompense for all the hardship and injustice we’ve suffered here? Or does it mean the future: that progressive yearned-for place in which current bigotries will be abolished, and in fact the place from which we, in the 21st century, are looking back on this tale from the 19th, confident that we are freed from these bygone characters’ constraints, content that we understand what is going on and they may not?

The director is Mona Fastvold – who also wrote and directed The Sleepwalker and wrote the script for The Childhood of a Leader – working from a screenplay by Ron Hansen and Jim Shepard,...

Romantic frontier drama “The World to Come” opens the June installment of International Film Festival Rotterdam 2021 and its director, New York and Oslo based writer-director Mona Fastvold is also set to give one of three Big Talks at the festival this week.

Since the director’s second feature made its debut last September at the Venice International Film Festival, the mid-19th century-set tale of two isolated farmers’ wives in rural upstate New York who fall in love, with the threat of disease never far away, appears to have struck a chord with people.

She says: “I would be having these conversations at festivals – before the second wave of the pandemic hit – and they would tell me about their own love stories, or a person that this film made them think of.

“I think that when we are forced to take a break and we pause and have time to...

You smell like biscuits. Of all the details comprising Tallie and Abigail’s first kiss in Mona Fastvold’s The World to Come, this reaction, which comes from Abigail, may be the most surprising and disarming — moreso, even, than the fact that it’s a kiss between two married women in 19th-century America. It’s a covert but not wholly unexpected gesture between wives whose passions seem only to spring to life while their husbands are away. It’s a surprising line, in part, for containing so much. You smell like biscuits: like comfort,...

After breaking out with her impressive directorial debut, 2014’s The Sleepwalker, Mona Fastvold wrote Childhood of a Leader and Vox Lux with her partner Brady Corbet, and The Mustang with other collaborators. She takes on a different role with her second feature The World to Come, directing an original script by Ron Hansen and Jim Shepard, and making the film completely her own.

In the 1850s-set drama, Fastvold explores the interior lives of two women Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby). Taking place on a farm in Upstate New York, Abigail has lost her only child to diphtheria. She tends to the needs of her husband Dyer (Casey Affleck), but Abigail heals in Tallie’s arms to the disgust of her controlling husband Finney (Christopher Abbott). The film is beautifully structured by a diary kept by Abigail over the course of the four seasons,...

“With little pride and less hope, we begin the new year.” So starts Mona Fastvold’s mournful frontier romance “The World to Come,” on January 1st of 1856. (The film’s Sundance screening follows a premiere at last summer’s Venice Film Festival and precedes an imminent theatrical release.)

The words are written in the diary of young wife Abigail (Katherine Waterston), who reads them as an ongoing narration of her inner thoughts and torments. She and her husband, Dyer (co-producer Casey Affleck), have recently lost their little girl to diphtheria, and the space between them is miles wide. He has channeled all his emotions into their struggling farm, a hardscrabble plot in frigid upstate New York. She is pouring hers into the diary, when she’s not cooking, cleaning, milking cows and taking care of Dyer.

Into this austere existence blows Tallie (Vanessa Kirby), an outgoing new neighbor who is...

Casey Affleck is grieving on the big screen again, with supporting roles in two new dramas: “Our Friend” and “The World to Come.” The former features the actor as real-life journalist Matthew Teague, whose article about his wife’s unsuccessful struggle with cancer serves as the film’s source material. Affleck explains about Teague in his exclusive interview with Gold Derby (watch the video above), “He cares a lot about sharing — about being seen. He wrote the article because he wanted that experience to be seen. He wanted the movie to find a wider audience than the article and be seen.”

In the 1856-set “The World to Come,” Affleck plays a farmer named Dyer, who is in mourning over his daughter. That period piece hails from Affleck’s production company. He explains, “We were thinking, that instead of trying to think about what are people seeing/what typically do people like to see,...

“My plan was to die before the money ran out” has become the anthem and tagline of the Sony Pictures Classics’ French Exit starring Michelle Pfeiffer as a 60-year-old penniless Manhattan socialite – a role that has been earning her plenty of awards season buzz.

