News

Amazon Original Movies’ head of physical production Glenn Gainor is exiting to launch Hollywood Ventures Group, a new production company and consulting firm is co-founded with Entertainment Media Ventures head and CAA veteran Sandy Climan.

“Hollywood Ventures Group redefines the future of film and television production and distribution by delivering an innovative ‘Hollywood in a Box’ model to global partners in emerging and maturing markets,” the company’s website states. “With a bold mission to build the first truly global studio, Hollywood Ventures Group connects top-tier talent, strategic capital and cutting-edge technology to serve creators and companies worldwide across film, television and digital platforms.”

The company, whose clients will range from overseas film studios to foreign governments, will be headquartered at the iconic Television City studio complex located on Beverly Boulevard in L.A.’s Fairfax District neighborhood.

In addition to Gainor and Climan, Hollywood Ventures Group’s other founding...

All images courtesy of Rialto Pictures / American Zoetrope

by Chad Kennerk

Named after Joseph Conrad’s novella Heart of Darkness, on which Apocalypse Now is loosely based, the 1991 documentary Hearts of Darkness: A Filmmaker’s Apocalypse chronicles the notoriously chaotic production behind director Francis Ford Coppola’s ambitious Vietnam War epic. With the monumental success of The Godfather films, hopes were high for Apocalypse Now, which was poised to be the acclaimed director’s magnum opus. Shot on location in the unforgiving jungles of the Philippines, Apocalypse was plagued with typhoons, ravaged sets, delays and emotional breakdowns, all of which seemed to mirror the madness of the on-screen voyage.

Set during the Vietnam War, Apocalypse Now is a surreal exploration of the moral and psychological disintegration caused by violence and imperialism. It follows Captain Willard (Martin Sheen) on a mission to assassinate Colonel Kurtz (Marlon Brando), a rogue military officer who...

When Fax Bahr and George Hickenlooper took on the monumental task of making Hearts of Darkness — their 1991 documentary about the making of Francis Ford Coppola's monumental 1979 Vietnam War classic, Apocalypse Now — they found that most of the cast and crew were ready and willing to talk about their experiences. Those memories combined with remarkable on-set footage shot by the Oscar-winning director's wife, the late Eleanor Coppola, make Hearts of Darkness one of the most revealing peeks behind the filmmaking curtain ever produced.

But as the documentary returns to theaters over the July 4 weekend, there's one actor affiliated with Apocalypse Now who remains the proverbial ghost in the machine: Harvey Keitel.

During the first week of production, it was Keitel — not Martin Sheen — who had the lead role of Ben Willard, the U.S. Army captain tasked with traveling upriver deep into the heart of the jungle to locate rogue colonel...

Universal’s Jurassic World Rebirth leads the new releases in the UK and Ireland this weekend as Gareth Edwards’ science fiction blockbuster bellows into 688 cinemas.

The film grossed £2m from previews on Wednesday, July 2 alone.

Godzilla filmmaker Edwards directs Scarlett Johansson, Jonathan Bailey and Mahershala Ali as a team of skilled operatives who embark on a mission to secure life-saving DNA from dinosaurs in dangerous waters.

Rebirth is the seventh feature overall in the Jurassic Park franchise, and fourth since it was rebooted as Jurassic World in 2015.

That 2015 title is the highest-earning film in the franchise, with a huge £16.8m opening and amassing £64.5m overall.

Cannibals and a beloved rock band hit the indie circuit for the long holiday weekend as Magnolia Pictures opens action thriller 40 Acres and This Is Spinal Tap returns for a special engagement from Bleecker Street and Fathom. A24 expands Eva Victor’s critically acclaimed directorial debut Sorry, Baby to 14 screens from 4.

Magnolia acquired 40 Acres out of TIFF this year where it was named one of Canada’s Top 10 films of the festival. It’s in 300+ theaters nationwide. The directorial debut of R.T Thorne set in a post-apocalyptic world chronicles a multi-racial Canadian farming family fighting to protect their piece of land from rabid cannibals. Star Danielle Deadwyler is the shoot-first matriarch of an angsty family put to the test when her son (Kataem O’Connor) makes a grave misstep that puts their collective in great danger. Thorne wrote the screenplay with Glenn Taylor and Lora Campbell. Also stars Michael Greyeyes and Milcania Diaz-Rojas.

Most behind-the-scenes documentaries function as extended advertisements, carefully curated to enhance a film’s mythology. Hearts of Darkness: A Filmmaker’s Apocalypse is something else entirely. It stands as a harrowing chronicle of a film production actively imploding, a psychological thriller where the monster is artistic ambition itself.

The film documents the notoriously difficult creation of Francis Ford Coppola’s Apocalypse Now, a production that descended into a state of chaos so profound it began to eerily reflect its subject matter. Coppola’s famous declaration at Cannes, “My film is not about Vietnam.

It is Vietnam,” was less a boast than a weary confession. Built from an archive of shockingly candid 16mm footage shot by the director’s wife, Eleanor Coppola, the documentary offers an unfiltered look at a creative process pushed past the brink of disaster. It is a story not of how a movie was made, but how it...

Coppola said his masterpiece Apocalypse Now ‘is not about Vietnam; it is Vietnam’ – this superb film shows how little he was exaggerating

The greatest ever making-of documentary is now on re-release: the terrifying story of how Francis Ford Coppola’s Vietnam war masterpiece Apocalypse Now got made – even scarier than Les Blank’s Burden of Dreams, about the making of Werner Herzog’s Fitzcarraldo. The time has come to acknowledge Eleanor Coppola’s magnificent achievement here as first among equals of the credited directors in shooting the original location footage (later interspersed with interviews by Fax Bahr and George Hickenlooper), getting the stunningly intimate audio tapes of her husband Francis’s meltdown moments and, of course, in unassumingly keeping the family together while it was all going on.

With his personal and financial capital very high after The Conversation and the Godfather films, Coppola put up his own money and...

Updated to note that the restored Hearts of Darkness opens in in the UK and Ireland on July 4, as well as in New York. Previously: A “making of” documentary sounds like a rather mundane endeavor, a by-the-numbers exercise. But not when it comes to exploring how Francis Ford Coppola made his masterpiece Apocalypse Now, a notoriously punishing shoot in the Philippines that seemingly tested the sanity of nearly everyone involved and almost cost star Martin Sheen his life.

