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Here are the 2010 New York Reader's Choice results for categories dealing with classes and coaches. To look at all of the categories, be sure to visit the main page. Favorite Vocal/Singing Coach: Jackie Presti "Singing is a big coordination act, and I think a lot of people come in focusing on one aspect," says voice therapist and teacher Jackie Presti. "It's sort of like juggling and riding a bike and reciting Shakespeare at the same time."Clearly, Presti, who's also a singer, musician, and conductor, hits the right notes with her students. Her knowledge of both technical and artistic matters, not to mention her versatility and flexibility as a teacher, appealed to Valerie Ryan Miller, who has studied with her for three years. "After developing a strong belt, and a lot of vocal tension," Miller says, "I came to Jackie, who has expanded my range enormously—we are talking octaves!

Not so many years ago, acting classes were fairly uncomplicated affairs. You needed a spacious, well-lit studio. You would add perhaps a few chairs and tables or movable blocks for scene study work. Top that with a teacher who knew what he or she was about, plus students eager to master the craft, and you were set. In some cases, that model still holds. But many, if not most, acting classes have become decidedly more complex.Consider the catalogue of equipment that Los Angeles acting teacher Brad Greenquist (www.bradgreenquist.com) uses in his acting-for-the-camera classes. "I have a Panasonic DVX100A camera that I shoot with, usually on a tripod but sometimes hand-held or with a dolly," he reports. "I have a boom and a boom pole and a Røde mike, and also an Audio-Technica lavaliere system with a portable receiver-mixer, which allows me to use two lavs to...