News

CinemAsia Film Festival 2025 presents its full program for the 17th edition, running March 6-11 in Amsterdam. Featuring 38 handpicked films – of which 27 feature films and 11 shorts, including 1 world and 4 European premieres – the lineup spans blockbusters, art-house gems, and independent productions.

Hosted at Eye Filmmuseum, Studio/K, Rialto De Pijp, and Rialto Vu, CinemAsia invites audiences on a cinematic journey through Asia’s rich storytelling, stunning visuals, and diverse cultural perspectives.

Grand Opening & Closing Films

Opening Film – Happyend by Neo Sora (Dutch premiere) – Director present at the festival.

The festival opens with the highly anticipated Happyend by Japanese-American filmmaker Neo Sora. Set in a dystopian near-future Tokyo overshadowed by an impending catastrophic earthquake, this visually stunning film explores identity and friendship in a world dominated by control and uncertainty.

Closing Film – Fly Me To The Moon (Hong Kong 2023) by Sasha Chuk (Dutch premiere) – Director present.

CinemAsia 2025 closes with Fly Me to the Moon,...

Netflix has revealed its slate of original titles from Indonesia and Thailand set to premiere in 2025, including a series from the team behind box office phenomenon How To Make Millions Before Grandma Dies.

Thai series Mad Unicorn follows a reformed rural street thug who dives into the express delivery industry to challenge a business mogul who once betrayed him and goes on to become the country’s first “unicorn” startup.

It marks the series directorial debut of Nottapon Boonprakob, who co-wrote Sundance 2021 award-winner One For The Road, and is executive produced by Jira Maligool and Vanridee Pongsittisak – the team behind...

Netflix Thailand is adding a rags-to-riches series exec produced by the team behind How to Make Millions Before Grandma Dies and a feel-good movie about snow sculpting to a nine-strong originals slate for 2025.

The streamer has unveiled one new series, one returner and six movies. As revealed last week, it is also putting a February 27 launch date on its upcoming series Dalah: Death and the Flowers.

The slate comes at a delicate time for Netflix Thailand, which this week saw originals chief Yongyoot Thongkongtoon exit for “personal reasons,” according to trade title Content Asia.

On the series front comes Mad Unicorn and the returning faith and finance drama The Believers. Mad Unicorn is from Thai studio Gdh 559 and is notable as the series directorial debut of Nottapon Boonprakob, a writer for One for the Road. Jira Maligool and Vanridee Pongsittisak, who were behind the megahit film How to Make Millions Before Grandma Dies,...

The bond of love is even greater than that of blood, which has been explored in the Thai series Analog Squad. The director, Nithiwat Tharatorn, deserves accolades for trying to portray the beauty of familial bonds in the eight episodes of the series. Pond resorts to hiring a set of actors to play his wife and kids in front of his father, who is on his deathbed. The bond that the elderly develop with the actors is sure to move audiences. Every character in the series deals with certain familial issues, and how they manage to tackle them has also been shed light upon in the show! The excellent cast of the series includes Namfon Kullanut, Nopachai Chaiyanam, and others. The question of whether Pond will ever be able to confess his lies to his parents will keep bugging the audience throughout the series! Let’s find out what eventually...

Netflix has revealed its debut slate of original Thai productions, including four feature films and two TV series.

The four films will be produced in partnership with local production partners Gmm Studios International, Song Sound Production, Transformation Films, and 18 Tanwa.

The slate includes Director Sitisiri Mongkolsiri’s latest Hunger, which is billed as a restaurant drama that follows Aoy, a woman in her twenties, who runs her family’s local stir-fried noodles restaurant in the old quarter of Bangkok. One day, she receives an invitation to leave the family business and join team ‘Hunger’, Thailand’s number one luxury Chef’s table team led by the famously ingenious, and infamously nasty, Chef Paul.