Hearts of Darkness: A Filmmaker’s Apocalypse, the film that chronicles the making of Apocalypse Now, has reached iconic status itself. Now, 34 years after its initial release, the documentary has been restored in 4K and returns to theaters beginning July 4th in New York, expanding to Los Angeles, Chicago and other cities in the coming weeks. It also opens in cinemas in the UK and Ireland on July 4. An Ultra HD collector’s...

It might seem as though the cast of "Friends" got lucky landing their roles in that beloved '90s sitcom. And while luck is a big part of it, it's not as if the actors simply moved to Hollywood, got cast in the show, and became mega-stars. Every member of the ensemble spent years grinding it out in failed TV projects and small movies before they landed the roles that would change their lives.

Before "Friends," David Schwimmer starred in a short-lived sitcom with a "Happy Days" veteran, while Matthew Perry became the king of sitcoms that lasted just one season. Courteney Cox starred in a goofy fantasy flop and Matt LeBlanc starred in two failed spin-offs of a beloved sitcom before he landed the role of Joey Tribbiani on "Friends." But LeBlanc also had a couple of big-screen duds.

In 1994, the same year that "Friends" debuted, LeBlanc co-starred in "Lookin' Italian,...

Hearts Of Darkness, the behind the scenes story of making Apocalypse Now, is getting a 4K Ultra HD Blu-ray release in its own right.

As much as Francis Ford Coppola’s Apocalypse Now stands tall amongst the finest of 1970s cinema, I’d argue it’s enhanced still further by the sheer battle he had to get it made. It’s a staggering story in its own right, and one that was captured by the late Eleanor Coppola during the making of the movie.

Then, in the early 1990s, she shepherded the footage and story into Hearts Of Darkness: A Filmmaker’s Apocalypse, which to this day is up there with the very best documentaries about making a movie.

It took a good year for Eleanor Coppola, along with Fax Bahr and George Hickenlooper, to edit down the footage, and it’s been released and screened several times since. However, for the first time,...

It was just a week ago that we got news that Mike Figgis’ documentary Megadoc, exploring the making of Francis Ford Coppola’s decades-in-the-works passion project Megalopolis, would be arriving in theaters. First, however, one of the greatest portraits of moviemaking will be coming to U.S. and U.K. theaters.

With incredible footage from Coppola’s late wife Eleanor Coppola and directed by Fax Bahr and George Hickenlooper, Hearts of Darkness: A Filmmaker’s Apocalypse captures the tumultuous making of Apocalypse Now. Now restored in 4K, it’ll roll out in U.S. and U.K. theaters starting July 4th, followed by a U.K. disc release later that month, and a new trailer has arrived.

Here’s the synopsis: “In the late seventies celebrated director Francis Ford Coppola and his cast and crew ventured into the dense jungles of the Philippines to begin work on what would eventually become his masterpiece,...

Making a motion picture is hard work under the best of circumstances. It's a collaborative process that requires careful, hopefully cordial coordination between an incredibly diverse array of craftspeople: directors, actors, writers, camera operators, designers, stunt people, electricians, carpenters, animal wranglers, and occasionally muppets. The degree of difficulty gets ratcheted up when you dare to shoot in less-than-welcoming elements like the water, the jungle, or the desert.

"Jaws," "Apocalypse Now," and "Lawrence of Arabia" are three of the greatest films ever made, but they were brutally difficult to pull together. Mother Nature's fury knocked all three of these well behind schedule. Sets were wrecked, equipment was damaged beyond repair and a mechanical shark refused to operate properly. Was it worth it? For the viewer, absolutely. You watch these movies and, in between breathtaking sequences, lament that they really couldn't be made in this risk-taking fashion nowadays. But one viewing of George Hickenlooper,...

“It’s so nice to talk to The Hollywood Reporter,” Olivia Williams says, as we start our interview, “because I really had that Hollywood experience. I went from living in a damp basement flat in Camden Town to, in a matter of days, flying in a private jet to go on set of a huge Hollywood movie.”

Over the course of a single year, from 1997 to 1998, Williams (before then a jobbing British theater actress, doing commercials for Dove shower cream — “they asked me to audition in a bikini…I felt like giving up”) starred in three studio films: Kevin Costner’s The Postman, Wes Anderson’s Rushmore and M. Night Shyamalan’s The Sixth Sense. The Postman was a legendary flop. Rushmore an indie breakout. The Sixth Sense a gargantuan, global hit. Williams, it appeared, had arrived.

“I went from galloping horses with Kevin Costner — doing my own stunts, thank...

This article contains spoilers for the latest episode of "Star Trek: Lower Decks."

"Star Trek: Lower Decks" season 5, episode 3, "The Best Exotic Nanite Hotel," sees Lieutenant Boimler (Jack Quaid) assigned to a covert, potentially dangerous spy mission. He is to join Commander Ransom (Jerry O'Connell) and Lieutenant Commander Billups (Paul Scheer) on a mission to the Cosmic Duchess, an ultra-swanky, high-end resort-like cruise ship, floating gently through deep space. His assignment is to penetrate deep into the hotel to retrieve Admiral Milius (Toby Huss), a Starfleet officer who has gone Awol thanks to "a touch of vacation madness." The writers of "Lower Decks" missed an opportunity in not saying that he had been infected with Paradise Syndrome.

The Cosmic Duchess, however, is such a massive ship that it incorporates artificial recreations of every possible vacation-ready biome. There's a tropical beach biome, a skiing resort biome, and a water park biome.

September marks Marcello Mastroianni’s centennial, and the Criterion Channel pays respect with a retrospective that puts the expected alongside some lesser-knowns: Monicelli’s The Organizer, Jacques Demy’s A Slightly Pregnant Man, and two by Ettore Scola. There’s also the welcome return of “Adventures In Moviegoing” with Rachel Kushner’s formidable selections, among them Fassbinder’s Mother Küsters Goes to Heaven, Pialat’s L’enfance nue, and Jean Eustache’s Le cochon. In the lead-up to His Three Daughters, a four-film Azazel Jacobs program arrives.