Opening in theaters today before expanding nationwide April 2, French Exit is directed by Azazel Jacobs and written by Patrick deWitt, who wrote the bestselling novel on which the movie is based. In it, Pfeiffer plays Frances Price whose life hasn’t gone exactly as planned after her dead husband’s (Tracy Letts) inheritance is gone. She cashes in the last of her possessions and decides to live out her twilight days anonymously in a borrowed apartment in Paris with her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank — who may or may not embody the spirit of her husband.

French Exit made its...

Pitch Rider to Perdition: Fastvold Fans Flames of Forbidden Desire in Masterful Period Drama

Few and far between are cinematic narratives which attempt to, much less accomplish, desire melded with interiority from a woman’s perspective. Director Mona Fastvold delivers an exceptional anomaly with her sophomore film The World to Come, a period piece which blazes with fierce intelligence and intention as much as it waxes poetically before dangling precariously into despair.

Penned by novelists Jim Shepard and Ron Hansen, it’s a film which channels the energies of D.H.…...

The World to Come Trailer — Mona Fastvold‘s The World to Come (2020) movie trailer has been released by Bleecker Street and stars Katherine Waterston, Vanessa Kirby, Christopher Abbott, Casey Affleck, Andreea Vasile, Sandra Personnic-House, Ioachim Ciobanu, Karina Ziana Gherasim, and James Longshore. Crew Jim Shepard and Ron Hansen wrote the [...]

Continue reading: The World To Come (2020) Movie Trailer: Katherine Waterston & Vanessa Kirby form a Dangerous Relationship in the 19th Century...

A good period drama, with terrific acting, is a longtime staple of cinema. Last year, on the festival circuit, one such movie made the rounds in The World to Come. Featuring top notch work from Christopher Abbott, Casey Affleck, and especially Vanessa Kirby and Katherine Waterston, this romantic drama has a lot to offer. In advance of its release next month, in the middle of February, Bleecker Street has released a Trailer. Watching it, it’s clear to see how good Abbott, Affleck, Kirby, and Waterston are here. You can see the Trailer at the bottom of this post, as per the usual… The film is a period romantic drama, as you might expect. Here’s the official synopsis: “In this powerful 19th century romance set in the American Northeast, Abigail (Katherine Waterston), a farmer’s wife, and her new neighbor Tallie (Vanessa Kirby) find themselves irrevocably drawn to each other.

Katherine Waterston and Vanessa Kirby are lovers on the American frontier in Mona Fastvold’s ravishing period romance “The World to Come,” which finally comes to U.S. audiences after an acclaimed bow at last year’s Venice Film Festival. The lesbian love story, co-starring Casey Affleck and Christopher Abbott, makes its stateside premiere virtually at the Sundance Film Festival before opening from Bleecker Street Films in available theaters on February 12 and on digital March 2. Watch the trailer below.

Set during the 19th-century somewhere along the east coast of the United States, “The World to Come” follows the acting foursome as they battle the elements and isolation. Waterston, who also provides a literary voiceover in the form of epistolary diary entries, plays Abigail, grieving from a recent loss while eking out a pastoral life with her husband, Dyer (Affleck). She’s thrown for an emotional tailspin when she meets Tallie...

Bleecker Street has acquired the North American rights to “The World to Come,” a period drama and romance starring Katherine Waterston and Vanessa Kirby that made its premiere at the Venice Film Festival.

“The World to Come” is directed by Mona Fastvold and won the Queer Lion Award at the festival and the Fanheart3 Award. Bleecker Street has yet to set release plans.

“The World to Come” is set in the mid-19th century along the frontier of America’s Eastern shorlines and follows Waterston and Kirby as two farm wives who form an intense love affair apart from their husbands, even as they battle hardship, isolation from the outside world and are challenged both mentally and physically.

