William Dickerson(II)
- Director
- Writer
- Producer
William Dickerson's debut feature film "Detour," which he wrote and directed, was hailed as an "Underground Hit" by The Village Voice, an "emotional and psychological roller-coaster ride" by The Examiner, and nothing short of "authentic" by The New York Times. He self-released his metafictional satire, "The Mirror," which opened YoFi Fest's inaugural film festival in 2013, and his psychological thriller, "Don't Look Back," premiered on television to over 1.1 million viewers. His award-winning films have been been recognized by film festivals across the country.
His first book, "No Alternative," was declared "a sympathetic coming-of-age story deeply embedded in '90s music" by Kirkus Reviews. His second book, "DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter)," was called a candidly practical, thoroughly 'user friendly', and an essential instruction guide - especially for independent filmmakers working on shoestring budgets" by Midwest Book Review.
He recently adapted "No Alternative" into a motion picture starring Michaela Cavazos, Conor Proft, Chloe Levine, Kathryn Erbe and Harry Hamlin. The film has been called an "indie gem with no missteps" by Film Threat and "a remarkably assured and deeply felt grunge-era coming-of-age picture" by The Los Angeles Times.
His first book, "No Alternative," was declared "a sympathetic coming-of-age story deeply embedded in '90s music" by Kirkus Reviews. His second book, "DETOUR: Hollywood: How To Direct a Microbudget Film (or any film, for that matter)," was called a candidly practical, thoroughly 'user friendly', and an essential instruction guide - especially for independent filmmakers working on shoestring budgets" by Midwest Book Review.
He recently adapted "No Alternative" into a motion picture starring Michaela Cavazos, Conor Proft, Chloe Levine, Kathryn Erbe and Harry Hamlin. The film has been called an "indie gem with no missteps" by Film Threat and "a remarkably assured and deeply felt grunge-era coming-of-age picture" by The Los Angeles Times.