Theme-wise, a set of courtroom dramas runs from 12 Angry Men and Anatomy of a Murder to My Cousin Vinny and Philadelphia; a look at ’30s female screenwriters includes Fritz Lang’s You and Me, McCarey’s Make Way for Tomorrow, and Cukor’s What Price Hollywood? There’s also a giallo series if you want to watch an Argento movie and ask yourself,...

Eleanor Coppola, director of Hearts of Darkness, has passed away. She was 87 at the time of her passing.

Per The Hollywood Reporter, Eleanor Coppola passed away on Friday, April 12, 2024. Coppola reportedly died at her Rutherford, California home, as confirmed by her family. Coppola is survived by her husband, Francis Ford Coppola, their daughter, Sofia, and their son, Roman. Eleanor and Francis also had an elder son, Gian-Carlo, who passed away in 1986 as the age of 22.

Eleanor and Francis Ford Coppola met in 1962 on the set of Dementia 13, which the former worked as an assistant art director for and which the latter wrote and directed. The film was produced by Hollywood icon Roger Corman, and has been noted as Francis Ford Coppola's mainstream directorial debut after having only worked on cheap, sexploitation productions prior.

In 1976, Eleanor produced numerous recordings and notes from the set of Apocalypse Now. These would be the basis for her memoir,...

Few followers of cinema could dispute the influence of Francis Ford Coppola, the director of such cinematic masterworks as The Godfather and Apocalypse Now. But when Eleanor Coppola, who sadly passed away yesterday, set her camera on the action behind the scenes of Apocalypse Now, she would lay the foundation for a film that I believe has had just as much impact on the landscape of cinema in the 30+ years since its release. If Francis’s influence is bold and loud, Eleanor’s is quiet and subtle, but it is no less powerful.

Hearts of Darkness: A Filmmaker’s Apocalypse, which was released in 1991 and was also directed by Fax Bahr and the late George Hickenlooper, has taught generations of aspiring filmmakers to trust in a process that at times can feel fraught and doomed to peril. For the truth is that every film production is its own journey up the river.

Eleanor Coppola directed an acclaimed making-of documentary about Apocalypse Now's infamous production. Hearts of Darkness won Eleanor an Emmy and is considered one of the best documentaries ever made. Eleanor and Francis Ford Coppola endured challenges during the 14-month production of the film, but Eleanor's documentary became essential to film history. She was still directing films in her 80s. Wife of Francis Ford, mother of Sofia and Roman, aunt of Nicolas Cage and Jason Schwartzman, and so much more, she will be missed.

Francis Ford Coppola has been in the news a lot recently, with speculation and anticipation swirling around his long-anticipated epic Megalopolis, but sadly, he's in the news for a different reason today. His wife of 61 years, Eleanor Coppola, passed away at age 87 on April 12 at their home in Rutherford, California.

Born Eleanor Jessie Neil in 1936, Eleanor met Francis on the set of the latter's legitimate directorial debut,...

Eleanor Coppola, wife of Francis Ford Coppola, has died at the age of 87. She is best known for Hearts of Darkness: A Filmmaker’s Apocalypse, the 1991 documentary which chronicled the making of Apocalypse Now, the iconic 1979 movie which was plagued with a myriad of issues.

Eleanor first met her future husband on the set of Dementia 13, which was Francis’ feature directorial debut. Eleanor was the assistant art director on the movie and the pair soon began dating before getting married in 1963. Each of their children, Gian-Carlo, Roman, and Sofia, would get into the movie business after spending their childhood years growing up on film sets, although Gian-Carlo sadly died in 1986 at the age of 22.

“I don’t know what the family has given except I hope they’ve set an example of a family encouraging each other in their creative process whatever it may be,” Eleanor told The Associated Press...

Eleanor Coppola, the matriarch of a Hollywood dynasty who won an Emmy for directing the documentary Hearts of Darkness: A Filmmaker’s Apocalypse and helmed her first narrative feature at age 80, died Friday. She was 87.

Coppola died at her home in Rutherford, California, her family said in a statement to the Associated Press.

Survivors include her husband of 61 years, five-time Oscar-winning filmmaker Francis Ford Coppola, 85; their daughter, Sofia Coppola, the director, producer and Oscar-winning screenwriter; and their son, Roman Coppola, the Oscar-nominated screenwriter.

Her oldest child, actor Gian-Carlo Coppola, died in 1986 at age 22 in a speedboat accident.

Eleanor Coppola often went on location with Francis, and during the making of his Vietnam War epic Apocalypse Now (1979), she was in the Philippines to shoot footage with a 16mm camera and conduct interviews, material that supposedly was to be used by the United Artists publicity department.

It would all be seen in Hearts of Darkness: A Filmmaker’s Apocalypse.

Apocalypse Now is one of the most highly regarded films of all time. Directed by The Godfather director Francis Ford Coppola, written by Hollywood renegade John Milius, and starring Martin Sheen and Marlon Brando, the film is a dark and hallucinatory trip up river set amidst the chaos of the Conflict in Vietnam. It is a masterpiece that Coppola and company pushed themselves to the brink to make.

It’s no secret that the film was a nightmare to put together; filmmakers Fax Bahr, George Hickenlooper, and Eleanor Coppola even made a documentary about the problematic production entitled Hearts of Darkness: A Filmmaker’s Apocalypse. Still, with so much top-of-the-line cast and crew involved, one can’t help but wonder what caused all the dysfunction. From inclement weather to out of control drug use and everything in between, the production of the Vietnam War epic was riddled with troubles. In the following article,...

On the JoBlo Movies YouTube channel, we will be posting one full movie every day of the week, giving viewers the chance to watch them entirely free of charge. Today’s Free Movie of the Day is the true crime “dramedy” Casino Jack, which first premiered in 2010 and stars Kevin Spacey as the title character. You can watch it over on the YouTube channel linked above, or you can just watch it in the embed at the top of this article.

Directed by George Hickenlooper from a screenplay written by Norman Snider, Casino Jack has the following synopsis: A hot shot Washington DC lobbyist and his protégé go down hard as their schemes to peddle influence lead to corruption and murder.

Spacey is joined in the cast by Barry Pepper, Kelly Preston, Jon Lovitz, Rachelle Lefevre, Graham Greene, Ruth Marshall, Hannah Endicott-Douglas, John Robinson, Jason Weinberg, Spencer Garrett, Yok Come Ho,...