Casey Affleck and Christopher Abbott co-star in the film. Ron Hansen and Jim Shepard wrote the screenplay. Affleck is also a producer on the film along with Whitaker Lader, Pamela Koffler, David Hinojosa,...

Bleecker Street has bought U.S. rights to Mona Fastvold’s “The World to Come,” a period romance with Katherine Waterston and Vanessa Kirby, rolling off its critically acclaimed premiere in competition at the 77th Venice Film Festival.

Repped in the U.S. by UTA Independent Film Group, Endeavor Content and ICM Partners, the Venice breakout was being circled by four bidders beginning the night of its premiere on Sept. 6.

Based on the stellar reviews and strong buzz that “The World to Come” garnered in Venice, it will likely be a serious Oscar contender if Bleecker Street is able to release it on time. There is no release date planned yet.

Kirby, whose performance has been unanimously praised, was on double duty at Venice where she starred in another competition film, Kornél Mundruczó’s “Pieces of a Woman.”

“The World to Come” marks the sophomore outing of actress-turned-filmmaker Mona Fastvold,...

In the fall festival derby, everyone was expecting the Kate Winslet-Saoirse Ronan romance “Ammonite” to follow up “Portrait of a Lady on Fire” as the next must-see Sapphic bodice-ripper. (It plays Toronto later this week.) But the lesbian love story to break out first in Venice is actress-writer-director Mona Fastvold’s second movie, “The World to Come,” a grim yet achingly beautiful 1850s pioneer drama about two isolated farm wives (Katherine Waterston and Vanessa Kirby) who escape from their domestic drudgery with each other.

After struggling to move forward with several projects as her follow-up feature to 2014’s “The Sleepwalker,” Norway-born Fastvold fell in love with someone else’s story instead. She usually writes movies for herself and her creative and life partner Brady Corbet as well as other filmmakers (“The Mustang” and Antonio Campos’ “Homemade” episode).

As Fastvold worried about how to make the story her own,...

In the fall festival derby, everyone was expecting the Kate Winslet-Saoirse Ronan romance “Ammonite” to follow up “Portrait of a Lady on Fire” as the next must-see Sapphic bodice-ripper. (It plays Toronto later this week.) But the lesbian love story to break out first in Venice is actress-writer-director Mona Fastvold’s second movie, “The World to Come,” a grim yet achingly beautiful 1850s pioneer drama about two isolated farm wives (Katherine Waterston and Vanessa Kirby) who escape from their domestic drudgery with each other.

After struggling to move forward with several projects as her follow-up feature to 2014’s “The Sleepwalker,” Norway-born Fastvold fell in love with someone else’s story instead. She usually writes movies for herself and her creative and life partner Brady Corbet as well as other filmmakers (“The Mustang” and Antonio Campos’ “Homemade” episode).

As Fastvold worried about how to make the story her own,...

In The World to Come, an unlikely romance blossoms against the rugged rural backdrop of the American Northeast. The action plays out during the year 1856 somewhere in the region of Syracuse, a few years shy of the American Civil War. The setting could hardly be more isolated; the living much further from easy. On January 1st, our lonesome protagonist welcomes the changing of the calendar with the bleakest of resolutions: “With little pride and less hope, we begin the new year.”

Directed by Mona Fastvold, a Norwegian filmmaker now based in Brooklyn, the film marks her follow-up to The Sleepwalker, which followed another isolated couple whose marriage was set to crumble––albeit in the present day and with much more dancing. After co-writing The Childhood of a Leader and Vox Lux with partner Brady Corbet, it is with great anticipation that Fastvold returns to the director’s seat. It’s...

As coldly drawn as an atlas yet no less capable of enflaming the imagination, Mona Fastvold’s “The World to Come” is — what its hyper-literate heroine would call “astonishment and joy” — as a merciless 19th-century winter blushes into a most unexpected spring.