Writer-director Prueksa Amaruji will bring The Lost Lotteries, produced by Ekachai Uekrongtham, to the streamer. The film is billed as a heist-comedy film about 5 losers united by a crazy mission to retrieve their 30-million-baht winning lottery...

Four features and two series include the latest from award-winning director Wisit Sasanatieng.

Netflix has announced its first ever slate of original features and series from Thailand, directed by a string of award-winning filmmakers and produced by powerhouse studios Gdh and Gmm.

The films include The Murderer, directed by Wisit Sasanatieng, which marks the streaming platform’s first feature in the northeastern Thai dialect. It stars popular Thai comedian Mum Jokmok as a policeman who investigates whether an English man has killed his Thai in-laws.

Wisit is known for titles such as Western homage Tears Of The Black Tiger, which...

Netflix is broadening its original content output from Thailand, a country with a history of punching above its weight with original genre filmmaking, TV production and creative advertising.

Netflix has produced and released a smattering of individual originals from Thailand over the past few years — including reality series The Stranded and crime thriller Bangkok Breaking — but the lineup unveiled by the streamer at a glitzy event in Bangkok Tuesday evening represents its first full Thai slate. The slate includes four films and two series.

“From broad comedy to twisty thrillers, this is our most diverse lineup of titles to date in Thailand,” said Netflix’s director of content for Thailand, Yongyoot Thongkongtoon.

“While we explore class disparity in culinary film Hunger, pay homage to itinerant mobile film troupes in Mon Rak Nak Pak and follow the emotional journey of strangers pretending to be a family in Analog Squad,...

Exclusive: Suspense thriller sells to Malaysia and Vietnam in slew of distribution deals.

Thailand’s Gdh 559 has scored a raft of deals at Filmart for Bad Genius, including Westec Media (Cambodia), Golden Village (Singapore), Pt Inter Solusindo (Indonesia), Suraya Filem (Malaysia) and Galaxy (Vietnam).

The suspense thriller, which opens locally in May, is Gdh’s first release of this year. The film was directed by Nattawut Poonpiriya, whose credits include Countdown [pictured].

The company has also sold A Gift to Orange Sky Golden Harvest for Hong Kong and Bees Factory for Taiwan.

Released in December, the feel-good comedy omnibus is directed by Jira Maligool, Nithiwat Tharatorn, Chayanop Boonprakob and Kriangkrai Wachirathamporn.

Thai production house Gdh 559 is launching its inaugural slate with Banjong Pisanthanakun’s anticipated romance.

Banjong Pisanthanakun’s One Day is set to open on Sept 1 as the first title from the debut slate of new Thai production house Gdh 559, following the breakup of Gmm Tai Hub (Gth) last year.

The highly-anticipated romance film reunites Banjong with his leading man and co-screenwriter Chantavit “Ter” Dhanasevi (Hello Stranger).

The story follows Ter’s character who risks everything to be with his dream girl for just one day by pretending to be her boyfriend after she suffers temporary memory loss.

TV actress Nittha “Mew” Jirayungyurn makes her big screen debut in the film, which was mainly shot on location in Hokkaido, Japan.

Another upcoming Gdh title is New Year’s Gift, which is scheduled for release on Dec 1. The feel-good romantic drama is a three-part omnibus directed by Jira Maligool (The Tin Mine), Nithiwat Tharatorn (The Teacher’s Diary...

Every year Hollywood gets a curated batch of films from dozens of countries seeking an Academy Award nomination for Best Foreign Language Film. One film per nation is chosen to represent the best of its cinematic production during the previous year. Certainly the chosen film is not always the ideal candidate, but the reasoning behind the selection usually follows two patterns: there are countries that go with the best film even if this is not the most appealing choice and there are countries that go with the most ambitious, industry-friendly, and financially successful work. This year the astonishing number of submissions – a total of 83 – makes for an incredible list of films that range from those that sport festival pedigree of the highest caliber, unknown gems looking for an audience, expensive visual achievements, and obscure art house hopefuls.

