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Tadashi Suganuma

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A Fugitive from the Past
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Arrow Video floors us with yet another well-curated Japanese masterpiece. For practical purposes, this disc might represent the Western premiere of Tomu Uchida’s three-hour ‘crime and punishment’ saga. Unfolding like a novel and filmed with an unusually gritty visual scheme called ‘the Toei W106 method,’ the story’s timeline is split between 1947 and 1957. It has a strong postwar social statement to make, but the overriding theme is one of spiritual Karma, and the function of guilt in imperfect humans. Several of the actors are just unforgettable, especially Rentarô Mikuni, Junzaburô Ban, and Ken Takakura.

A Fugitive from the Past

Blu-ray

Arrow Video

1965 / B&w / 2:35 widescreen / 183 min. / Street Date September 27, 2022 / Kiga kaikyô, Straits of Hunger / Available from Amazon / 39.95

Starring: Rentarô Mikuni, Sachiko Hidari, Ken Takakura, Junzaburô Ban, Kôji Mitsui, Yoshi Katô, Susumu Fujita, Akiko Kazami, Rin’ichi Yamamoto, Tadashi Suganuma.

Cinematography: Hanjirô Nakazawa

Special Effects: Sadao Uemura

Art Director: Mikio Mori...
See full article at Trailers from Hell
  • 9/6/2022
  • by Glenn Erickson
  • Trailers from Hell
Land of the Lost: Close-Up on Josef von Sternberg’s "Anatahan"
Close-Up is a feature that spotlights films now playing on Mubi. Josef von Sternberg's Anatahan (1953) is showing June 4 – July 3, 2019 in the United States.Its premise alone is intriguing. A group of Japanese sailors are attacked at sea and become stranded on an island for seven years, with no knowledge of how the outside world carries on without them. A world, it’s worth noting, that is currently at war. The 1944 incident served as the basis for Michiro Maruyama’s 1954 novel, Anatahan, in which he detailed the ordeal and his time on the Northern Mariana island of that name. Intriguing, yes, but perhaps not a subject immediately associated with filmmaker Josef von Sternberg, a director best known for ornate, cloistered, exotic, and sometimes romantically convoluted dramas. Yet von Sternberg had, in fact, harbored an interest in Japanese culture and art for some time, and the prospect of translating Maruyama’s text to film,...
See full article at MUBI
  • 6/10/2019
  • MUBI
The Saga of Anatahan
Take one fiercely individual auteur fed up with the Hollywood game, put him in Kyoto with a full Japanese film company, and the result is a picture critics have been trying to figure out ever since. It’s a realistic story told in a highly artificial visual style, in un-subtitled Japanese. And its writer-director intended it to play for American audiences.

The Saga of Anatahan

Blu-ray

Kino Lorber

1953 / B&W / 1:37 flat Academy / 91 min. / Anatahan, Ana-ta-han / Street Date April 25, 2017 / available through Kino Lorber / 29.95 Starring: Akemi Negishi, Tadashi Suganuma, Kisaburo Sawamura, Shoji Nakayama, Jun Fujikawa, Hiroshi Kondo, Shozo Miyashita, Tsuruemon Bando, Kikuji Onoe, Rokuriro Kineya, Daijiro Tamura, Chizuru Kitagawa, Takeshi Suzuki, Shiro Amikura.

Cinematography: Josef von Sternberg, Kozo Okazaki

Film Editor: Mitsuzo Miyata

Original Music: Akira Ifukube

Special Effects: Eiji Tsuburaya

Written by Josef von Sternberg from the novel by Michiro Maruyama & Younghill Kang

Produced by Kazuo Takimura

Directed by Josef von Sternberg...
See full article at Trailers from Hell
  • 4/11/2017
  • by Glenn Erickson
  • Trailers from Hell
Josef Von Sternberg’S Anatahan (1953)
One of the most unusual, and unusually moving swansongs in cinema history, Josef Von Sternberg’s Anatahan (a.k.a. The Saga of Anatahan) returns to American screens this spring in a new restoration which seems destined not to only buff up the movie’s obvious visual splendor but also its standing as an essential and fully engaged work of a master Hollywood stylist rather than simply a curious end post to a remarkable career.

In the early ‘50s Sternberg was coming off two movies made for Howard Hughes—the gorgeously sublimated cold-war adventure Jet Pilot (finished in 1950 but cut extensively by Hughes and held up for release until 1957) and Macao (1952), on which Sternberg and Hughes clashed again, resulting in the director’s replacement by Nicholas Ray. Disillusioned by Hollywood, Sternberg, a long-time devotee of Japanese culture, capitalized on his separation from Hughes and began investigating the possibility, one he...
See full article at Trailers from Hell
  • 2/18/2017
  • by Dennis Cozzalio
  • Trailers from Hell
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