Tuesday, January 1, 1856. Abigail (Katherine Waterston) mourns the daughter who was taken by diphtheria a few months prior, and journals about a world that feels barren in the young girl’s absence. “This morning, ice in our bedroom for the first time all winter,” she reads aloud in voiceover, offering the first excerpt from an interior monologue so pronounced that Fastvold’s romance often feels like an epistolary film written by a woman to herself. “The water froze on the potatoes as soon as they were washed. With little pride, and less hope, we begin the new year.”

And what a new year it will be for the ever-studious Abigail,...

A shy, introverted farmer’s wife in Schoharie County, New York, Abigail has stopped going to church since the death of her young daughter Nellie. “I no longer derive comfort from the thought of a better world to come,” she says, in one of the many narrated diary entries that give Mona Fastvold’s period drama its literate, contemplative voice.

The line provides “The World to Come” with its title, which reverberates and expands in meaning as the film’s simple, year-spanning story unfolds: At first Abigail may be speaking of the afterlife, though as an exhilarating new love is denied her by the ruling patriarchy, it seems she’s looking to a liberated world far ahead of her modest existence in 1856. For Abigail finds her soulmate in another woman, fellow unhappy farm wife Tallie, and the intensely moving romance that ensues finds release in the imaginative freedom of their desires,...

New York and Oslo-based writer/director Mona Fastvold made her directorial debut with “The Sleepwalker,” which unlocked secrets between two sisters and made a splash in 2014 at Sundance. Her ambitious followup “The World to Come” stars Katherine Waterston and Vanessa Kirby as two farmers’ wives in 1856 Upstate New York who fall in love but have no template, no reference points as to how to handle their emotions. The period drama distributed by Sony Pictures premieres Sunday in competition at the Venice Film Festival. Fastvold spoke to Variety about the choices she made in bringing “the dream of these two women” to the screen. Excerpts from the conversation.

The film’s screenplay originates from a short story by Jim Shepard. Was that the starting point for you as well?

What inspired Jim to write the short story is he did research on this great snowstorm that happened in 1856 in Upstate New York.

It’s safe to say John Bailey does not miss the trappings of the president’s office at the Academy of Motion Picture Arts and Sciences. Speaking at a retrospective celebrating his five decades of cinematography work at Poland’s EnergaCamerimage festival, where Bailey will be honored with a lifetime achievement award this week, he told an audience in Torun that his Academy presidency was not always rewarding. “I was not particularly enamored of the internal politics.”

Bailey’s two terms atop the institution, which ended this year, coincided with turmoil the 92-year-old Academy faced over the #oscarssowhite and the #metoo movements – including a sexual harassment allegation against Bailey himself for which he was exonerated – and scandals focused on the over-budget Academy museum project.

But the Dp of “Ordinary People,” “The Big Chill” and “Cat People,” who was the first member of the Academy’s cinematography section to be president,...

Exclusive: Here’s the first clip from Oscar winner Casey Affleck’s passion project — Light of My Life — which screened today at the Berlin International Film Festival. Affleck wrote, produced, directed and starred in this film. It is an incredible accomplishment for any filmmaker and one that is hard to do well, but Affleck’s father/daughter drama set against a dark, dystopian world is beautifully crafted in every way.

From its opening scene of a father’s imaginative bedtime story to his daughter — which instantly captures the heart of both characters (see exclusive clip above) — to the ongoing suspense born out of hypervigilance as the two escape across a bitterly cold landscape, the story takes its audience on an uncertain, and at the same time, thoughtful journey.

Through the assiduous camera work of Affleck and cinematographer Adam Arkapaw, Light of My Life reveals an intimate, enigmatic story that unfolds...

Casey Affleck’s production company Sea Change Media is set to produce the The World to Come, the new feature from director Mona Fastvold and screenwriters Ron Hansen and Jim Shepard, adapted from Shepard’s acclaimed short story.

Alongside Affleck, the film will star Katherine Waterston (Inherent Vice, Fantastic Beasts and Where to Find Them), Emmy-nominated Vanessa Kirby (The Crown, Mission: Impossible - Fallout), and Emmy-nominated Jesse Plemons (FX's Fargo, Vice). Sea Change Media’s Affleck and Whitaker Lader will produce.