This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).

With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.

Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.

Period Dramas/Biopics

Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”

Masters and Festival Winners

Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.

Out of the Box

Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.

Documentaries

Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.

Lgbt

Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.

Surprising Choices

As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.

First Timers

The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.

Female Directors

Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”

U.S. Distribution

Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”

To see which distribution company has each of these films please refer to the list below.

Afghanistan

"A Few Cubic Meters of Love" (چند متر مکعب عشق)

Dir: Jamshid Mahmoudi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Argentina

"Wild Tales" (Relatos Salvajes)

Dir: Damián Szifrón

Language: Spanish

U.S Distribution: Sony Pictures Classics

Isa: Film Factory Entertainment

Trailer

Austria

"The Dark Valley" (Das finstere Tal)

Dir: Andreas Prochaska

Language: German

U.S Distribution: Film Movement

Isa: Films Distribution

Trailer

Australia

"Charlie's Country"

Dir: Rolf de Heer

Language: Yolŋu Matha/English

U.S Distribution: None Yet

Isa: Visit Films

Trailer

Azerbaijan

"Nabat"

Dir: Elcin Musaoglu

Language: Azerbaijani

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Bangladesh

"Glow of the Firefly" (Jonakir Alo)

Dir: Khalid Mahmood Mithu

Language: Bengali

U.S Distribution: None Yet

PC: Impress Telefilm

Trailer

Belgium

"Two Days, One Night" (Deux jours, une nuit)

Dir: Jean-Pierre Dardenne & Luc Dardenne

Language: French/Arabic

U.S Distribution: Sundance Selects

Isa: Wild Bunch

Trailer

Bolivia

"Forgotten" (Olvidados)

Dir: Carlos Bolado

Language: Spanish

U.S Distribution: None Yet

PC: Flor de Loto Pictures

Trailer

Bosnia & Herzegovina

"With Mom" (Sa mamom)

Dir: Faruk Loncarevic

Language: Bosnian

U.S Distribution: None Yet

PC: Scca/pro.ba

TraileR

Brazil

"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)

Dir: Daniel Ribeiro

Language: Portuguese

U.S Distribution: Strand Releasing

Isa: Films Boutique Trailer

Bulgaria

"Bulgarian Rhapsody" (българска рапсодия)

Dir: Ivan Nitchev

Language: Bulgarian

U.S Distribution: None Yet

PC: Cinepaz Eood

Trailer

Canada

"Mommy"

Dir: Xavier Dolan

Language: French/English

U.S Distribution: Roadside Attractions

Isa: Seville International

Trailer

Chile

"To Kill a Man" (Matar a un Hombre)

Dir: Alejandro Fernández Almendras

Language: Spanish

U.S Distribution: Film Movement

Isa: Film Factory Entertainment

Trailer

China

"The Nightingale" (夜莺/Le promeneur d'oiseau)

Dir: Philippe Muyl

Language: Mandarin

U.S Distribution: None Yet

Isa: Kinology

Trailer

Colombia

"Mateo"

Dir: Maria Gamboa ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Alpha Violet

Trailer

Costa Rica

"Red Princesses" (Princesas Rojas)

Dir: Laura Astorga ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films Trailer

Croatia

"Cowboys" (Kauboji)

Dir: Tomislav Mrsic

Language: Croatian

U.S Distribution: None Yet

Isa: Wide

Trailer

Cuba

"Behavior" (Conducta)

Dir: Ernesto Daranas

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films

Trailer

Czech Republic

"Fair Play"

Dir: Andrea Sedlácková Andrea Sedlácková

Language: Czech

U.S Distribution: None Yet

Isa: IntraMovies

Trailer

Denmark

"Sorrow and Joy" (Sorg og glæde)

Dir: Nils Malmros

Language: Danish

U.S Distribution: None Yet

PC: Nordisk Film Production

Trailer

Dominican Republic

"Cristo Rey"