Tár writer/director Todd Field discusses a few of his favorite movies with Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

You Only Live Twice (1967) – Dana Gould’s trailer commentary

Tár (2022)

Man With A Movie Camera (1929)

Battleship Potemkin (1925)

Koyaanisqatsi (1982)

The Big Parade (1925)

Lawrence Of Arabia (1962)

The Crowd (1928)

Star Wars (1977)

The Servant (1963)

Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review

The Three Musketeers (1973) – Josh Olson’s trailer commentary

Figures In A Landscape (1970)

M (1931)

M (1951)

I Am Cuba (1964)

The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review

Letter Never Sent (1960)

Shadows of Forgotten Ancestors (1965)

Butch Cassidy And The Sundance Kid (1969)

The Towering Inferno (1974) – George Hickenlooper’s trailer commentary

The Great Waldo Pepper (1975)

The Sting (1973)

The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary

Thelma And Louise (1991)

Murmur Of The Heart (1971)

The Silent World (1956)

Opening Night (1977)

The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...

Aaron Stewart-Ahn, writer of Mandy (yes… That Mandy), discusses a few of his favorite films with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Mandy (2018)

The ’Burbs (1989) – Ti West’s trailer commentary, Tfh’s ’Burbs Mania

Explorers (1985)

The Sword and the Sorcerer (1982)

Cyborg (1990)

Masters Of The Universe (1987) – Josh Olson’s trailer commentary

Down Twisted (1987)

Rumble In The Bronx (1996)

Green Book (2018)

Hellraiser (1987)

Nemesis (1992)

Heat (1995)

Nausicaä of the Valley of the Wind a.k.a. Warriors of the Wind (1984)

Princess Mononoke (1997)

Star Wars (1977)

The Lord of the Rings: The Fellowship of the Ring (2001)

Dune (1984)

Blue Velvet (1986) – Josh Olson’s trailer commentary, Charlie Largent’s Criterion Blu-ray review

Waterworld (1995)

Super Mario Bros. (1993)

Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary celebration

Gremlins 2: The New Batch (1990)

Do The Right Thing (1989) – Allan Arkush’s trailer commentary

Minari (2020)

Terminator 2: Judgment Day (1991) – Glenn Erickson’s Blu-ray review...

Filmmaker Sally Potter discusses a few of her favorite movies with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Orlando (1992)

Look At Me (2022)

The Roads Not Taken (2020)

Singin’ In The Rain (1952) – John Landis’s trailer commentary

On The Town (1949)

Seven Brides For Seven Brothers (1954) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review

Whisky Galore! (1949) – Charlie Largent’s Blu-ray review

Battleship Potemkin (1925)

8 ½ (1963) – Allan Arkush’s trailer commentary

Monsieur Hulot’s Holiday (1953)

Jules and Jim (1962) – Michael Peyser’s trailer commentary

Au Hasard Balthazar (1966) – Charlie Largent’s Criterion Blu-ray review

Persona (1966)

On The Waterfront (1954) – John Badham’s trailer commentary

Sweet Smell Of Success (1957)

Citizen Kane (1941) – John Landis’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Third Man (1949) – George Hickenlooper’s trailer commentary, Randy Fuller’s wine pairings

Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Cranes Are...

Actor/writer/director Ethan Hawke discusses a few of his favorite films with Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Explorers (1985) – Glenn Erickson’s Blu-ray review

The Verdict (1982)

The Color Of Money (1986) – Rod Lurie’s trailer commentary

Nobody’s Fool (1994)

Three Faces Of Eve (1957)

Mr. And Mrs. Bridge (1990)

North By Northwest (1959)

Torn Curtain (1966)

Psycho (1960) – John Landis’s trailer commentary

Frenzy (1972) – Joe Dante’s trailer commentary

Topaz (1969)

Boyhood (2014)

An Officer and a Gentleman (1982)

Blue Collar (1978) – Josh Olson’s trailer commentary

First Reformed (2017) – Glenn Erickson’s trailer commentary

Taxi Driver (1976) – Rod Lurie’s trailer commentary

The Left Handed Gun (1958)

Hombre (1967)

Hud (1963)

Butch Cassidy And The Sundance Kid (1969)

The Life And Times Of Judge Roy Bean (1972) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review

Buffalo Bill And The Indians, Or Sitting Bull’s History Lesson (1976) – Glenn Erickson’s Blu-ray review

The Outrage (1964)

Rashomon (1950) – Brian Trenchard-Smith’s trailer commentary,...

Director/Tfh Guru Allan Arkush discusses his favorite year in film, 1975, with Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Rules of the Game (1939)

Le Boucher (1970)

Last Year At Marienbad (1961)

Dead Men Don’t Wear Plaid (1982)

Topaz (1969)

Bodies Bodies Bodies (2022)

Hollywood Boulevard (1976) – Jon Davison’s trailer commentary

The Innocents (1961) – Joe Dante’s trailer commentary

The Earrings of Madame De… (1953)

Rope (1948) – Darren Bousman’s trailer commentary

Make Way For Tomorrow (1937)

The Awful Truth (1937) – Charlie Largent’s Criterion Blu-ray review

Duck Soup (1933) – John Landis’s trailer commentary

Going My Way (1944)

Nashville (1975) – Larry Karaszewski’s trailer commentary, Dan Perri’s trailer commentary

M*A*S*H (1970)

Shampoo (1975) – Allan Arkush’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

Bonnie And Clyde (1967) – John Landis’s trailer commentary

The Nada Gang (1975)

Get Crazy (1983) – Allan Arkush’s trailer commentary

Night Moves (1975) – Glenn Erickson’s Blu-ray review

Dog Day Afternoon (1975) – Katt Shea’s trailer...

Animation legend Genndy Tartakovsky joins Josh Olson and Joe Dante to discuss his favorite silent sequences from great movies.