Christine Vachon and David Hinojosa of Killer Films will executive produce. David Lowery, Toby Halbrooks and James Johnston of Sailor Bear ...

Casey Affleck’s production company Sea Change Media is set to produce the The World to Come, the new feature from director Mona Fastvold and screenwriters Ron Hansen and Jim Shepard, adapted from Shepard’s acclaimed short story.

Alongside Affleck, the film will star Katherine Waterston (Inherent Vice, Fantastic Beasts and Where to Find Them), Emmy-nominated Vanessa Kirby (The Crown, Mission: Impossible - Fallout), and Emmy-nominated Jesse Plemons (FX's Fargo, Vice). Sea Change Media’s Affleck and Whitaker Lader will produce.

Christine Vachon and David Hinojosa of Killer Films will executive produce. David Lowery, Toby Halbrooks and James Johnston of Sailor Bear ...

Charades has come on board to handle international rights, launching the project at this year’s Efm.

Casey Affleck’s Sea Change Media has unveiled its new feature film project The World To Come, about two frontierswomen who become close against the backdrop of an isolated pioneer community in mid-19th century America.

French sales and production company Charades has come on board to handle international rights, launching the project at this year’s Efm. Endeavor Content, ICM Partners and UTA Independent are handling domestic rights

Academy Award-winning Affleck, who is at the Berlinale this year with his lost-in-the-forest drama...

Looking back on this still-young century makes clear that 2007 was a major time for cinematic happenings — and, on the basis of this retrospective, one we’re not quite through with ten years on. One’s mind might quickly flash to a few big titles that will be represented, but it is the plurality of both festival and theatrical premieres that truly surprises: late works from old masters, debuts from filmmakers who’ve since become some of our most-respected artists, and mid-career turning points that didn’t necessarily announce themselves as such at the time. Join us as an assembled team, many of whom were coming of age that year, takes on their favorites.

“I can’t figure it out. Do want to be like me or do you want to be me?”

From the opening frames of The Assassination of Jesse James by the Coward Robert Ford, Andrew Dominik stokes...

FX is moving forward with its TV series adaptation of Guillermo del Toro and Chuck Hogan's "The Strain" novel trilogy. The cable network has given the project a thirteen episode order.

del Toro, Hogan and Carlton Cuse will produce the vampire drama which is aiming for a July 2014 premiere. Cuse will also serve as show runner.

FX has also begun development of "Desperadoes," a six-hour miniseries based on Ron Hansen's 1979 novel about Old West outlaws the Dalton Brothers. Robert Knott is penning and executive producing the project alongside Josh Maurer and Alixandre Witlin.

The Dalton Brothers gang specialized in bank and train robberies and the mini-series chronicles their infamous crime spree in the 1890s, as seen through the eyes of the youngest brother Emmett Dalton.

Source: FX...

If famous half-mad Russian mystics aren't your thing, perhaps you'll enjoy Desperadoes, the latest historical drama to enter development at FX. Based on the 1979 Ron Hansen novel of the same name, the six-part miniseries follows bank and train robbers the Dalton Gang on their crime spree through the American Old West. It'll be weird that a new generation of TV viewers might not immediately associate the word "desperado" with Elaine Benes's never-ending string of weirdo boyfriends, but that's okay. That's fine.

Museum of the Moving Image, working with a longtime Museum member, will present a rare big-screen showing of the 2007 Western The Assassination of Jesse James by the Coward Robert Ford, starring Brad Pitt, Casey Affleck, Sam Rockwell, and Sam Shepard, with director Andrew Dominik in person. Arguably a cult favorite since its release, this masterful and magisterial film was described by Star-Ledger critic Stephen Whitty as an "epic film that's part literary treatise, part mournful ballad, and completely a portrait of our world, as seen in a distant mirror." The screening on Saturday, December 7, at 6:00 p.m. will take place in the Museum’s Sumner Redstone Theater, with the post-film conversation moderated by Chief Curator David Schwartz.