Dir: Leticia Tonos ♀

Language: Spanish

U.S Distribution: None Yet

Isa: The Little Film Company

Trailer

Ecuador

"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)

Dir: Tito Molina

Language: Spanish

U.S Distribution: None Yet

PC: La Facultad

Trailer

Egypt

"Factory Girl" (فتاة المصنع )

Dir: Mohamed Khan

Language: Arabic

U.S Distribution: None Yet

PC: DayDream Art Production

Trailer

Estonia

"Tangerines" (Mandariinid)

Dir: Zaza Urushadze

Language: Estonian/Russian

U.S Distribution: None Yet

Isa: Cinemavault

Trailer

Ethiopia

"Difret"

Dir: Zeresenay Mehari

Language: Amharic

U.S Distribution: None Yet

Isa: Films Boutique Trailer

Finland

"Concrete Night" (Betoniyö)

Dir: Pirjo Honkasalo ♀

Language: Finnish

U.S Distribution: None Yet

Isa: Film Republic Trailer

France

"Saint Laurent"

Dir: Bertrand Bonello

Language: French

U.S Distribution: Sony Pictures Classics

Isa: Europacorp

Trailer

Georgia

"Corn Island" (სიმინდის კუნძული)

Dir: George Ovashvili

Language: Georgian/Abkhazian/Russian

U.S Distribution: None Yet

Isa: Arizona Productions

Trailer

Germany

"Beloved Sisters" (Die geliebten Schwestern)

Dir: Dominik Graf

Language: German /French

U.S Distribution: Music Box Films

Isa: Global Screen

Trailer

Greece

"Little England" (Μικρά Αγγλία)

Dir: Pantelis Voulgaris

Language: Greek

U.S Distribution: None Yet

PC: Black Orange

Trailer

Hong Kong

"The Golden Era" (黄金时代)

Dir: Ann Hui ♀

Language: Mandarin

U.S Distribution: None Yet

Isa: Edko Films

Trailer

Hungary

"White God" (Fehér isten)

Dir: Kornél Mundruczó

Language: Hungarian/English

U.S Distribution: Magnolia Pictures

Isa: The Match Factory

Trailer

Iceland

"Life in a Fishbowl" (Vonarstræti)

Dir: Baldvin Zophoníasson

Language: None Yet

U.S Distribution: None Yet

Isa: Films Boutique Trailer

India

"Liar's Dice" (लायर्स डाइस)

Dir: Geethu Mohandas ♀

Language: Hindi

U.S Distribution: None Yet

PC: Jar Pictures Trailer

Indonesia

"Soekarno"

Dir: Hanung Bramantyo

Language: Indonesian

U.S Distribution: None Yet

PC: Mvp Pictures

Trailer

Iran

"Today" (امروز )

Dir: Reza Mirkarimi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Iraq

"Mardan"

Dir: Batin Ghobadi

Language: Kurdish

U.S Distribution: None Yet

Isa: Versatile Trailer

Ireland

"The Gift" (An Bronntanas)

Dir: Tom Collins

Language: Irish/English

U.S Distribution: None Yet

PC: Rosg/De Facto Films

Trailer

Israel

"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)

Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz

Language: Hebrew/French/Arabic

U.S Distribution: Music Box Films

Isa: Films Distribution

Trailer

Italy

"Human Capital" (Il Capitale Umano)

Dir: Paolo Virzì

Language: Italian

U.S Distribution: Film Movement

PC: Indiana Production Company

Trailer

Japan

"The Light Shines Only There" (そこのみにて光輝く)

Dir: Mipo Oh ♀

Language: Japanese

U.S Distribution: None Yet

Isa: Open Sesame

Trailer

Kosovo

"Three Windows and a Hanging" (Tri Dritare dhe një Varje)

Dir: Isa Qosja

Language: Albanian

U.S Distribution: None Yet

PC: CMb Productions

Trailer

Kyrgyzstan

"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)

