This review originally ran June 19, 2022, in conjunction with the film’s world premiere at the Tribeca Festival.
Introducing “Loudmouth” at the Tribeca Festival, Robert De Niro referred to the film’s subject, lifelong racial justice activist Rev. Al Sharpton, as “so soft-spoken and so reasonable.” The audience at the closing-night screening, many of them the Rev’s personal guests, laughed.
But De Niro, a friend of Rev. Sharpton, seemed to mean the sentiment genuinely, showing the severe divide between the Rev. Sharpton of the 1980s, an unapologetic practitioner of civil disobedience who was staunchly critical of whites as a class, and today’s Rev. Sharpton, an old-school liberal who has his own show on MSNBC.
“Loudmouth,” directed by Josh Alexander (“Prescription Thugs”), chronicles that evolution, although it leaves most of the pushback against Rev. Sharpton to archival footage rather than challenging the legend head-on.
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Introducing “Loudmouth” at the Tribeca Festival, Robert De Niro referred to the film’s subject, lifelong racial justice activist Rev. Al Sharpton, as “so soft-spoken and so reasonable.” The audience at the closing-night screening, many of them the Rev’s personal guests, laughed.
But De Niro, a friend of Rev. Sharpton, seemed to mean the sentiment genuinely, showing the severe divide between the Rev. Sharpton of the 1980s, an unapologetic practitioner of civil disobedience who was staunchly critical of whites as a class, and today’s Rev. Sharpton, an old-school liberal who has his own show on MSNBC.
“Loudmouth,” directed by Josh Alexander (“Prescription Thugs”), chronicles that evolution, although it leaves most of the pushback against Rev. Sharpton to archival footage rather than challenging the legend head-on.
Also Read:
‘Matilda the Musical’ Film Review: The Kids Are Revolting,...
- 12/8/2022
- by Lena Wilson
- The Wrap
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