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On set of Chasing Comets

News

Adam Howden

Acs salutes The Railway Man, Lesnie
The Railway Man.s Garry Phillips won the Gold Tripod for best feature at the Australian Cinematographers Society (Acs) national awards, an event dedicated to the memory of Andrew Lesnie. Phillips also got the Acs.s highest honour, the Milli Award, for which all Golden Tripod recipients were eligible.

Ben Nott received an award of distinction in the feature category for Predestination. Adam Arkapaw.s True Detectives episode 4 was feted for best telefeature, miniseries, TV drama or comedy, and Andrew Commis got the award. of distinction for Devil's Playground. Best dramatised documentary was Jim Frater.s The War That Changed Us episode 1. Joel Lawrence won the best international news award for Tsunami Anniversary. The audience at the awards, which were presented on Saturday night at Moma, stood for a minute's silence for Oscar-winner Lesnie, 59, who died last Monday. . National president Ron Johanson said, .We need to acknowledge the love and...
See full article at IF.com.au
  • 5/3/2015
  • by Inside Film Correspondent
  • IF.com.au
Accc launches short film on cartels
The Australian Competition & Consumer Commission has created a short film to raise awareness of cartels and collusion within trade.

The Marker, a 16-minute film on Accc’s YouTube channel, dramatises a scenario in which an executive is caught up in a cartel.

The concept was created and produced by Melbourne hot house Burning House with a filming budget of $50,000.

The film is the backbone of the government organisation’s campaign ‘Businesses compete, cartels just cheat’. The Accc has also released website banners and buttons for companies to include on their websites to lead back to the the Accc’s Cartel portal for users to find more information on how the user can report suspicious activities and request a ‘marker’ – immunity when reporting their involvement in a cartel.

Accc chairman, Rod Sims told Mumbrella: “We’re trying to get out a lot of messages and we thought a film that engages...
See full article at Encore Magazine
  • 8/31/2012
  • by Colin Delaney
  • Encore Magazine
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