“Jesse James is the thing that I've done in my life that I'm most proud of,” Dominik said. “I think it's a movie that really benefits from being on the big screen,...

The Assassination of Jesse James by the Coward Robert

Directed by Andrew Dominik

Screenplay by Andrew Dominik based on the novel by Ron Hansen

2007, USA, UK, Canada

“I’ve been a nobody all my life. I was the baby; I was the one they made promises to that they never kept. And ever since I can recall it, Jesse James has been as big as a tree. I’m prepared for this, Jim. And I’m going to accomplish it. I know I wont get but this one opportunity and you can bet your life I’m not going to spoil it.”

Movies are littered with characters who want nothing but to be great, characters who ache to unforgettable, and who want to be more than footnotes in history. With Andrew Dominik’s 2007 beautiful achievement The Assassination of Jesse James by the coward Robert Ford, Dominik and company were able...

HollywoodNews.com: Our selected celebrity to be included in our “Hot Hollywood Celebrity Photo Gallery of the Day” is Brad Pitt. Terrence Malick’s “The Tree of Life,” one of the most anticipated films of the Cannes festival (if not of the entire year), finally screened for critics in France this morning and Brad Pitt is the star.

Brad Pitt ◄ Back Next ►Picture 1 of 11

Brad Pitt - 64th Annual Cannes Film Festival - "The Tree of Live" Photocall - Palais des Festivals - Cannes, France

◄ Back Next ►Picture 1 of 11

Brad Pitt - 64th Annual Cannes Film Festival - "The Tree of Live" Photocall - Palais des Festivals - Cannes, France

William Bradley “Brad” Pitt[1] (born December 18, 1963) is an American actor and film producer. Pitt has received two Academy Award nominations and four Golden Globe Award nominations, winning one. He has been described as one of the world’s most attractive men,...

Garret Dillahunt has come full circle. This versatile actor known for his off beat roles in television, film, and in the theater, has navigated his way through a colorful range of characters over the past fifteen years. Starting off as a comedic actor, Garret moved on to darker, more villainous roles such as the murderous Jack McCall in HBO's Deadwood (TV), the terminating Cromartie/John Henry on Fox's Terminator: The Sarah Connor Chronicles (TV), and the lonesome dim-witted outlaw Ed Miller in The Assassination of Jesse James (2007), starring Brad Pitt. Now he's starring in the new Fox comedy hit Raising Hope (TV). Garret plays young grandfather Burt Chance, who's son has a new and unexpected delivery in the form of Hope, a baby girl. The show has received rave reviews for it's funny, yet believable depiction of a modern-day dysfunctional working class family, and is backed by writer/producer Greg Garcia...

I confess that this movie made me fall asleep after the first half hour. When I woke up, certain images from the film persisted in my memory (Roger Deakin’s play with light and shadow of the approaching train), nagging me to view the film once again from the start. To my surprise, on my second attempt, I found it to be one of those rare films which do not provide much evidence of good cinema in the early sequences while it provides such evidence much later on. And this is a rather long (2hr 40min) film. However, the film gradually entices the viewer to keep watching with the filmmaking competence improving as the film keeps un-spooling. By the end of the movie, it is quite likely that a patient viewer will not feel cheated by the director Andrew Dominik but instead admire his work that is a cocktail of delicate performances,...

• Apart from our Top 100 (intro to the year ahead) preview list, Ioncinema.com’s Fall top 20 is our favorite list to compile. The wealth of quality film selections makes this task of ranking films a difficult one - there are many films that didn't make the cut that I'd wait in line and pay the full price for. Unlike say EW, we balk at including holiday fair (or anything in December) as studios often don’t keep strategies in place come last week of November and we don't include every single title (if you want to check out the full list venture here and click the arrows to advance to the next months). The consensus is: this year’s fall movie sch. is packed with films that will have a tough time to find their audience only because there is so much competition. So here they are. We've looked

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