Show Notes: Movies Referenced In This Episode

Infested (2002)

Mad Max: Fury Road (2015) – Brian Trenchard-Smith’s trailer commentary, Glenn Erickson’s Blu-ray review

The Godfather (1972) – Ernest Dickerson’s trailer commentary, Glenn Erickson’s Blu-ray review, Randy Fuller’s wine pairings

Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review

Hotel Transylvania (2012)

A Fistful of Dollars (1964) – John Badham’s trailer commentary, Glenn Erickson’s Blu-ray reviews

Once Upon A Time In The West (1968) – John Landis’s trailer commentary

The Birds (1963) – Eli Roth’s trailer commentary, Randy Fuller’s wine pairings, Glenn Erickson’s Blu-ray review

The Good, The Bad And The Ugly (1966) – Ernest Dickerson’s trailer commentary, Glenn Erickson’s Blu-ray reviews

Conan The Barbarian (1982)

Conan The Destroyer (1984)

The Hudsucker Proxy (1994)

The Party (1968) – Michael Lehmann’s trailer commentary

The Pink Panther...

Marcel The Shell With Shoes On director/co-writer/co-editor Dean Fleischer-Camp discusses some of his favorite movies with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Marcel The Shell With Shoes On (2022)

Marcel The Shell With Shoes On (2010)

The Gods Must Be Crazy (1980)

San Andreas (2015)

Airplane! (1980) – Glenn Erickson’s Blu-ray review

Ghost (1990)

Pee-Wee’s Big Adventure (1985)

Beetlejuice (1988) – Alex Kirschenbaum’s review

Batman (1989)

Edward Scissorhands (1990)

Batman Returns (1992) – Alex Kirschenbaum’s review

The Nightmare Before Christmas (1993)

Ed Wood (1994)

Mars Attacks (1996)

Sleepy Hollow (1999)

Planet of the Apes (2001)

The Witches of Eastwick (1987)

8 ½ (1963) – Allan Arkush’s trailer commentary

Mad Max: Fury Road (2015) – Glenn Erickson’s Blu-ray review, Glenn Erickson’s Blu-ray review

Westworld (1973) – Ed Neumeier’s trailer commentary

Robocop (1987) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray and 4K Blu-ray reviews

Twilight Zone: The Movie (1983)

Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairings

Aliens (1986) – Glenn Erickson’s...

Angus MacLane, animation veteran and director of the new Pixar adventure Lightyear, discusses his favorite movies with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Taking Off (1971)

Reign of Terror (1949)

Kiss Me Deadly (1955) – Josh Olson’s trailer commentary, Glenn Erickson’s review

Lightyear (2022)

Toy Story (1995)

Mad Max: Fury Road (2015) – Brian Trenchard-Smith’s trailer commentary, Dennis Cozzalio’s Beyond Furious series, Glenn Erickson’s Blu-ray review

Innerspace (1987) – Glenn Erickson’s Blu-ray review

Mars Attacks! (1996)

The ’Burbs (1989) – Ti West’s trailer commentary, ’Burbs Mania at Tfh

Alive (1993)

Star Wars (1977)

Snow White And The Seven Dwarfs (1937)

The Empire Strikes Back (1980)

Star Wars: Episode I – The Phantom Menace (1999)

The Matrix (1999)

Alien (1979) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing

Aliens (1986) – Glenn Erickson’s Blu-ray review

Tron (1982)

The Blues Brothers (1980) – Adam Rifkin’s trailer commentary

Howard The Duck (1986) – Alex Kirschenbaum’s review

Wall-e (2008)

Predator 2 (1990)

Alien vs. Predator...

Alex Kurtzman and Jenny Lumet, creators of the new Showtime series The Man Who Fell to Earth, talk to hosts Josh Olson and Joe Dante about the movies that inspired them.

Show Notes:

Movies Referenced In This Episode

The Man Who Fell To Earth (1976) – Michael Lehmann’s trailer commentary

Dirty Pretty Things (2002)

Amistad (1997)

Love Actually (2003)

Before The Devil Knows You’re Dead (2007)

Blazing Saddles (1974) – John Landis’s trailer commentary, Dennis Cozzalio’s Blazing Saddles Thanksgiving

Kentucky Fried Movie (1977) – Josh Olson’s trailer commentary

The Bad News Bears (1976) – Jessica Bendinger’s trailer commentary, Charlie Largent’s Blu-ray review

Airplane! (1980) – Glenn Erickson’s Blu-ray review

E.T. The Extra-Terrestrial (1982)

The Twilight Zone: The Movie (1983)

Bambi (1942)

Singin’ In The Rain (1952) – John Landis trailer commentary

The Asphalt Jungle (1950) – Michael Lehmann’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Boy Friend (1971) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray review

Yellow Submarine (1968) – George Hickenlooper...

Director Sidney J. Furie discusses his favorite films he’s watched and re-watched during quarantine with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Dr. Blood’s Coffin (1961)

The Ipcress File (1965) – Howard Rodman’s trailer commentary, Glenn Erickson’s Blu-ray review

The Appaloosa (1966)

The Naked Runner (1967)

Lady Sings The Blues (1972)

The Entity (1982) – Luca Gaudagnino’s trailer commentary

The Boys in Company C (1978)

2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review

Full Metal Jacket (1987)

The Apartment (1960) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray review, Randy Fuller’s wine pairing

The Best Years Of Our Lives (1946)

Twelve O’Clock High (1949)

A Place In The Sun (1951) – Glenn Erickson’s Blu-ray review

Out Of Africa (1985)

The Last Picture Show (1971) – Mark Pellington’s trailer commentary, Randy Fuller’s wine pairing

Annie Hall (1977)

The Bad And The Beautiful (1952)

Once Upon A Time In Hollywood (2019)

The Tender Bar...

Veteran actor and frequent scene stealer Bruce Davison joins Josh Olson and Joe Dante to discuss a few of his favorite films.

Show Notes: Movies Referenced In This Episode

Extra School (2017)

Gone With The Wind (1939)

Willard (1971) – Joe Dante’s review, Lee Broughton’s Blu-ray review

Fortune And Men’s Eyes (1971)

Short Cuts (1993) – Glenn Erickson’s Blu-ray review

Longtime Companion (1989)

Last Summer (1969) – Larry Karaszewski’s trailer commentary

Short Eyes (1977)

The Manor (2021)

Ulzana’s Raid (1972) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review and All-Region Blu-ray review

King Solomon’s Mines (1950) – John Landis’s trailer commentary

Snow White and the Seven Dwarves (1937)

Them! (1954) – Joe Dante’s trailer commentary

Tarantula (1955) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review

20,000 Leagues Under The Sea (1954) – Mick Garris’s trailer commentary, Glenn Erickson’s Blu-ray review

Spartacus (1960) – Larry Cohen’s trailer commentary, Glenn Erickson’s Blu-ray review

Ben-Hur (1959) – John Landis’s trailer commentary

Psycho (1960) – John Landis’s trailer commentary,...

