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The "Pink Panther" film series reached its peak silliness in the 1970s and was all the better for it. Come "The Pink Panther Strikes Again," Blake Edwards and Peter Sellers had dropped the usual business of framing Inspector Clouseau's bumbling antics with a wider crime caper and just focused on him and his arch-nemesis, former Chief Inspector Charles Dreyfus (Herbert Lom). Dreyfus, having had it up to here after years of Clouseau's ineptitude, builds a vanishing ray and threatens the world with annihilation if the clueless detective isn't assassinated.

You can see the jokes coming from a mile away, but it hardly matters when you have a comic talent like Sellers delivering the gags. This is the period when all the elements of Clouseau that literally had me rolling on the floor laughing as a kid were cranked up to epic proportions; his penchant for zany disguises; the apartment-trashing fights...

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Before we get started, let’s all share a brief moment of resentment that Judy Becker didn’t win a production design Emmy last night for Feud. Boo.

Anyway, back to your regularly scheduled episode of The Furniture. Today is the 100th anniversary of the birth of Herbert Charles Angelo Kuchačevič ze Schluderpacheru, the character actor otherwise known as Herbert Lom. He fled Nazi-occupied Czechoslovakia in 1939 for Britain, where he would have a long career in both film and television. He appeared in three Best Production Design nominees: El Cid, Spartacus, and Gambit. I will be writing about none of them.

Instead, here’s some love for the design of the films for which he is remembered most widely. Lom played Police Commissioner Charles Dreyfus, the long-suffering boss of Inspector Clouseau,...