On board his ship, Sandokan and his pirates are deciding on their next move. The boat moves and creaks, the sails flutter in the wind, and the crew gives a lusty hurrah as the course is set for Singapore. But a pirate has forgotten his hat, and the scene needs to be redone. The director Jan Michelini (“The Medici”) in his video village keeps the cameras rolling, and the English dialogue coach, Denise McNee, corrects a pronunciation – “‘ransom,’ not ‘ramson.'”
At Fremantle’s Lux Vide Studios in Formello, a town on the outskirts of Rome, the sky and sea come courtesy of a 360-degree Oled Wall in 24K resolution, 4.5 meters (15ft) high and 70 meters (230 ft) long. The boat is one of three constructed especially for the new series, which began filming in April.
“Give me C21,” says Stefano Leone, the visual effects supervisor. A tap on the computer and...
At Fremantle’s Lux Vide Studios in Formello, a town on the outskirts of Rome, the sky and sea come courtesy of a 360-degree Oled Wall in 24K resolution, 4.5 meters (15ft) high and 70 meters (230 ft) long. The boat is one of three constructed especially for the new series, which began filming in April.
“Give me C21,” says Stefano Leone, the visual effects supervisor. A tap on the computer and...
- 2/21/2025
- by John Bleasdale
- Variety Film + TV
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