Dir: Sadyk Sher-Niyaz

Language: Kirghiz

U.S Distribution: None Yet

PC: Aitysh Film

Trailer

Latvia

"Rocks in My Pockets" (Akmeņi manās kabatās)

Dir: Signe Baumane ♀

Language: Latvian

U.S Distribution: Zeitgeist Films

Isa: New Europe Film Sales

Trailer

Lebanon

"Ghadi" (غدي)

Dir: Amin Dora

Language: Arabic

U.S Distribution: None Yet

Isa: Fortissimo Films

Trailer

Lithuania

"The Gambler" (Lošėjas)

Dir: Ignas Jonynas

Language: Lithuanian

U.S Distribution: None Yet

Isa: Wide

Trailer

Luxembourg

"Never Die Young"

Dir: Pol Cruchten

Language: French

U.S Distribution: None Yet

Isa: EastWest Distribution

Trailer

MacEdonia

"To the Hilt" (До балчак)

Dir: Stole Popov

Language: Macedonian/French/English/ Turkish

U.S Distribution: None Yet

PC: Triangle Film- Skopje

Trailer

Malta

"Simshar"

Dir: Rebecca Cremona ♀

Language: Maltese

U.S Distribution: None Yet

PC: Kukumajsa Productions

Trailer

Mauritania

"Timbuktu"

Dir: Abderrahmane Sissako

Language: French/Arabic/Bambara/English/Songhay/Tamasheq

U.S Distribution: Cohen Media Group

Isa: Le Pacte

Trailer

Mexico

"Cantinflas"

Dir: Sebastian del Amo

Language: Spanish/English

U.S Distribution: Pantelion Films

Isa: 6 Sales

Trailer

Moldova

"The Unsaved" (La Limita de Jos a Cerului)

Dir: Igor Cobileanski

Language: Romanian

U.S Distribution: None Yet

Isa: Insomnia World Sales Trailer

Montenegro

"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)

Dir: Nikola Vukcevic

Language: Serbian

U.S Distribution: None Yet

PC: Artikulacija Production

Trailer

Morocco

"The Red Moon" (القمر الأحمر)

Dir: Hassan Benjelloun

Language: Arabic

U.S Distribution: None Yet

PC: Bentaqerla

Trailer

Nepal

"Jhola" (झोला)

Dir: Yadav Kumar Bhattarai

Language: Nepali

U.S Distribution: None Yet

PC: Media for Culture

Trailer

The Netherlands

"Accused" (Lucia de B.)

Dir: Paula van der Oest ♀

Language: Dutch

U.S Distribution: None Yet

Isa: Fortissimo Films

Trailer

New Zealand

"The Dead Lands"

Dir: Toa Fraser

Language: Maori

U.S Distribution: None Yet

Isa: Xyz Films

Trailer

Norway

"1001 Grams" (1001 Gram)

Dir: Bent Hamer

Language: Norwegian/French/ English

U.S Distribution: Kino Lorber

Isa: Les Films du Losange

Trailer

Pakistan

"Dukhtar" (دختر، بیٹی)

Dir: Afia Nathaniel ♀

Language: Urdu

U.S Distribution: None Yet

PC: Zambeel Films

Trailer

Palestine

"Eyes of a Thief" (عيون الحراميه)

Dir: Najwa Najjar ♀

Language: Arabic

U.S Distribution: None Yet

PC: Ustura Films Trailer

Panama

"Invasion" (Invasión)

Dir: Abner Benaim

Language: Spanish

U.S Distribution: None Yet

Isa: Apertura Films Trailer

Peru

"The Gospel of the Flesh" (El Evangelio de la Carne)

Dir: Eduardo Mendoza de Echave

Language: Spanish

U.S Distribution: None Yet

PC: La Soga Producciones

Trailer

The Philippines

"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)