The journalist and podcaster talks about some of her favorite cinematic grifters and losers with Josh and Joe.

Show Notes: Movies Referenced In This Episode

Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Third Man (1949) – George Hickenlooper’s trailer commentary, Randy Fuller’s wine pairings

All About Eve (1950)

The Hot Rock (1972) – Josh Olson’s trailer commentary

Die Hard (1988)

Sunset Boulevard (1950) – John Landis’s trailer commentary

The Producers (1967) – Charlie Largent’s Blu-ray review

Panic In The Streets (1950) – John Landis’s trailer commentary, Randy Fuller’s wine pairing

The Music Man (1962)

My Fair Lady (1964)

Seven Brides For Seven Brothers (1954) – John Landis’s trailer commentary, Glenn Erickson’s review

The Band Wagon (1953) – John Landis’s trailer commentary

The Wizard Of Oz (1939) – John Badham’s trailer commentary

A Night At The Opera (1935) – Allan Arkush’s trailer commentary, Charlie Largent’s Blu-ray review

The Cocoanuts (1929)

Animal Crackers (1930) – Robert Weide...

Ghostbusters: Afterlife director Jason Reitman takes hosts Joe Dante and Josh Olson on a journey through some of his favorite cinematic tonal shifts.

Show Notes: Movies Referenced In This Episode

Ghostbusters: Afterlife (2021)

Thank You For Smoking (2006)

Up In The Air (2009)

Juno (2007)

Young Adult (2011)

Citizen Kane (1941) – John Landis’s trailer commentary

Seven Samurai (1954) Brian Trenchard-Smith’s trailer commentary

Lawrence of Arabia (1962)

Rififi (1955)

Titane (2021)

Cannibal Girls (1973)

Raw (2016)

Hellraiser (1987)

A Serbian Film (2010)

Cast Away (2000)

What Lies Beneath (2000)

Million Dollar Baby (2004)

Downhill Racer (1968) – Glenn Erickson’s Criterion Blu-ray review

Breaking Away (1979)

Boys Don’t Cry (1999)

From Dusk Till Dawn (1996)

The Great Waldo Pepper (1975)

Psycho (1960) – John Landis’s trailer commentary, Randy Fuller’s wine pairings

Psycho (1998) – Ti West’s trailer commentary

Last Night In Soho (2021)

Funny Games (1997)

Funny Games (2008)

The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray

I, The Jury (1982)

Mother! (2017)

Mulholland Drive (2001)

Tully (2018)

Gremlins (1984) – Glenn Erickson’s 4K Blu-ray review, Tfh’s 30th anniversary links...

Something almost beyond comprehension is happening on October 31st… and two men want to do a couple of podcast episodes about it. This is the Halloween Parade… volume 1.

Please help support the Hollywood Food Coalition.

Click here, and be sure to indicate The Movies That Made Me in the note section so Josh can finally achieve his dream of showing Mandy to his wife!

Show Notes: Movies Referenced In This Episode

The Exorcist (1973) – Oren Peli’s trailer commentary

Wait Until Dark (1967) – Glenn Erickson’s Blu-ray review

The House On Skull Mountain (1974)

King In The Wilderness (2018)

Sugar Hill (1974)

World War Z (2013)

I Walked With A Zombie (1943)

White Zombie (1932) – Mick Garris’s trailer commentary

Night of the Living Dead (1968) – George Hickenlooper’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

Pumpkinhead (1988)

Blacula (1972)

Blackenstein (1973)

The Flesh And The Fiends (1960) – Charlie Largent’s two reviews

Road Rebels (1964)

Dear Evan Hansen (2021)

Perks Of Being A...

The former head of the ACLU discusses some of the movies – and sports legends – that made him.

Show Notes: Movies Referenced In This Episode

Mighty Ira (2020)

The Jackie Robinson Story (1950)

42 (2013)

Shane (1953)

Panic In The Streets (1950)

Last Year At Marienbad (1962)

The Seventh Seal (1957)

La Strada (1954)

Wild Strawberries (1957) – Allan Arkush’s trailer commentary

The Virgin Spring (1960) – Glenn Erickson’s Blu-ray review

The Last House On The Left (1972) – Darren Bousman’s trailer commentary

A Walk In The Sun (1945) – Glenn Erickson’s review

Paths Of Glory (1957) – George Hickenlooper’s trailer commentary, John Landis’s trailer commentary

All Quiet On The Western Front (1930) – Ed Neumeier’s trailer commentary

Lonely Are The Brave (1962)

Casablanca (1942) – John Landis’s trailer commentary

On The Waterfront (1954) – John Badham’s trailer commentary

12 Angry Men (1957)

Inherit The Wind (1960)

Judgment At Nuremberg (1961)

Witness For The Prosecution (1957)

Anatomy of a Murder (1959)

The Verdict (1982)

Twelve Angry Men teleplay (1954)

The Front (1976)

Judgment At Nuremberg teleplay...

Celebrating the release of his new memoir, multi-hyphenate Steven Van Zandt joins hosts Josh Olson and Joe Dante to discuss a few of his favorite movies.

Show Notes: Movies Referenced In This Episode

Elevator To The Gallows (1958) – Glenn Erickson’s Criterion Blu-ray review

Breathless (1960) – Allan Arkush’s trailer commentary

Angels With Dirty Faces (1938)

The Fisher King (1991)

Tony Rome (1967)

Lady In Cement (1968)

Star Trek IV: The Voyage Home (1986)

Star Trek V: The Final Frontier (1989)

The Killer (1989)

True Romance (1993)

True Lies (1994)

Get Shorty (1995) – Allan Arkush’s trailer commentary

Point Blank (1967) – John Landis’s trailer commentary

Catch Us If You Can a.k.a. Sweet Memories (1965)

Double Trouble (1967)

Performance (1970) – Mark Goldblatt’s trailer commentary

The Driver (1978)

A Hard Day’s Night (1964) – Allan Arkush’s trailer commentary, Tfh’s Don’t Knock The Rock piece

Help! (1965) – Allan Arkush’s trailer commentary, Charlie Largent’s review

Blue Collar (1978) – Josh Olson’s trailer commentary, Randy Fuller’s...

