Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
IMDbPro

News

Martín Escalante

Lost in the Night Movie Ending Explained: Does Emiliano Achieve Justice?
Amat Escalante
Amat Escalante’s “Lost in the Night” (Original title: Perdidos en la noche) is driven towards an exploration of guilt, regret, and morality. It skewers the class divides rampant as they are in its setting of Mexico. Across the rural space, the markers of denomination, hierarchies of privilege, and exclusion are starkly evident. As the less-endowed strike out against injustice and exploitation, down comes a brutal hammer. It’s a morally murky quagmire Escalante depicts, hinting at a worldview refusing to trade in clear-cut binaries. The bad guys express remorse, and the good one who has the right on their side don’t always do morally favorable things.

Escalante surprises, especially since the thematic terrain of class conflicts is a well-trod one. So, he genuflects on the characterization, amping up unexpected discoveries and realizations shifting across a morally nebulous spectrum. No person is wholly avaricious, they have quite a few redeeming qualities.
See full article at High on Films
  • 12/25/2024
  • by Debanjan Dhar
  • High on Films
Powerful thriller Lost In The Night available now on Amazon Prime Video in the UK
Image
Sovereign is proud to announce that award-winning Mexican director Amat Escalante’s powerful thriller Lost In The Night received its UK premiere at the 2023 BFI London Film Festival, as part of the ‘Thrill’ section, and now the film is available to rent/buy on Amazon Prime Video in the UK.

From acclaimed Mexican director Amat Escalante, following Heli, for which he won Best Director at Cannes in 2013, and The Untamed, which won him the Best Director prize at Venice in 2016, comes Lost In The Night, a taut, engrossing thriller that blends traditional elements of Latin American cinema with astute social commentary on Mexican society and contemporary influencer culture.

The film, which premiered at Cannes this year, stars Juan Daniel García Treviño (Narcos México), and Latin American influencer superstar Ester Expósito, who has 27 million followers, and features a superb score by Stranger Things composers Kyle Dixon and Michael Stein.

The film...
See full article at Horror Asylum
  • 4/11/2024
  • by Peter 'Witchfinder' Hopkins
  • Horror Asylum
Image
‘Lost in the Night’ Review: Amat Escalante’s Class-Inequality Mystery Has Potent Elements Without Much Genre Heat
Image
Cannes frequently gets criticized for the paucity of Latin American representation in the main competition, so it was widely assumed that the new feature from festival veteran Amat Escalante, the 2013 best director winner for Heli, would be guaranteed a spot. Sad to report that watching Lost in the Night (Perdidos en la noche), it’s easy to see why it was shuffled off to a sidebar. The Mexican filmmaker moves out from the shadow of his former mentor, Carlos Reygadas, with his most accessible work to date in this revenge thriller, which is engrossing enough but also a bit meandering and underpowered.

Escalante’s fifth feature takes its cues more from his experience in television on Narcos: Mexico than from his previous big-screen work, which could in theory bring him to a wider audience. But it lacks the tight cohesion of that series at its best, and softens the jarring intensity,...
See full article at The Hollywood Reporter - Movie News
  • 5/23/2023
  • by David Rooney
  • The Hollywood Reporter - Movie News
Sovereign to release ‘Lost In The Night’ in the UK and Ireland (exclusive)
Image
Amat Escalante’s title debuted in the Cannes Premiere section.

Mexican auteur Amat Escalante’s Lost In The Night is to be released in the UK and Ireland by Sovereign, following its debut in the Cannes Premiere section.

Sovereign is aiming for a late 2023, early 2024 theatrical release, with The Match Factory handling international sales.

The social thriller tells the story of a Mexican activist who disappears without a trace following her protests against the local mining industry. Five years later, her son attempts to find the culprit.

It was written by Escalante in collaboration with his brother Martín Escalante and Paulina Mendoza.
See full article at ScreenDaily
  • 5/21/2023
  • by Mona Tabbara
  • ScreenDaily
Top 100 Most Anticipated Foreign Films of 2021: #2. Amat Escalante’s El estado del imperio
Image
El estado del imperio

Produced by Nicolás Celis, Fernanda de la Peza.

Directed by Amat Escalante

Written by Amat Escalante, Martín Escalante, Paulina Mendoza

Starring: To be announced.

Release Date/Prediction: Seeing that casting commenced late in 2020, we can imagine a late premiere in the year and his second time competing in the Venice Film Festival.

…...
See full article at IONCINEMA.com
  • 1/13/2021
  • by Nicholas Bell
  • IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

More from this person

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.