Dir: Lav Diaz

Language: Tagalog/English

U.S Distribution: The Cinema Guild

Isa: M-Appeal World Sales

Trailer

Poland

"Ida"

Dir: Pawel Pawlikowski

Language: Polish

U.S Distribution: Music Box Films

Isa: Portobello Film Sales

Trailer

Portugal

"What Now? Remind Me" (E Agora? Lembra-me)

Dir: Joaquim Pinto

Language: Portuguese

U.S Distribution: The Cinema Guild

PC: C.R.I.M Productions

Trailer

Romania

"The Japanese Dog" (Câinele Japonez)

Dir: Tudor Cristian Jurgiu

Language: Romanian/Japanese

U.S Distribution: None Yet

Isa: M-Appeal World Sales

Trailer

Russia

"Leviathan" (Левиафан)

Dir: Andrey Zvyagintsev

Language: Russian

U.S Distribution: Sony Pictures Classics

Isa: Pyramide International

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Serbia

"See You in Montevideo" (Montevideo, vidimo se!)

Dir: Dragan Bjelogrlic

Language: Serbian/Spanish/ English

U.S Distribution: None Yet

PC: Intermedia Network

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Singapore

"Sayang Disayang"

Dir: Sanif Olek

Language: Malay/Indonesian

U.S Distribution: None Yet

PC: ReelJuice

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Slovakia

"A Step Into the Dark" (Krok do tmy)

Dir: Miloslav Luther

Language: Slovak

U.S Distribution: None Yet

PC: Trigon Production Trailer

Slovenia

"Seduce Me" (Zapelji me)

Dir: Marko Santic

Language: Slovenian

U.S Distribution: None Yet

PC: Radio-Television Slovenia

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South Africa

"Elelwani"

Dir: Ntshaveni Wa Luruli

Language: Venda

U.S Distribution: None Yet

Isa: EastWest FilmDistribution

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South Korea

"Haemoo" (해무)

Dir: Sung Bo Shim

Language: Korean

U.S Distribution: None Yet

Isa: Finecut

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Spain

"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)

Dir: David Trueba

Language: Spanish

U.S Distribution: Outsider Pictures

Isa: 6 Sales

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Sweden

"Force Majeure" (Turist)

Dir: Ruben Östlund

Language: Swedish/English

U.S Distribution: Magnolia Pictures

Isa: Coproduction Office (Paris)

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Switzerland

"The Circle" (Der Kreis)

Dir: Stefan Haupt

Language: Swiss German/ German/ French

U.S Distribution: Wolfe Video

Isa: Wide House

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Taiwan

"Ice Poison" (冰毒)

Dir: Midi Z.

Language: Burmese/Chinese

U.S Distribution: None Yet

Isa: Flash Forward Enterteinment

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Thailand

"The Teacher's Diary" (คิดถึงวิทยา)

Dir: Nithiwat Tharathorn

Language: Thai

U.S Distribution: None Yet

Isa: Gth

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Turkey

"Winter Sleep" (Kis uykusu)

Dir: Nuri Bilge Ceylan

Language: Turkish/English

U.S Distribution: Adopt Films

Isa: Memento Films International

Trailer

Ukraine

"The Guide" (Поводир)

Dir: Oles Sanin

Language: Ukrainian/Russia/English

U.S Distribution: None Yet

PC: Pronto Film

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United Kingdom

"Little Happiness" (Uzun Yol)

Dir: Nihat Seven

Language: Turkish

U.S Distribution: None Yet

Isa: 7&7 Producers' Sales Services

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Uruguay

"Mr. Kaplan"

Dir: Álvaro Brechner

Language: Spanish

U.S Distribution: None Yet

Isa: Memento Films International

Trailer

Venezuela

"The Liberator" (Libertador)

Dir: Alberto Arvelo

Language: Spanish/English/ French

U.S Distribution: Cohen Media Group

Isa: Mundial

Trailer...

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A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.