From Pig starring Nicolas Cage, Writer/Director Michael Sarnoski and Writer/Producer Vanessa Block join Josh and Joe to discuss the movies that inspired them during the creation of their film.

Show Notes: Movies Referenced In This Episode

Nobody (2021)

Infested (2002)

The Big Chill (1983)

A History of Violence (2005)

Pig (2021)

Mandy (2018)

John Wick (2014)

The Testimony (2015)

No Country For Old Men (2007) [Both] – John Badham’s trailer commentary

The Maltese Falcon (1941) – John Landis’s trailer commentary

Blood Simple (1984) – Josh Olson’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review, Dennis Cozzaliio’s review

Leaving Las Vegas (1995)

Raising Arizona (1987)

Moonstruck (1987) – Glenn Erickson’s trailer commentary

Joe (2013)

Witness For The Prosecution (1957) [Vanessa Block] – Larry Cohen’s trailer commentary

Easter Parade (1948)

Titanic (1997)

Never Been Kissed (1999)

Abbott And Costello Meet Frankenstein (1948) – John Landis’s trailer commentary

McCabe and Mrs. Miller (1971) – Josh Olson’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Crow (1994)

Jurassic Park (1993)

Midnight Cowboy (1969) [Michael Sarnoski] – Glenn Erickson’s Criterion...

There remains one group we’ve yet to hear from when it comes to the best films of 2019: the directors who made them. IndieWire has reached out to a number of our favorite filmmakers to share their lists and thoughts on what made this year great.

As is advisable with creative people, we gave the directors a great deal of freedom in how they reflected on the year in moving images. What follows is everything ranging from traditional top 10 lists to favorite moments and performances, with lists that span TV, podcasts, and much more.

This is the fourth year IndieWire has done this survey, and what was exciting about this particular group is how many are international, and the wide range of films they celebrated. If you are bored with every end-of-the-year list looking the same, you are in for a treat, as some of the best filmmakers highlight...

This was the final commentary recorded for us by George Hickenlooper. Carol Reed’s endlessly watchable post-war thriller, the fourth pairing of Joseph Cotten and Orson Welles, is generally considered one of the greats. Tensions between producers Alexander Korda and David O. Selznick resulted in two separate cuts of the film. Robert Krasker won an Oscar for his stylized cinematography. This is a surprisingly dunderheaded trailer, though.

The post The Third Man appeared first on Trailers From Hell.

Hollywood Vampires: The Birth of Midnight Movies on L.A.'s Sunset Strip is a three-part series of essays by Tim Concannon.Once Upon A Time On The Sunset STRIP1969 on the Sunset Strip was a period of dislocation, dissipation and dissolution from which the Hollywood of the Seventies emerged. A movie theatre adjoining Santa Monica Boulevard, where the Underground Cinema 12 film festival held sold-out midnight shows attended by thousands of Freaks, is an overlooked catalyst of L.A.'s underground scene, alongside Pandora's Box, the club recreated in Riot On the Sunset Strip (1967) and which was the focus of the November 1966 Sunset Strip disturbances.Quentin Tarantino's Once Upon A Time...in Hollywood—which is woven around the Manson family murders in 1969, though it isn't focused on them—is situated in the same unsettling hinterland between film stardom and savage violence that Peter Bogdanovich's Targets touches on as well.

As Harvey Weinstein faces accusations from more than 100 women and a rape trial that could send him to prison for 25 years, directors, writers, and producers jockey for position: Who will be the first to prepare adaptations of his demise? He sparked an episode of “Law & Order: Svu” that aired earlier this year, but that only scratches the surface.

Of course, news headlines spur plenty of quickly announced films that never get made. Revolution Studios touted “Fan Interference” the week Steve Bartman’s foul ball catch kept the Cubs from the 2003 World Series, while Spike Lee pledged to direct a James Brown biopic for Paramount Pictures and Imagine Entertainment just one day after the soul legend’s death in 2006. However, a couple of these Weinstein undertakings are very much in the works, with one only months away.

Here, we assess the prospective Weinstein-inspired projects to date, from most to least likely.

“Francis feels very frustrated,” wrote Eleanor Coppola in Notes: The Making of Apocalypse Now. “He gathers up his Oscars and throws them out the window. The children pick up the pieces in the back yard. Four of the five are broken.” The shoot for Francis Ford Coppola’s Vietnam epic had yet to even begin—the director was still trying to cast the key roles of Willard and Kurtz. Steve McQueen, Al Pacino, Jimmy Caan, Robert Redford and even Marlon Brando had all turned him down. Their reasons bounced between keeping kids in school, fears about getting sick in the Philippines and, of course, money. This is just the start of a book crafted from Eleanor Coppola’s three-year diaries kept during production on Apocalypse Now.

The entire Coppola family had moved to the Philippines—Francis, Eleanor and their three children, Gian-Carlo, Roman and Sofia—and Eleanor had been additionally...

Mid-aught “it” girl Sienna Miller was dynamite in her 2006 audition for ’60s socialite Edie Sedgwick. Director George Hickenlooper’s “Factory Girl” follows Sedgwick’s rise and fall, and it’s clear that Miller was up for the role’s emotional demands from day one. Smoking a faux cigarette and effectively masking her British accent, the model-turned-actor goes from flamboyant and confident to guarded and vulnerable with ease. Check it out below. Catch Miller next in this week’s Bradley Cooper-in-the-kitchen vehicle, “Burnt.” Want to see more? Check out “9 Great Actors’ Audition Tapes!”...

I sat down with Oscar-winning screenwriter, actor, director and musician Billy Bob Thornton for Venice Magazine in October of 2001. He had a slate of very diverse projects he was promoting: his first solo music album, "Private Radio," as well as the films "Monster's Ball," "Bandits," and "The Man Who Wasn't There." My strongest memory is of Thornton's quiet intensity and an undercurrent of Southern affability, which came out once he decided you were okay. He seemed to feel that way about me after I shared with him my idolatry of legendary filmmaker Fred Zinnemann, something we shared. I also remember his unusual diet, when our lunch was served. Thornton got the biggest plate of sliced papaya I've seen to date, artfully presented. I got a seafood salad. He looked at my plate, smiled, and told me about the horrible shellfish allergy he'd been saddled with all his life, and how...