The 2014 submissions are:

Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;

Argentina, “Wild Tales,” Damián Szifrón, director;

Australia, “Charlie’s Country,” Rolf de Heer, director;

Austria, “The Dark Valley,” Andreas Prochaska, director;

Azerbaijan, “Nabat,” Elchin Musaoglu, director;

Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;

Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;

Bolivia, “Forgotten,” Carlos Bolado, director;

Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;

Brazil, “The Way He Looks,” Daniel Ribeiro, director;

Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;

Canada, “Mommy,” Xavier Dolan, director;

Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;

China, “The Nightingale,” Philippe Muyl, director;

Colombia, “Mateo,” María Gamboa, director;

Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;

Croatia, “Cowboys,” Tomislav Mršić,...

The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan's Canadian drama Mommy, a favorite at this year's Cannes, Sweden's Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes. Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last...

The Academy of Motion Picture Arts and Sciences has released the list of submissions for the 2015 Best Foreign Language Film Academy Award. According to the Academy's press release, a record 83 countries have submitted films for consideration, including first-timers Kosovo, Malta, Mauritania, and Panama. Now, if only all those movies were made available for online viewing — or at least on DVD (outside of their respective countries). The 2015 Oscar nominations will be announced live on Thursday, January 15, at 5:30 a.m. Pt in the Academy's Samuel Goldwyn Theater in Beverly Hills. The 2015 Oscar ceremony will be held on Sunday, February 22, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. In the United States, the Oscarcast will be televised live by ABC; additionally, the Oscars will be televised live in more than 225 countries and territories worldwide. See below the full list of 2015 Best Foreign Language Film Oscar submissions. Afghanistan, A Few Cubic Meters of Love,...

The Academy has announced the complete list of 2015 Foreign Language Oscar contenders for the 2015 Oscar awards and again its a new record, topping last year's record 76 submissions, this year the list reaches 83 total submissions. Kosovo, Malta, Mauritania and Panama are first-time entrants. I've seen a few more on the list than I did last year and I actually have to assume with the buzz from those I've seen they may end up being major players. I'm particularly happy to see Xavier Dolan's Mommy in the field from Canada and it's great seeing the hilarious Wild Tales submitted by Argentina. The Russian submission of Leviathan (Leviafan) came, I think, as a bit of a surprise to everyone considering its subject matter, which could be looked at as critical of its native country. The Dardennes' Two Days, One Night has received a lot of acclaim everywhere it has played and we...

The Academy has received a record 83 submissions for the Best Foreign-Language Film Oscar.

Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.

Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.

The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.

The 2014 submissions are (in alphabetical order of country):

Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi

Argentina, Wild Tales, Damián Szifrón

Australia, Charlie’s Country, Rolf de Heer

Austria, The Dark Valley, Andreas Prochaska

Azerbaijan, Nabat, Elchin Musaoglu

Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu

Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne

Bolivia, Forgotten, Carlos Bolado

Bosnia and Herzegovina, With Mom, Faruk Lončarevič

Brazil, The Way He Looks, Daniel Ribeiro

Bulgaria, Bulgarian Rhapsody, Ivan Nitchev

Canada, Mommy, Xavier Dolan

Chile, To Kill A...

Keeping track of the Foreign Language submissions for the Oscars each year is something I constantly forget to keep on top of, but I have just done a full update as we are now up to 56 total submissions, only 20 shy of last year's record-breaking 76 submissions with only eight days to go before the October 1 submission deadline. Notable new entries on the list include Belguim's submission of Jean-Pierre and Luc Dardenne's festival favorite Two Days, One Night as well as Canada submitting Xavier Dolan's Mommy, which knocked the socks of Cannes audiences and did the same to me in Toronto this year (read my review here). It should also be noted France has submitted Bertrand Bonello's Saint Laurent instead of last year's buzzy title Blue is the Warmest Color, which missed the release date cut off date last year, making it eligible for this year's Oscars, but the...