The Creative Coalition has announced the 2015 Spotlight Initiative Awards will be bestowed on Zoë Kravitz, Chiwetel Ejiofor, Kellan Lutz and recent Golden Globe Winner Jeffrey Tambor at The Creative Coalition Awards Gala Dinner in Park City, Utah on January 24th. The annual gala evening is a marquee event with creative talent and executives from the arenas of entertainment and media gathering to celebrate these luminaries and the art and craft of independent film.

Details are as follows:

Saturday, January 24, 2015

8:00 pm

Nikki Beach at Riverhorse on Main

540 Main Street

Park City, Utah

“This year’s class of honorees represents a journey of triumph for independent film. The Creative Coalition’s Spotlight Initiative Award was created to support the artistry of independent film and those who create it,” said CEO of The Creative Coalition Robin Bronk.

For ticket information visit Here

About The Creative Coalition and the Spotlight Initiative:

The Creative Coalition is the premier nonprofit, nonpartisan 501 (c)(3) social and public advocacy organization of the arts and entertainment community. Founded in 1989 by prominent members of the creative community, The Creative Coalition is dedicated to educating, mobilizing, and activating its members on issues of public importance. Actor Tim Daly serves as the organization’s President. The Spotlight Initiative Awards are a prestigious honor in the independent film arena.

Previous recipients include Dustin Hoffman, Kathy Bates, Eddie Izzard, and Josh Lucas for Boychoir; William H. Macy and John Hawkes for The Sessions; Kevin Spacey, Demi Moore, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, and Stanley Tucci for Margin Call; Vera Farmiga for Goats; Maggie Gyllenhaal for Hysteria; and directors Quentin Tarantino, Taylor Hackford, George Hickenlooper, Lee Daniels, Roland Emmerich, and Barry Levinson. Other Spotlight Initiative Award winners include Cicely Tyson, Marcia Gay Harden, Melissa Leo, Elijah Wood, Anna Kendrick, Ellen Barkin, Alan Arkin, Tracy Morgan, Kate Bosworth, Jane Lynch, Shailene Woodley, Alfred Molina, Cheryl Hines, Josh Gad, Jonathan Pryce, Rose McGowan, and Emile Hirsch, among others.

About Nikki Beach Worldwide:

In 1998, entrepreneur Jack Penrod introduced the world to Nikki Beach; the ultimate beach club concept that combines the elements of entertainment, dining, music, fashion, film and art into one. Today, the Nikki Beach concept has transcended its international venues and grown into a global, multifaceted luxury lifestyle & hospitality brand comprising of a Beach Club Division; a Lifestyle Division (including an exclusive branding & clothing line found at the Boutiques located at all Nikki Beach locations, a music label and Nikki Style Magazine, a luxury travel, fashion & lifestyle publication produced two times a year); a Special Events Division; a Hotels & Resorts Division; and Nikki Cares, a 501c3 Non-Profit Charity Division

Nikki Beach can now be experienced in: Miami Beach, Florida, USA; St. Tropez, France; St. Barth, French West Indies; Marbella, Spain; Cabo San Lucas, Mexico; Marrakech, Morocco; Koh Samui, Thailand; Mallorca, Spain; Ibiza, Spain; Phuket, Thailand; Porto Heli, Greece; Bali, Indonesia; and pop-up locations in Cannes, France during the Cannes International Film Festival, Canada during the Toronto International Film Festival and in Park City, Utah, USA during the Sundance Film Festival. The Hotels & Resorts division has a current location in Koh Samui, Thailand & Porto Heli, Greece and in 2015 will be opening a hotel property in Dubai, UAE; For more information about Nikki Beach Worldwide, please visit:Here...

When John Milius first put pen to paper on a screenplay that set Joseph Conrad’s seminal novel Heart of Darkness in the jungles of Vietnam, he had no idea he’d be embarking on a decade-long trip through creative hell. When George Lucas dropped out of directing Apocalpyse Now in favor of making Star Wars, he had no idea he’d be subjecting his friend and fellow director, Francis Ford Coppola, to the wrath of the filmmaking gods. And when Coppola—with dreams in his eyes of his own company that would make ambitious films with directors like himself—packed up his family and left for the Philippines, he had no idea he was in for years of creative frustration, physical and mental exhaustion, and near-financial ruin.

Perhaps Eleanor knew something. Francis’s wife had the foresight to chronicle her family’s odyssey on videotape. This footage—along with...

War is hell, for sure, but war can make for undeniably brilliant movie-making. Here, the Guardian and Observer's critics pick the ten best

• Top 10 action movies

• Top 10 comedy movies

• Top 10 horror movies

• Top 10 sci-fi movies

• Top 10 crime movies

• Top 10 arthouse movies

• Top 10 family movies

10. Where Eagles Dare

As the second world war thriller became bogged down during the mid-60s in plodding epics like Operation Crossbow and The Heroes of Telemark, someone was needed to reintroduce a little sang-froid, some post-Le Carré espionage, and for heaven's sake, some proper macho thrills into the genre. Alistair Maclean stepped up, writing the screenplay and the novel of Where Eagles Dare simultaneously, and Brian G Hutton summoned up a better than usual cast headed by Richard Burton (Major Jonathan Smith), a still fresh-faced Clint Eastwood (Lieutenant Morris Schaffer), and the late Mary Ure (Mary Elison).

Parachuted into the German Alps, they have one...

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly Ioncinephile profile (read this months’ pick), we ask the filmmaker the incredibly arduous task of identifying their top ten (eleven in this case) favorite films of all time. Hannah Fidell (who saw her first feature film A Teacher hit Sundance and SXSW, concludes a busy year with a VOD and theatrical release (September 6th) via Oscilloscope Laboratories. Here are her “favorite films right now (at this very moment)”. Enjoy!

A Face In The Crowd – Elia Kazan (1957)

“In my opinion, this is the greatest film of all time. Everything about this film is spot on: acting, story, camerawork… it is a masterpiece.”

Boogie Nights – Paul Thomas Anderson (1997)

“I will never forget where I was when I first saw this film. It was like a light bulb turned on after the...